UTF-8 With BOM Nimrūd áöì

This layer is a georeferenced raster image of the historic paper map set entitled: Vestiges of Assyria, by Felix Jones ; aided in the field operations by J.M. Hyslop ; engraved by J. & C. Walker. Map 2 entitled: Positions and plan of the ancient cities of Nimrūd and Selamiyeh, the former identical with the [Larissa] of Xenophon, perhaps the Calah of Genesis and ... of the cuneiform inscriptions. It was published by John Walker in 1855. Scale [ca. 1:12,000]. This layer is image 2 of 3 total images of the six sheet source map, representing the Mosul region Iraq. Map chiefly in English. Some place names given also in Arabic. This datalayer is compiled from two images of the six sheet source map that have been stitched together using image editing software to create a single image.The image inside the map neatline is georeferenced to the surface of the earth and fit to the European Datum 1950 TM42 (Transverse Mercator, Central Meridian 42) coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as ancient city ruins, drainage, canals, cities, villages, and other human settlements, roads, fortifications, selected buildings, and more. Relief shown by hachures.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

L'évolution des voix/voies de femmes dans leurs écrits sur l'Église aux XVIIe et XVIIIe siècles

Feminist movements have allowed many female authors to become decisive and influential figures in literary history by studying their experiences, voices and forms of resistance. This thesis, however, focuses specifically on religious women, those seeking divine comfort outside the confines of institutional laws, or those who, out of protest, are caught in the middle. Founded on historical and feminist perspectives, this study examines the heterodox resistance of six French women living within or outside of Church boundaries during the 17th and 18th centuries: two eras that are particularly significant for women’s progress and modernity. This work strives to demonstrate how these women, doubly subjected to Church discourse and that of society, managed to live out their vocation (female and Christian) and make social, cultural and religious statements that contributed to changing the place of women in society. It aims to grasp the similarities and differences between the actions and ideas of women belonging to both the religious and secular spheres. Regardless of the century, the space and their background, women resist to masculine, patriarchal, ecclesial, political and social mediation and institutions. In locating examples of how they oppose the practices, rules and constraints that are imposed upon them, as well as of their exclusion from the socio-political space, this thesis also seeks to identify epistemological changes that mark the transition from the 17th to the 18th century. This thesis firstly outlines the necessary feminist theory upon which the project is based before identifying the evolution of women’s positions within the socio-ideological and political framework in which they lived. The questions of confession and spiritual direction are of particular interest since they serve as prime examples of masculine mediation and its issues and consequences – most notably the control of the female body and mind. The illustration of bodily metamorphoses bear testament to ideological changes, cultural awareness and female subjectivity, just as the scriptural inscriptions of unorthodox ideas and writing. The female body, both object and subject of the quest for individual and collective liberties, attests, in this way, to the movement towards Enlightenment values of freedom and justice.

O latim das inscrições romanas em território português até à queda do império

O latim das inscrições romanas no território português não foi até à data alvo de um estudo individualizado. A única obra na qual o assunto foi tratado analisa o latim de toda a Península Ibérica e foi publicada há pouco mais de cem anos, estando desactualizada. As inscrições romanas do território português estão publicadas em diferentes obras. O Corpus Inscriptionum Latinarum continua a ser uma referência fundamental, mas, ao longo do século XX, foram publicados novos estudos, que actualizam leituras ou divulgam novas epígrafes. Desta forma, para caracterizar o latim das inscrições romanas no território português, é necessário constituir um corpus que inevitavelmente terá de incluir epígrafes provenientes de diversas publicações. A análise do latim das inscrições compreende aspectos fonéticos, morfológicos, sintácticos e lexicais. São seleccionados apenas aspectos relevantes para o estudo do texto epigráfico. O tratamento de cada um dos aspectos está dividido numa componente teórica, na qual se faz um balanço das conclusões da literatura científica, e numa componente prática, na qual se relatam os dados das inscrições do território português. O latim das inscrições do território português pode ser caracterizado como conservador, predominando nele o respeito pela correcção da língua. Para esta caracterização conservadora, contribui a presença de arcaísmos nas desinências nominais e verbais, alguns no século II. Por outro lado, não deixa de manifestar, à semelhança do latim de outras regiões, nomeadamente de Pompeios, algumas particularidades inovadoras, como a monotongação do ditongo ae ou a oscilação na grafia das vogais. Além destes aspectos, são ainda perceptíveis ténues diferenças internas, visto que há fenómenos documentados apenas em algumas regiões.

Entre la historia y el mito : La figura de Ramsés II ante los enemigos en relieves y textos de la Batalla de Kadesh

De acuerdo a lo que se ha dado en llamar "historia del sentido" (Assmann, 2005), cada sociedad posee una forma cultural que le es inherente y es precisamente en ella donde adquieren sentido los acontecimientos y procesos históricos, comprensibles sólo a través de los discursos producidos. Los relieves y las inscripciones de la Batalla de Kadesh, durante el reinado de Ramsés II (1279-1213 a.C.) constituyen un claro ejemplo de rememoración y manifestación de esos discursos. En este trabajo, nos proponemos analizarlos como ejemplos de procesos constructivos de la "memoria cultural" (Assmann, 2008), tomando como categorías de análisis los postulados de la semiótica de Umberto Eco (1994 (1973); 2013 (1968)) y del análisis de la imagen de Martine Joly (2012 (1993)). Como premisa básica, consideraremos a los relieves y las inscripciones que los acompañaban como una unidad total narrativa, como discursos que se completan y complementan, para ser eficaces.

Iosephi Francisci RezzolI presbyteri inscriptiones.

Acquisition made accessible thanks to a 2015-2017 grant from the Council on Libraries and Information Resources.

Solennizzandosi la centenaria commemorazione dell' incoronazione di M. V. sul monte presso Varese : iscrizioni e poesie.

Acquisition made accessible thanks to a 2015-2017 grant from the Council on Libraries and Information Resources.

Desiderata du Corpus inscriptionum latinarum de l'Académie de Berlin ... Notice pouvant servir de 1.[-v.] supplément ...

Vols. 2-5 have also collective t.-p.: Les balles de fronde de la république provenant d'Ascoli.

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

Le T'ai chan : essai de monographie d'un culte chinois ; appendice, Le dieu du sol dans la chine antique /

Includes bibliographical references and index.

De primis Florentinorum Apostolis : exercitatio singularis /

Errata: Leaf chi1 verso.

The ruins of Palmyra, otherwise Tedmor, in the desart.

First erratum on p. 50 is "Page 9. l. 26. For emperor's, read emperors" as in ESTCT137526, rather than ESTCT137525.

Himjarische Inschriften und Alterthümer in den Königlichen Museen zu Berlin ...

Preface signed: J.H. Mordtmann.

Epigraphische Denkmäler aus Arabien : Nach Abklatschen und Copieen des Herrn Professor Dr. Julius Euting in Strassburg /

Includes bibliographical references.

Josephi Allegrantiae Ord. Praed. a Regia Bibliotheca Mediolanensi de sepulcris Christianis in aedibus sacris : accedunt inscriptiones sepulcrales Christianae seculo septimo antiquiores in Insubria Austriaca repertae : item, inscriptiones sepulcrales ecclesiarum atque aedium PP. Ord. Praed. Mediolani.

Errata, X2r.

No third path /

"Jacket design by Ronald Fratell" -- Rear flap of dust jacket.