The Associated Press v. National Labor Relations Board : on writ of certiorari to the United States Circuit Court of Appeals for the Second Circuit : brief for the National Labor Relations Board.

At head of title: In the Supreme Court of the United States, October term, 1936. No. 365.

The eight volumes of letters writ by a Turkish spy, who liv'd five and forty years undiscover'd at Paris: giving an impartial account to the Divan at Constantinople, of the most remarkable transactions of Europe: and, discovering several intrigues and secrets of the Christian courts (especially of that of France) continued from the year 1637, to the year 1682 /

Authorities agree that the first part of the work, published in Paris 1684, was written by Marana. The remainder has been ascribed to different Englishmen, among them Dr. Robert Midgley and William Bradshaw. It is probable however that Midgley simply edited the English translation, made by Bradshaw, of the original Italian manuscript. cf. ESTC.

Vol. 1 transcript of record. Supreme court of the United States. No. 492. October term, 1916. Oregon & California Railroad Company et al., petitioners, vs. the United States. On writ of certiorari to the United States circuit court of appeals for the ninth circuit. Petition for cetiorari filed October 20, 1916. Certiorari granted November 6, 1916. (25,313).

Mode of access: Internet.

Black v Garnock : implications for Queensland conveyancing practice

What was previously established as a fundamental principle, that a judgment creditor may take no interest beyond what the judgment debtor could give, has now been called into question by the decision of the High Court in Black v Garnock [2007] HCA 31. This article examines the implications of the decision of the High Court for conveyancing practice in Queensland. The relevant facts of Black v Garnock [2007] HCA 31 may be briefly stated: The Garnocks and the Luffs, as purchasers, entered a contract to purchase a rural property from Mrs Smith with settlement due on 24 August 2005. On 23 August 2005, a creditor obtained a writ against Mrs Smith from the District Court of New South Wales. No caveat was lodged on behalf of the purchasers prior to settlement (there being no equivalent, in New South Wales, of the Queensland settlement notice mechanism).

La intervención de terceros en el amparo : comunidad de controversias y afectación de derechos

Resumen: Características del amparo y la posibilidad de la intervención de terceros en dicho tipo de procesos; criterios jurisprudenciales, tanto provinciales como nacionales, sobre la intervención en determinados supuestos, vinculados a la posibilidad de una comunidad de controversia con los litigantes principales y a la afectación de algún derecho del pretenso tercero.

O locus amoenus na produção narrativa de Júlio Dinis

No presente trabalho avalia-se o contributo de uma vasta tradição literária na configuração de um topos/motivo – o locus amoenus – patente na produção dinisiana. Analisaram-se as influências da literatura clássica greco-romana, das Sagradas Escrituras, da literatura italiana, e também da literatura produzida em Portugal desde o final da Idade Média até ao Maneirismo. As obras de dois escritores representativos do Romantismo vintista português, Pároco da Aldeia, de Alexandre Herculano, e Os contos do tio Joaquim, de Rodrigo Paganino, tornaram-se tributárias do topos/motivo. A pesquisa centrou-se na narrativa dinisiana com vista a investigar, por um lado, as relações que o locus amoenus, topos/motivo em estudo, mantém com categorias narrativas contíguas, como sejam o espaço ou a descrição; e, por outro, a aferir o eventual contributo do lugar ameno para a dissipação das fronteiras entre a narrativa e a lírica. Pretendeu-se igualmente, sem desprezar uma inclinação natural de Júlio Dinis para os ambientes campestres, demonstrar a existência de três dimensões fundamentais do lugar ameno: a psicológica, cujas origens se perdem no tempo; a social, vertente inovadora no contexto do tópico abordado; e a simbólica, em que a conexão com o locus horrendus se revelou incontornável. Com o estudo do vocabulário configurador do locus amoenus da produção narrativa dinisiana, reflectiu-se mais aprofundadamente sobre as questões tratadas no cômputo geral desta tese. A complexidade que envolve a tentativa de filiação de Júlio Dinis a um movimento ou escola não fica ainda resolvida com este trabalho. Porém surge a proposta de lançar um novo olhar sobre este assunto, à luz dos pressupostos do movimento alemão Biedermeier. Independentemente dos problemas que se levantam, fica a certeza de que muitos escritores do panorama literário nacional se inspiraram nas obras de Júlio Dinis

Legal document involving John D M’Kay, Thomas Butler, and John Harris, February 5, 1828

Richard Leonard was a member of the 104th Regiment of the British Army. He fought during the War of 1812 at Sackett’s Harbour, Lundy’s Lane and Fort Erie. After the war he settled at Lundy’s Lane and was appointed lieutenant colonel of the 1st Lincoln Militia. He later became the Sheriff of Niagara. He died in 1833 and is buried in the Drummond Hill Cemetery.

Habeas Corpus Reform in El Salvador

In this paper I compare the habeas corpus systems of El Salvador, the United States and Argentina. My purpose is to develop a general understanding of the procedure for bringing the writ in each country and analyze the substantive law governing the rights of habeas corpus petitioners in each country. I evaluate the systems against the backdrop of each country’s political and legal history with respect to the writ of habeas corpus. The ultimate aim of this paper is to reform the habeas corpus law of El Salvador by analyzing the Salvadoran system as compared to the Argentine and U.S. systems. I conclude that the Argentine habeas corpus system provides a better model for the Salvadoran system than does the U.S. system. I draw this conclusion because the two countries share common foundations for their legal systems, in addition to common histories of civil war, during which there were numerous disappearances and denial of habeas corpus rights. Moreover, Argentina’s habeas corpus law protects the liberty interest of the detained individual more so than U.S. habeas corpus law. This heightened protection of the right to liberty largely results from the country’s past history of forced disappearances and incommunicado detention. Because El Salvador witnessed similar problems in its past, the Argentine model provides a good model for Salvadoran reform.

El papel de la industria cinematográfica colombiana en la promoción de imagen del país a nivel internacional (período 2003-2012)

El presente estudio de caso tiene como objetivo determinar el papel que ha desempeñado la industria cinematográfica colombiana en la promoción de imagen del país a nivel internacional durante los gobiernos de Álvaro Uribe y Juan Manuel Santos. Se defiende, que la industria cinematográfica colombiana sí ha incidido en la promoción de imagen del país a nivel internacional, puesto que, ha incrementado la presencia del cine colombiano en los festivales de cine más importantes del mundo, generando una mayor figuración del nombre de Colombia en escenarios internacionales, proyectándose como país que impulsa su cinematografía, lo cual ha sido posible gracias a unas políticas de promoción del cine por parte del Estado. Para desarrollar esta investigación, se utilizarán los conceptos de diplomacia cultural, promoción de la imagen país, e industria cinematográfica. Como metodología, se utilizarán el diseño documental y de campo, y se realizarán entrevistas a expertos en cine.

Wnt6 controls amniote neural crest induction through the non-canonical signaling pathway

The neural crest is a multipotent embryonic cell population that arises from neural ectoderm and forms derivatives essential for vertebrate function. Neural crest induction requires an ectodermal signal, thought to be a Writ ligand, but the identity of the Wnt that performs this function in amniotes is unknown. Here, we demonstrate that Wnt6, derived from the ectoderm, is necessary for chick neural crest induction. Crucially, we also show that Wnt6 acts through the non-canonical pathway and not the beta-catenin-dependant pathway. Surprisingly, we found that canonical Wnt signaling inhibited neural crest production in the chick embryo. In light of studies in anamniotes demonstrating that canonical Wnt signaling induces neural crest, these results indicate a significant and novel change in the mechanism of neural crest induction during vertebrate evolution. These data also highlight a key role for noncanonical Wnt signaling in cell type specification from a stem population during development.

Star/poverty space: the making of the ‘development celebrity’

What is it that gives celebrities the voice and authority to do and say the things they do in the realm of development politics? Asked another way, how is celebrity practised and, simultaneously, how does this praxis make celebrity, personas, politics and, indeed, celebrities themselves? In this article, we explore this ‘celebrity praxis’ through the lens of the creation of the contemporary ‘development celebrity’ in those stars working for development writ large in the so-called Third World. Drawing on work in science studies, material cultures and the growing geo-socio-anthropologies of things, the key to understanding the material practices embedded in and creating development celebrity networks is the multiple and complex circulations of the everyday and bespectacled artefacts of celebrity. Conceptualised as the ‘celebrity–consumption–compassion complex’, the performances of development celebrities are as much about everyday events, materials, technologies, emotions and consumer acts as they are about the mediated and liquidised constructions of the stars who now ‘market’ development.Moreover, this complex is constructed by and constructs what we are calling ‘star/poverty space’ that works to facilitate the ‘expertise’ and ‘authenticity’ and, thus, elevated voice and authority, of development celebrities through poverty tours, photoshoots, textual and visual diaries, websites and tweets. In short, the creation of star/poverty space is performed through a kind of ‘materiality of authenticity’ that is at the centre of the networks of development celebrity. The article concludes with several brief observations about the politics, possibilities and problematics of development celebrities and the star/poverty spaces that they create.

Rotational aesthetics: Michael Bay and contemporary cinema’s machine movement

Digital imaging technologies enable a mastery of the visual that in recent mainstream cinema frequently manifests as certain kinds of spatial reach, orientation and motion. In such a context Michael Bay’s Transformers franchise can be framed as a digital re-tooling of a familiar fantasy of vehicular propulsion, US car culture writ large in digitally crafted spectacles of diegetic speed, the vehicular chase film ‘2.0’. Movement is central to these films, calling up Scott Bukatman’s observation that in spectacular visual media ‘movement has become more than a tool of bodily knowledge; it has become an end in itself’ (2003: 125). Not all movements and not all instances of vehicular propulsion are the same however. How might we evaluate what is at stake in a film’s assertion of movement as an end in itself, and the form that assertion takes, its articulations of diegetic velocity, corporeality, and spatial penetration? Deploying an attentiveness towards the specificity of aesthetic detail and affective impact in Bay’s delineation of movement, this essay suggests that the franchise poses questions about the relationship of human movement to machine movement that exceed their narrative basis. Identifying a persistent rotational trope in the franchise that in its audio-visual articulation combines oddly anachronistic elements (evoking the mechanical rather than the digital), the article argues that the films prioritise certain fantasies of transformation and spatial penetration, and certain modes of corporeality, as one response to contemporary debates about digital technologisation, sustainable energy, and cinematic spectacle. In this way the franchise also represents a particular moment in a more widely discernible preoccupation in contemporary cinema with what we might call a ‘rotational aesthetics’ of action, a machine movement made possible by the digital, but which invokes earlier histories and fantasies of animation, propulsion, mechanization and mechanization to particular ends.