Da Arte popular às culturas populares híbridas

Etnográfica, vol. 13, N. 2, pp. 467-480

Sound levels and risk perceptions of music students during classes

It is well recognized that professional musicians are at risk of hearing damage due to the exposure to high sound pressure levels during music playing. However, it is important to recognize that the musicians’ exposure may start early in the course of their training as students in the classroom and at home. Studies regarding sound exposure of music students and their hearing disorders are scarce and do not take into account important influencing variables. Therefore, this study aimed to describe sound level exposures of music students at different music styles, classes, and according to the instrument played. Further, this investigation attempted to analyze the perceptions of students in relation to exposure to loud music and consequent health risks, as well as to characterize preventive behaviors. The results showed that music students are exposed to high sound levels in the course of their academic activity. This exposure is potentiated by practice outside the school and other external activities. Differences were found between music style, instruments, and classes. Tinnitus, hyperacusis, diplacusis, and sound distortion were reported by the students. However, students were not entirely aware of the health risks related to exposure to high sound pressure levels. These findings reflect the importance of starting intervention in relation to noise risk reduction at an early stage, when musicians are commencing their activity as students.

A "queda da alma" na concepção popular de Macau

pp. 121-133

Piedade popular. Um repertório bibliográfico, um projecto de investigação

pp. 135-173

Armando Leça e o primeiro levantamento músico-popular relaizado em Portugal

pp. 345-376

A sedução dos sentidos. O significado político da festa popular na celebração dos fastos da monarquia

pp. 27-42

Ernesto de Martino: uma visão particular da cultura popular

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Antropologia - Área de especialização de Culturas em Cena e Turismo

Independência e auto-suficiência: a política externa da República Popular da China entre 1957 e 1965

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciência Política e Relações Internacionais

Exploring the long-term associations between adolescents’ music training and academic achievement

There is a positive relationship between learning music and academic achievement, although doubts remain regarding the mechanisms underlying this association. This research analyses the academic performance of music and non-music students from seventh to ninth grade. The study controls for socioeconomic status, intelligence, motivation and prior academic achievement. Data were collected from 110 adolescents at two time points, once when the students were between 11 and 14 years old in the seventh grade, and again 3 years later. Our results show that music students perform better academically than non-music students in the seventh grade (Cohen’s d = 0.88) and in the ninth grade (Cohen’s d = 1.05). This difference is particularly evident in their scores in Portuguese language and natural science; the difference is somewhat weaker in history and geography scores, and is least pronounced in mathematics and English scores (η2 p from .09 to .21). A longitudinal analysis also revealed better academic performance by music students after controlling for prior academic achievement (η2 p = .07). Furthermore, controlling for intelligence, socioeconomic status and motivation did not eliminate the positive association between music learning from the seventh to the ninth grade and students’ academic achievement (η2 p = .06). During the period, music students maintained better and more consistent academic standing. We conclude that, after controlling for intelligence, socioeconomic status and motivation, music training is positively associated with academic achievement.

Camponeses do cinema: a representação da cultura popular no cinema português entre 1960 e 1970.

Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Antropologia Social e Cultural

Tentativa de construção de um modelo (teórico) para análises socio-antropológicas em literatura oral, popular e tradicional

Antes de tudo terei que referir o que qu ero dizer com modelo sacio-antropológico, sobretudo qu e é um modelo. Definir modelo é muito difícil poi s pode significar muita co isa: aquilo que serve ou deve servir de obj ecto de imitação para fazer ou reproduzir qualquer coi sa ; pode, ainda, ser um cânon, um ensaio de explicação da chamada estrutura, poi s vivemos num mundo de es truturas organizadas com as qu ai s construímos e apercebemos es te mesmo mundo. Na investigação da dita realidade soc ia l, passamos desta para o modelo e vice -versa . Este contínuo vai-vem nun ca deve ser interrompido. O modelo imita e representa, mas nun ca co nstitui, um elemento de controlo da investigação , é um instrumento de comparação e, ainda, pode significar uma forma de verificação da so lidez e da própria vida de uma dada es trutura. Em Hi stória, por exemplo, Braudel afirma que pode se r hipóteses de explicação so lidamente vinculado, segundo a forma de equação ou da função. Daí o facto de os modelos poderem ser considerados como si stemas de explicação, variando até o infi nito : simples ou complexos, físicos ou abstrac tos, qualitativos ou quantitativos, estatísticos ou dinâmi co s, mecâni cos ou estatísticos.

Impairment in the mortagage loan portfolio: The example of Banco Popular portugal

A Work Project, presented as part of the requirements for the Award of a Masters Degree in Finance from the NOVA – School of Business and Economics

Banco Popular: Equity research report

A Work Project, presented as part of the requirements for the Award of a Masters Degree in Finance from the NOVA – School of Business and Economics