699 resultados para Platão
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Ayudas a la Innovación Educativa, 1997-98. Anexo Memoria en C-Innov. 55
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Se presenta una actividad didáctica dirigida a alumnos de Nivel A1 del MCER y diseñada para realizarse en dinámica de parejas, grupos e individual. Los objetivos son: repasar y practicar el uso del 'se' impersonal o de las generalizaciones; repasar y practicar la expresión de la causa: 'porque - para - por'; trabajar la comprensión lectora; dentro de los objetivos socioculturales, se trata de conocer los alimentos básicos de la cocina española y la india; y en cuanto a la interacción oral, el objetivo principal es hablar sobre los alimentos y las ocasiones en las que se consumen; respecto a la expresión oral, se explica cómo se prepara un plato indo-español.
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Tendo como prerrogativa o desmascaramento da pretensão, inserida em qualquer essência fenoménica e psicológica, de afirmar-se como uma entidade autónoma, isolada e independente, como puro “em si”, e à revelação de como, contrariamente, qualquer realidade empírica tenha de tal forma uma natureza impermanente subentendendo-se como uma rede de relações e de interligações, a teoria da anatta-, juntamente com a da anicca, representam no âmbito do ensinamento budista talvez o que mais se assemelha ao conceito de askesis filosófica formulado no Ocidente por uma certa tradição de pensamento tendo como raízes Heraclito, Platão, Hegel e Nietzsche e que descobre dois de entre os mais originais intérpretes em Novalis e Pessoa. De facto, quer no primeiro quer no segundo, o filosofar configura-se como uma arte de compor e recompor- se a si mesmo, um percurso de iniciação a si que passa inexoravelmente pelo abandono da posição da própria auto-referencialidade e da aceitação ontognoseológica do outro no seio do idêntico. Mediante esta operação de descentralização, que em Pessoa começa e se dissolve no interior da estratégia estética da heteronímia, onde a palavra poética transfigura-se no interstício, na abdicação e fingimento, o sujeito descobre-se diferença e relação e é-lhe finalmente possível reconhecer-se como totalidade e de reflectir-se nela.
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This article presents a statistical method for detecting recombination in DNA sequence alignments, which is based on combining two probabilistic graphical models: (1) a taxon graph (phylogenetic tree) representing the relationship between the taxa, and (2) a site graph (hidden Markov model) representing interactions between different sites in the DNA sequence alignments. We adopt a Bayesian approach and sample the parameters of the model from the posterior distribution with Markov chain Monte Carlo, using a Metropolis-Hastings and Gibbs-within-Gibbs scheme. The proposed method is tested on various synthetic and real-world DNA sequence alignments, and we compare its performance with the established detection methods RECPARS, PLATO, and TOPAL, as well as with two alternative parameter estimation schemes.
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What is at stake when J. L. Austin calls poetry ‘non-serious’, and sidelines it in his speech act theory? (I). Standard explanations polarize sharply along party lines: poets (e.g. Geoffrey Hill) and critics (e.g. Christopher Ricks) are incensed, while philosophers (e.g. P. F. Strawson; John Searle) deny cause (II). Neither line is consistent with Austin's remarks, whose allusions to Plato, Aristotle and Frege are insufficiently noted (III). What Austin thinks is at stake is confusion, which he corrects apparently to the advantage of poets (IV). But what is actually at stake is the possibility of commitment and poetic integrity. We should reject what Austin offers (V).
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This paper examines the growing dysfunction between the apparently increasing significance of diverse leisure practices in the countryside and the largely unchanging official response towards them. Although there is recognition in the recent rural White Paper (DOE and MAFF, 1995) that access is essential to enjoying the countryside, the construction of this term is dubious, since paid access agreements, based on producer requirements, are favoured over any form of demand-driven freedom to roam. Using the Countryside Stewardship Scheme (CSS) as an example of the incentive structure developed to promote this policy, the paper applies Plato's simulacrum as a reading of how this process is being utilised to underpin the dominant rights associated with rural property interests. In particular, the paper makes the point that rather than representing the corollary of a market situation, as its supporters claim, the CSS involves government grant for the eclectic provision of short term licences over ground which remains unmapped as anything other than its continued agricultural use. In concluding, the paper asserts that rather than representing an increase in the availability of leisure sites in the countryside, the CSS and other schemes represent a diversion from the wider and deeper socio-cultural process of continued wealth and power redistribution.
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The Egyptians mesmerized the ancient Greeks for scores of years. The Greek literature and art of the classical period are especially thick with representations of Egypt and Egyptians. Yet despite numerous firsthand contacts with Egypt, Greek writers constructed their own Egypt, one that differed in significant ways from actual Egyptian history, society, and culture. Informed by recent work on orientalism and colonialism, this book unravels the significance of these misrepresentations of Egypt in the Greek cultural imagination in the fifth and fourth centuries B.C.E. Looking in particular at issues of identity, otherness, and cultural anxiety, Phiroze Vasunia shows how Greek authors constructed an image of Egypt that reflected their own attitudes and prejudices about Greece itself. He focuses his discussion on Aeschylus Suppliants; Book 2 of Herodotus; Euripides' Helen; Plato's Phaedrus, Timaeus, and Critias; and Isocrates' Busiris. Reconstructing the history of the bias that informed these writings, Vasunia shows that Egypt in these works was shaped in relation to Greek institutions, values, and ideas on such subjects as gender and sexuality, death, writing, and political and ethnic identity. This study traces the tendentiousness of Greek representations by introducing comparative Egyptian material, thus interrogating the Greek texts and authors from a cross-cultural perspective. A final chapter also considers the invasion of Egypt by Alexander the Great and shows how he exploited and revised the discursive tradition in his conquest of the country. Firmly and knowledgeably rooted in classical studies and the ancient sources, this study takes a broad look at the issue of cross-cultural exchange in antiquity by framing it within the perspective of contemporary cultural studies. In addition, this provocative and original work shows how Greek writers made possible literary Europe's most persistent and adaptable obsession: the barbarian.
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At the turn of the 1960s, Maurice Blanchot began publishing texts that he named entretiens, this change in his writing responding to what deconstruction sees as the closure of logocentric or continuous discourse. Paradoxically, this closure does not prevent such discourse, in which philosophical enquiry and technological change are intertwined, from dominating the modern world. By changing his writing, and by reiterating the dialogical form so central to metaphysical tradition since Plato, Blanchot gives voice to the tensions between continuity and its ‘outside’, between philosophy and literature. This is one sense in which his entretiens do not engage in a representation of difference, but instead open themselves to the inflections of what Jean-Luc Nancy calls le partage des voix.
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This Introduction offers context for the individual papers by examining the intersections and productive tensions between political thought and classical reception studies. While Plato and Aristotle have long been privileged interlocutors for political philosophers, classical reception studies has pluralised both this ancient canon and given rise to a more complex understanding of the modern heirs of ancient political thought. Similarly, the insights of studying the history of political texts and ideas across a longer tradition calls into question the fixity of concepts such as democracy, empire and political freedom. Indeed, we query the very notion of tradition by emphasising how the past has been repeatedly constructed and reconstructed in divergent modern political discourses and conversely how modern political theories and realities have been shaped and reshaped by an idea of antiquity. The Introduction closes with a brief survey of the collected papers.
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Belief in the concept of the self causes suffering. Unfortunately, although conceptual constructions like this may help to define our goal—the casting off of the belief in the self—this is a much more difficult thing to actualize and attain in daily practice. Our building blocks can form a neat tower, and we can climb to the top and gaze at the horizon, but they will topple, leaving us once again over our heads in the hedgerow. Buddha describes his teachings as a raft to ford the river of suffering in order to reach the far off bank of enlightenment: as one does not take the raft after crossing the river, so we must not lean on his teachings to make our way through life. So I intend here to abandon the raft for other accounts of existence written by other thinkers, and in this my purpose is twofold: First, in reading other interpretations we can gain new tools with which to study the architecture of the concept of the self, and second, in studying the history of the concept of self as it progresses through history we can better understand the non-inherentness of this problematic construct. I intend to examine the philosophies of self in the Chinese and European traditions, and their subsequent deconstructive traditions in order to achieve this goal.
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A partir da célebre imagem bergsoniana do mecanismo cinematográfico da inteligência e da percepção, adentra-se ao mundo das idéias de Platão em busca da distinção entre o contínuo movimento do real e o eidos como representação estável da instabilidade das coisas. Os conceitos de eidos e movimento serão, então, empregados para analisar a concepção, a produção e a recepção de um produto audiovisual. a necessidade de estabilização do movimento real das coisas e dos acontecimentos é presente em vários momentos do processo audiovisual: no roteiro, que usa palavras de uma linguagem que solidifica a fluidez advinda da criação; no storyboard, que representa gráfica e estaticamente as ações mais importantes; no enquadramento das imagens, que separa do fluxo contínuo da realidade, os momentos privilegiados; no fotograma ou nos quadros videográficos, que são imagens imóveis do movimento real; na percepção do espectador, que capta os instantes da realidade para depois alinhá-los; na memória, que seleciona e separa os momentos mais marcantes do que foi percebido; e, finalmente, nos comentários do espectador, que fragmenta e narra as imagens mentais retidas.
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Dissertação apresentada no Mestrado Acadêmico do Programa de Pós-Graduação em Comunicação da Universidade Municipal de São Caetano do Sul