Between the rose and the shoulders of giants

The following are thoughts on 2 of the most well-known phrases in the English language, recognized as universal academic icons. That of Juliet Capuleto’s in Act II, scene II, “The Balcony”, in the immortal work of William shakespeare’s Romeo and Juliet about “A rose by any other name”, and “On the shoulders of giants”, traditionally attributed to Isaac Newton, the discoverer of the Mechanical Universal Laws, including that of Universal Law of Gravitation, in the 17th Century, but in reality first said by the humanistic philosopher and theologist Bernard of Chartres in the 12th Century

Révolution P.Q. : figures révolutionnaires québécoises

Mon mémoire de recherche-création se divise en deux volets. Le premier volet est une partie théorique qui est partagée en trois parties. Dans l’introduction, je parle de la figure iconique que renvoie l’image de « Che » Guevara. Dans la première partie, je fais une distinction entre une révolution et une révolte. Ensuite, je fais un résumé de différents ouvrages concernant les groupes contestataires dans la littérature québécoise et comment les auteurs ont parlé de révolte et d’identité plutôt que de faire un portrait du révolutionnaire québécois. Parallèlement, je démontre comment le cinéma québécois a dépeint les révolutionnaires, soit de manière ironique et cynique, soit en démontrant le côté humain et héroïque des contestataires. Dans la deuxième partie, j’explique pourquoi j’ai décidé de faire un film documentaire sur les figures de la révolution au Québec. Je parle de mes choix esthétiques, du choix des intervenants, de la voix au cinéma et de la puissance des archives. Mon film documentaire traite spécifiquement de la question des figures contestataires et est complémentaire du mémoire écrit. Dans mon film, j’essaie surtout de démontrer s’il existe des figures contestataires iconiques québécoises qui renvoient à l’idée de la révolution, comme la célèbre image et l’individu qu’était Ernesto « Che » Guevara. Puisqu’il a inspiré des générations de contestataires dont ceux du Québec dans les années 1960 et 1970, quelles personnalités québécoises peuvent être identifiées comme étant des icônes de la révolution?

Dynamic Image Precompensation for Improving Visual Performance of Computer Users with Ocular Aberrations

With the progress of computer technology, computers are expected to be more intelligent in the interaction with humans, presenting information according to the user's psychological and physiological characteristics. However, computer users with visual problems may encounter difficulties on the perception of icons, menus, and other graphical information displayed on the screen, limiting the efficiency of their interaction with computers. In this dissertation, a personalized and dynamic image precompensation method was developed to improve the visual performance of the computer users with ocular aberrations. The precompensation was applied on the graphical targets before presenting them on the screen, aiming to counteract the visual blurring caused by the ocular aberration of the user's eye. A complete and systematic modeling approach to describe the retinal image formation of the computer user was presented, taking advantage of modeling tools, such as Zernike polynomials, wavefront aberration, Point Spread Function and Modulation Transfer Function. The ocular aberration of the computer user was originally measured by a wavefront aberrometer, as a reference for the precompensation model. The dynamic precompensation was generated based on the resized aberration, with the real-time pupil diameter monitored. The potential visual benefit of the dynamic precompensation method was explored through software simulation, with the aberration data from a real human subject. An "artificial eye'' experiment was conducted by simulating the human eye with a high-definition camera, providing objective evaluation to the image quality after precompensation. In addition, an empirical evaluation with 20 human participants was also designed and implemented, involving image recognition tests performed under a more realistic viewing environment of computer use. The statistical analysis results of the empirical experiment confirmed the effectiveness of the dynamic precompensation method, by showing significant improvement on the recognition accuracy. The merit and necessity of the dynamic precompensation were also substantiated by comparing it with the static precompensation. The visual benefit of the dynamic precompensation was further confirmed by the subjective assessments collected from the evaluation participants.

Naturaleza y elementos naturales en la Apología contra los judíos de Leoncio de Neápolis : Un análisis retórico

En la presente comunicación nos proponemos estudiar el texto de Leoncio de Neápolis (Chipre, s. VII d. C.) conocido con el título Apología o Apología contra los judíos. La obra pertenece a la tradición literaria adversus iudaeos y se enmarca en la polémica por el uso religioso de imágenes sacras. Nos centraremos en particular en el análisis de la forma en la que aparecen representados en la obra los elementos naturales y las menciones de la naturaleza, ya sea a través de imágenes y metáforas, descripciones o ekphráseis, citas del Antiguo Testamento y reflexiones filosóficas. En un primer lugar, ofreceremos una clasificación de dichas representaciones, para luego definir de qué modo éstas funcionan de manera cohesiva en el dispositivo retórico general de la obra, en tanto que contribuyen al propósito persuasivo en favor del uso de imágenes. Tendremos en cuenta para el tratamiento del tema los aportes de H. Maguire (sobre todo, Nectar and Illusion: Nature in Byzantine Art and Literature, Oxford, 2012 y "The Profane Aesthetic in Byzantine Art and Literature", Dumbarton Oaks Papers 53, 1999, pp. 189-205)

Naturaleza y elementos naturales en la Apología contra los judíos de Leoncio de Neápolis : Un análisis retórico

En la presente comunicación nos proponemos estudiar el texto de Leoncio de Neápolis (Chipre, s. VII d. C.) conocido con el título Apología o Apología contra los judíos. La obra pertenece a la tradición literaria adversus iudaeos y se enmarca en la polémica por el uso religioso de imágenes sacras. Nos centraremos en particular en el análisis de la forma en la que aparecen representados en la obra los elementos naturales y las menciones de la naturaleza, ya sea a través de imágenes y metáforas, descripciones o ekphráseis, citas del Antiguo Testamento y reflexiones filosóficas. En un primer lugar, ofreceremos una clasificación de dichas representaciones, para luego definir de qué modo éstas funcionan de manera cohesiva en el dispositivo retórico general de la obra, en tanto que contribuyen al propósito persuasivo en favor del uso de imágenes. Tendremos en cuenta para el tratamiento del tema los aportes de H. Maguire (sobre todo, Nectar and Illusion: Nature in Byzantine Art and Literature, Oxford, 2012 y "The Profane Aesthetic in Byzantine Art and Literature", Dumbarton Oaks Papers 53, 1999, pp. 189-205)

Révolution P.Q. : figures révolutionnaires québécoises

Mon mémoire de recherche-création se divise en deux volets. Le premier volet est une partie théorique qui est partagée en trois parties. Dans l’introduction, je parle de la figure iconique que renvoie l’image de « Che » Guevara. Dans la première partie, je fais une distinction entre une révolution et une révolte. Ensuite, je fais un résumé de différents ouvrages concernant les groupes contestataires dans la littérature québécoise et comment les auteurs ont parlé de révolte et d’identité plutôt que de faire un portrait du révolutionnaire québécois. Parallèlement, je démontre comment le cinéma québécois a dépeint les révolutionnaires, soit de manière ironique et cynique, soit en démontrant le côté humain et héroïque des contestataires. Dans la deuxième partie, j’explique pourquoi j’ai décidé de faire un film documentaire sur les figures de la révolution au Québec. Je parle de mes choix esthétiques, du choix des intervenants, de la voix au cinéma et de la puissance des archives. Mon film documentaire traite spécifiquement de la question des figures contestataires et est complémentaire du mémoire écrit. Dans mon film, j’essaie surtout de démontrer s’il existe des figures contestataires iconiques québécoises qui renvoient à l’idée de la révolution, comme la célèbre image et l’individu qu’était Ernesto « Che » Guevara. Puisqu’il a inspiré des générations de contestataires dont ceux du Québec dans les années 1960 et 1970, quelles personnalités québécoises peuvent être identifiées comme étant des icônes de la révolution?

La santidad compartida: la encrucijada del Islam y la ortodoxia cristiana en los Balcanes, reflejos en Bulgaria

In this doctoral thesis with the title: “The Shared Holiness: The crossroad of Islam and the Christian Orthodoxy in the Balkans, reflections in Bulgaria”, presented by VLADISLAVA SPASOVA ILIEVA, under the direction of Dr. MONTSERRAT ABUMALHAM MAS, and Dr. PEDRO BÁDENAS DE LA PEÑA, we reflect upon the crossroads between the populations in the Balkans, whose conversion into States was significantly influenced by their belonging to the Byzantine and the Ottoman Empires. Known as the crossroads of several cultures, the area was the destination of a massive influx of pagan Slaves, as well as the meeting point of Islam and Christianity. Considering the bidirectionality of the processes, we shall focus on the mutual enrichment brought about in the encounter between the religiosities of the Balkans, and we will discuss these points from different perspectives. In the common Balkan-Anatolian space, we turn our attention to the ancient hermits, with the aim of showing the complicity in the relations of coexistence, whether Islamic-Christian, Turkish-Byzantine, Turkish-Bulgarian, or Ottoman-Balkan, and a possible scheme, that could be valid for both social and spiritual growth of the person, as well as for the development of an ethnic or religious community, when sharing the same space with other populations, communities or ethnicities...

Le Corbusier (1887–1965)

Le Corbusier was a Swiss architect and urbanist who acquired French nationality in 1930, having set up his studio (“the atelier of patient research”) in that country. Just as he assumed an unconditional continuity in relation to the past, he also clearly confronted the circumstances of his time. Many of his works became icons of Modernism, like the Villa Savoye (1928), the Marseilles Housing Unit (1945), the Ronchamp Chapel (1950), the Convent of Sainte-Marie de la Tourette (1953) and the Chandigarh Capitol Complex (1950-55), to mention just a few examples. His architecture reflected the development of a modern industrialized economy, a western avant-garde society and a vibrant political and social context. He made a mark not only with his constructed work, but also with designs that were never built (and which were progressive in character), his painting (which reflected his experimentalist nature) and with his theoretical texts, which today bear witness to his modernist doctrine. Le Corbusier was above all one of the most prolific thinkers of Modernism, and one of the greatest figures of the 20th century.

Digital Literacy: an analysis of social practices in cyberspace from the accessibility and frequency of use

This paper discusses the Digital Literacy and the importance of social practices of reading and writing nowadays. The research aims to analyze the accessibility of Digital Literacy of the residents from the satellite cities in Distrito Federal and the frequency of use of cyberspace to conduct reading and writing activities. According to Levy (1999), the transmutation of various means of communication (telephone, printed newspapers and post office, for example, in chat, digital newspapers and email, respectively) enabled the synchronous communication, interactivity and sharing of information between people from different places in the world, whether in oral form - as in video conferencing and telepresencial classroom - either in writing - as in most digital genres. It is this latter method - the writing, and hence the reading on the Internet - which has guided our discussion. According to Soares (2002), we live in a era of changes in the practices of reading and writing due to new forms of interaction between reader, author and text provided by the communication in the global computer network. Nothing better, therefore, than investigating how the user handles literacy in this new environment. The Digital Literacy, according to Xavier (2005), requires new ways of reading and writing. This means that time-honored practices of literacy, for example, should be rethought and reformulated in order to insert new ways of understanding the learning process - from handling the text to your perception, through the reading of written texts, engravings and icons linked to the electronic sphere. In this sense, the Digital Literacy, associated with multimodal genres, is present in the daily lives of several people from different social classes - particularly in large urban centers. So, facing this situation, we investigate if the residents of the satellite cities of DF have easy access to digital literacy and how often they make use of texts in cyberspace.