Preparando a los universitarios para el mundo profesional: Torneo 10 en 5 “Idea de Negocio”

[ES] En este trabajo se plantea la importancia de fomentar las habilidades comunicativas entre los estudiantes universitarios, con el fin de mejorar sus habilidades interpersonales y mejorar su nivel de empleabilidad al dotarles de un mayor nivel competencial. El grupo Análisis, transferencia y evaluación de competencias para la empleabilidad (ATECE), que se constituye en la Universidad de Las Palmas de Gran Canaria como Grupo de Innovación Educativa, organiza y celebra el Torneo 10 en 5 de Presentación Exprés “Idea de Negocio”. El objetivo de este Torneo consiste en animar a los estudiantes de la Universidad, independientemente de su perfil académico, a exponer una idea de negocio de acuerdo a un formato de presentación oral rápida, en los que la calidad y la brevedad deben estar muy relacionadas. El desarrollo de esta actividad formativa propició que los estudiantes pusieran a prueba tanto sus competencias de comunicación oral como su creatividad. Además, se evidenció que esta experiencia de innovación educativa es transferible a cualquier ámbito de trabajo donde se deban de desarrollar competencias de comunicación oral.

La experimentación artística como práctica formadora en el Grado de Ed. Primaria : métodos de conceptualización y proceso de materialización de una idea

Programa de doctorado: Formación del Profesorado.

L'idea di metafora nell'opera di Oswald Mathias Ungers

This research focuses on the definition of the complex relationship that exists between theory and project, which - in the architectural work by Oswald Mathias Ungers - is based on several essays and on the publications that - though they have never been collected in an organic text - make up an articulated corpus, so that it is possible to consider it as the foundations of a theory. More specifically, this thesis deals with the role of metaphor in Unger’s theory and its subsequent practical application to his projects. The path leading from theoretical analysis to architectural project is in Ungers’ view a slow and mediated path, where theory is an instrument without which it would not be possible to create the project's foundations. The metaphor is a figure of speech taken from disciplines such as philosophy, aesthetics, linguistics. Using a metaphor implies a transfer of meaning, as it is essentially based on the replacement of a real object with a figurative one. The research is articulated in three parts, each of them corresponding to a text by Ungers that is considered as crucial to understand the development of his architectural thinking. Each text marks three decades of Ungers’ work: the sixties, seventies and eighties. The first part of the research deals with the topic of Großform expressed by Ungers in his publication of 1966 Grossformen im Wohnungsbau, where he defines four criteria based on which architecture identifies with a Großform. One of the hypothesis underlying this study is that there is a relationship between the notion of Großform and the figure of metaphor. The second part of the thesis analyzes the time between the end of the sixties and the seventies, i.e. the time during which Ungers lived in the USA and taught at the Cornell University of Ithaca. The analysis focuses on the text Entwerfen und Denken in Vorstellungen, Metaphern und Analogien, written by Ungers in 1976, for the exhibition MAN transFORMS organized in the Cooper - Hewitt Museum in New York. This text, through which Ungers creates a sort of vocabulary to explain the notions of metaphor, analogy, signs, symbols and allegories, can be defined as the Manifesto of his architectural theory, the latter being strictly intertwined with the metaphor as a design instrument and which is best expressed when he introduces the 11 thesis with P. Koolhaas, P. Riemann, H. Kollhoff and A. Ovaska in Die Stadt in der Stadt in 1977. Berlin das grüne Stadtarchipel. The third part analyzes the indissoluble tie between the use of metaphor and the choice of the topic on which the project is based and, starting from Ungers’ publication in 1982 Architecture as theme, the relationship between idea/theme and image/metaphor is explained. Playing with shapes requires metaphoric thinking, i.e. taking references to create new ideas from the world of shapes and not just from architecture. The metaphor as a tool to interpret reality becomes for Ungers an inquiry method that precedes a project and makes it possible to define the theme on which the project will be based. In Ungers’ case, the architecture of ideas matches the idea of architecture; for Ungers the notions of idea and theme, image and metaphor cannot be separated from each other, the text on thematization of architecture is not a report of his projects, but it represents the need to put them in order and highlight the theme on which they are based.

Thinkmix: dall'idea alla progettazione dello story network

Thinkmix è un network con componenti social che permette agli utenti di creare storie collaborando. La tesi illustra tutti gli step che hanno portato alla realizzazione di questo network: l'idea, la progettazione, lo sviluppo e la pubblicazione. Ritengo si tratti di un progetto ben riuscito e completo che mi ha permesso di esprimere totalmente le capacità acquisite durante il corso nelle varie materie (e non unicamente nella materia di riferimento) e di avvicinarmi a tematiche esterne a una laurea triennale (sicurezza informatica, marketing, acquisto e gestione di server dedicati, burocrazia per la pubblicazione di applicazione iOS e sito web con dominio).

Why Do We Think Practice Research is a Good Idea? Comments and Musings Inspired by the Salisbury Statement

In this paper I raise some questions about current understandings of practice research and whether they are worth pursuing. In particular, the notion of a gap between practice and research is examined in terms of how it constricts thinking about this issue. I also attempt to explicate some of the less examined assumptions associated with practice research. Finally, I suggest that we embrace multiplicity, not by trying to accommodate all views under the practice research umbrella, but by accepting that there will be many versions of practice research that will have differential appeal.

Open Innovation: Legal Hurdles in the Creation of Contractual Arrangements Governing Idea Competitions?

The phenomenon of Open Innovation has been gaining prominence over the last decade. Idea competitions have been used in a variety of industrial sectors. Nevertheless, the legal issues raised by this topic have not been broadly addressed, yet. These arise from the adverse interests of the actors. The company which organizes an idea competition would usually like to have the opportunity to comprehensively use the solutions, ideas or products submitted by the competition entrants. For the company it is important to obtain all intellectual property rights in the idea, in the product created as a result and, thus, in the rights to be exploited in the future, in particular, patents, utility models, trademarks, copyrights and registered designs as well as other industrial property rights. The participant would like to participate to the greatest extent possible in the success of the submitted solution. This affects, firstly, the question of fair remuneration or further participation in any profits earned as well as, secondly, any personal rights such as being named as inventor or author. The article aims to show the contractual difficulties which have to be addressed tailoring theterms of an idea competition under German law.