Podridão floral dos citros: controle preventivo mediante fungicidas, biorreguladores e fertilizantes químicos

Pós-graduação em Agronomia (Produção Vegetal) - FCAV

A poesia negra de Harryette Mullen em tradução: (des)encontros com o leitor

Com base em quatro poemas da autora afro-americana contemporânea Harryette Mullen, por mim traduzidos para o português, e nas questões suscitadas por sua obra, este trabalho investiga as seguintes questões: quais seriam os desafios de se traduzir sua poesia, levando-se em consideração os lugares discursivos dos leitores identificados ou não com a estética literária afro-brasileira? Essa (não-) identificação exerceria alguma influência no modo como sua poesia poderia ser lida em tradução? Assim, neste trabalho, busca-se contrastar as questões raciais e estéticas que fundamentam a visão de Mullen a respeito de sua poesia e de seu público-leitor (imaginado) com as questões de público-alvo, contextualmente diversas, que minhas traduções de seus poemas requerem “imaginar” no âmbito das relações sócio-raciais brasileiras.

Mais ou menos negra? Questões de negritude, tradução e a poesia de Harryette Mullen

This paper addresses issues regarding my translation of selected poems by Harryette Mullen, a rising African-American contemporary poet, whose dense poetry works on the black oral tradition, the experimentalism of writing, the (African-American) pop music, in addition to delving into issues such as the representation of (black) female sexuality. One of the complex aspects of her poetry is the notion of miscegenation, conceived as an aesthetic argument and as a constitutive condition of the identity of multiracial Americans. This concept establishes a textuality that questions the accessible intelligibility generally expected from black American poetry, insofar as a mosaic of dissonant voices are brought to light in her text, which makes it difficult to categorize. In Brazil, especially among politically engaged Afro-Brazilians, there has been criticism towards the praise of miscegenation, since the latter has been considered to support of the myth of racial democracy. Building on these aspects, we investigate the extent to which it is a challenge to translate her poetry – based on miscegenation and hybridity as aesthetic constructs – especially when taking into account the discursive locus of readers identified with an Afro-Brazilian aesthetic, particularly critical of miscegenation. From the point of view of translation, we evaluate the extent to which her poetry could be read by the predominant cultural discourse in Brazil, inclined to favor miscegenation as an integral concept of national identity, as a seductively experimental poetry. In view of this, one wonders whether this perspective makes hers poetry “less black” for Afro-Brazilian literary standards.

Infestação da mosca-negra-dos-citros (Aleurocanthus woglumi Ashby) em pomares de citros, em sistemas de plantio convencional e agroflorestal

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Em Cristo, poetas denunciam a podridão da modernidade: uma análise da obra Tempo e eternidade

This assignment aims to do a critical and interpretative review of the masterpiece Tempo e Eternidade, published by the Brazilian poets Jorge de Lima and Murilo Mendes in 1935. It is a result of a project called Restaurando a poesia em Cristo, created by many different Brazilian poets as Tristão de Ataíde, Augusto Schimdt, and others. It is worth highlighting the importance of these poems, because of the period when they were published and for the modern proposal, as the theme, which the poets denounce the bad aspects of modernity of the century through the Holly Bible, as also for the new esthetics. In the 30s, Brazil was passing through many changes; in aspects of history - the transition between the governments of Oligarchy to the New State, in governance of Getúlio Vargas; and in the literary context, it was the beginning of the second phase of Modernism, from 1930 to 1945. This period remains the consolidation of the literary movement, in terms of esthetics, since the major proposal of Modernism is freedom of the verse and, in this second phase, the search for a renovation of the language and the enlargement of the themes in poetry, such in the religious aspect or the social-political' themes. In this perspective, it aims to show the importance of the masterpiece for the history of Brazilian literature, coated as part of a turning point between the first and second phase of Modernism, also for the thematic renovation in religious poetry and esthetics, with a new proposal of esthetics. The methodology for the analyses of the poems will be through Antonio Candido's proposal, in O estudo analítico do poema, based on interpretation and comments. Therefore it intends showing through the analyses the relevance of the masterpiece written by the Brazilian poets, to the area of religious poetry and for the literary movement of that time

Comportamento do maracuajazeiro amarelo, variedade Afruvec, ante uma população de Fusarium solani, agente causal da podridão do colo

The objective of the present work was to verify the behavior of yellow passion fruit, Afruvec variety, in relation to a population of Fusarium solani, obtained from this crop. The experimental delineation was random blocks, containing 10 treatments [9 isolates and 1 control treatment], with 4 repetitions, each plot being represented by a vase containing a plant. A disk of culture medium colonized by each isolate of the fungus was inoculated in the wounded collar region of the plants of the Afruvec variety two months after sowing. The appraised parameters were: the pathogenicity, the incidence (number of dead plants) and the severity of the disease (length of the lesion in the collar region), until 60 days after inoculation. The Afruvec variety was susceptible to the fungus and also presented variability as to the severity of the disease and incidence in relation to the different isolates. The population of the fungus showed variability in regard to aggressiveness. In light of the evidence of genetic diversity in the F. solani population, it is also suggested, in the tests of selection of materials to the pathogen, that these materials should be evaluated in different places with a history of the disease or inoculation with a pool of isolates of the fungus, in order to know the wide resistance of the genotype to the pathogen.

Carimbó do Santo Preto: a presença negra na performance musical da festividade do Glorioso São Benedito em Santarém Novo (PA)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Carimbó do Santo Preto: a presença negra na performance musical da festividade do Glorioso São Benedito em Santarém Novo (PA)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Jorge de Lima no contexto da poesia negra americana

O presente ensaio se propõe a examinar o contexto de publicação dos Poemas negros (1947) de Jorge de Lima, buscando, primeiramente, historiar a formação e a consolidação do cânone da poesia afro-americana para, em seguida, rastrear sua repercussão no cenário literário brasileiro dos anos 1930 e 1940, em particular, na Revista Acadêmica, responsável pela edição do livro de Jorge de Lima. Por fim, o ensaio examina os Poemas negros à luz dessa repercussão, considerando os limites ou as contradições ideológicas de seu projeto poético.

Raccontare, resistere. La denuncia tra novela negra e testimonio. Affinita' e differenze in tre scrittori ispanoamericani: Serna, Walsh e Bolaño.

La tesi è incentrata sui recenti sviluppi della narrativa testimoniale dell’America Latina. Verranno presi in considerazione gli ultimi contributi critici dedicati al rapporto tra finzione e realtà in letteratura, e sarà dato spazio alla costruzione narrativa della realtà e alla nascita del testimonio, come genere a sé, che raccoglie alcune delle principali opere latinoamericane degli ultimi quaranta anni. Nello specifico, l’indagine riguarderà la rappresentazione letteraria della violenza nella narrativa di denuncia di tre autori ispoanoamericani: la novela negra di Enrique Serna, il poliziesco testimoniale di Rodolfo Walsh e la scrittura estrema di Roberto Bolaño. Obiettivo della ricerca è capire in che modo i tre scrittori hanno raccontato le loro verità alternative, provando a salvaguardare la memoria, e quali effetti hanno ottenuto. Verranno analizzate non solo le tematiche affrontate, facendo riferimento quindi al contesto storico, politico e sociale al quale si rifanno, ma saranno illustrate anche le differenti tecniche di costruzione del romanzo, dell’intreccio e della trama, e verrà isolato il ruolo del testimone (diretto o indiretto) e delle fonti, per cogliere le differenze ma anche le similitudini stilistiche e narrative di ognuna delle opere. Più in generale, dimostreremo come e quanto i testi di questi autori costituiscano in realtà una forte critica al sistema imperante e diano voce alle categorie sociali altrimenti emarginate.

The spatial distribution of Copernicia alba (Morong) in the district of Bahia Negra, Paraguay

The Humid Chaco of Northeast Paraguay harbors monoculture palm savannas in which Copernicia alba is the only dominant overstory species. The study’s objective was to provide the complete spatial distribution of a simple ecosystem lacking confounding factors of overstory competition and changes in slope. Palms within six, 50 x 50m plots were marked by their GPS location and measured for dbh and total stem height. The spatial distribution was individually analyzed for each plot at the local scale up to 12 m using Ripley’s K test. For the total population including juvenile and adult plants, the sample plots contained both random and clustered distribution patterns. In each of the six plots, the juvenile populations exhibited more clustered patterns than the adult population of each plot.

Cochinilla negra del olivo : control mediante insecticidas

El objetivo del presente trabajo fue comparar la eficiencia de 4 pesticidas: dimetoato, metidation, etion y clorpirifos, en el control de la cochinilla H [Saissetia oleae Bernard (Homoptera, Coccoidea, Lecaniidae)] también llamada cochinilla negra del olivo. Estos productos, conocidos en Mendoza (Argentina), se utilizan localmente. El ensayo se realizó en Vistalba (Luján de Cuyo). Para la evaluación se tuvo en cuenta el porcentaje de mortalidad. El análisis estadístico se efectuó transformando los datos según arcsen ( x / 1 0 0 ) .