998 resultados para graphic novel


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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A partire dalla volontà di proporre una traduzione dal francese all'italiano della graphic novel Moby Dick, di Chabouté, in questo elaborato verranno esaminate quelle che sono le caratteristiche del Fumetto, le sue proprietà, impostando la ricerca attorno alla domanda 'esiste un linguaggio dei Fumetti?' L'analisi delle fonti per giungere alla risposta permetterà di evidenziare i meccanismi attraverso cui il Fumetto crea la narrazione. Una volta stabiliti, verranno esaminati i problemi traduttivi legati all'opera e ne verrà proposta una traduzione di alcune tavole.

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The representation of women in crime fiction has traditionally been a complicated one. Consistently forced into secondary characters (assistants, girlfriends, or damsels in distress) the most active role a female character could aspire to was that of the femme fatale, a pit of perdition, an unwelcome distraction for a man looking for truth and justice. This traditional approach to the genre has been challenged in the last decades by women acting as detectives, trusted with solving their cases in a hostile male world. Similarly, the traditional white male protagonist has been contested by fictions where ethnic minorities are not just consigned to the criminal world, but where detectives are members of ethnic groups, and can use their knowledge of the community to solve the case. This essay focuses on the crossroads of ethnic and women’s detective fiction, specifically the Gloria Damasco series by Chicana writer Lucha Corpi and the graphic novel Chicanos (Trillo and Risso, 1996). Both protagonists (Gloria Damasco, a Chicana clairvoyant detective, and “poor, ugly, and a detective” Alejandrina Yolanda Jalisco) must face both the dangers of investigating criminal cases and discrimination in their professional surroundings due to their gender and ethnicity. By contrasting these texts, the essay elucidates the importance of specific cultural products, their connection to (and defiance of) canonical forms of the genre, and their rejection of generic and gender expectations.

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The year 1977 saw the making of the first Latino superhero by a Latino artist. From the 1980s onwards it is also possible to find Latina super-heroines, whose number and complexity has kept increasing ever since. Yet, the representations of spandexed Latinas are still few. For that reason, the goal of this paper is, firstly, to gather a great number of Latina super-heroines and, secondly, to analyze the role that they have played in the history of American literature and art. More specifically, it aims at comparing the spandexed Latinas created by non-Latino/a artists and mainstream comic enterprises with the Latina super-heroines devised by Latino/a artists. The conclusion is that whereas the former tend to conceive heroines within the constraints of the logic of Girl Power, the latter choose to imbue their works with a more daring political content and to align their heroines with the ideologies of Feminism and Postcolonialism.

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En esta tesis, a partir del estudio de la obra de Laura Pérez Vernetti, objeto de estudio, pretendo ofrecer una reflexión metodológica y crítica sobre el cómic española de proyección internacional en Europa y en el mundo, que nos conduzca a calibrar mejor el lugar que ocupa hoy en el ámbito internacional. Contexto histórico en el que se centra la metodología de esta tesis, situando esta metodología para enmarcar a Laura. Desde esta perspectiva de proyección internacional, ha sido de mi interés, seguir, para este análisis, varios períodos en los que se insertan tres grupos generacionales que nos han conducido hasta unos autores relevantes que han alcanzado categoría mundial, entre los que se encuentra Laura. La reflexión llevada a cabo abarca tanto los fenómenos ligados a la industria del cómic, como sus vinculaciones al arte y a la experimentación a la que se adscribe la obra de la dibujante Laura. Asimismo, pretendo valorar cúal ha sido su contribución a la historieta del cómic mundial partiendo del postulado del cómic como arte. Situando a Laura Pérez Vernetti-Blina dentro de esta evolución de las mentalidades. La evolución a la que asistimos ahora, hace que se estudie el cómic como arte, por eso los estudios han pasado de la semiología a la integración en una historia de las artes: de una aproximación semiológica a una aproximación estética. Cómic como arte. Y dentro de esta tendencia Laura presentaba una obra original para la investigación. Por eso su obra es tan singular y digna de interés. Pero antes, de estos objetivos, trazamos antes el perfil de dos autoras como precursoras de un cómic, Núria Pompeia e Isa Feu, de justa introducción a Laura, y más allá de éstas, una mirada retrospectiva a los años 30, una generación de dibujantes que se vieron limitadas a un tipo de cómic dirigido. Mi contribución en este estudio, al conocimiento de la autora, una de las más importantes del cómic español y una autora esencial de la nueva historieta española de la década de los ochenta. Partiendo del concepto de graphic novel asociada a cómic adulto, a la historieta de autor, para poder hablar de la nueva historieta española en la creación contemporánea. Partiendo de que el cómic es un medio de expresión gráfica eminentemente narrativo. La misma naturaleza fundamentalmente narrativa de la imagen secuencial la capacita para representar el tiempo y por lo tanto es idónea para la narración (cómic y cine). No podemos más que aseverar, que desde fines del siglo pasado y en los primeros años del nuevo siglo, se ha producido un salto cualitativo en la dedicación a la investigación de estos estudios. Mientras tanto, la labor del investigador en el ámbito del cómic puede y debe abrir horizontes continuados, con estudios pertinentes que nos conduzcan a reflexiones nuevas sobre esta manifestación artística de carácter “complejo”, como es el cómic, mediante el estudio y análisis de los autores, que se sirven de este medio para expresar sus inquietudes artísticas. No he tenido más pretensión en esta investigación, que proporcionar una contribución al conocimiento de la autora y al cómic en general. Valorando la aportación al conocimiento de la historieta, que abra horizontes nuevos, para las futuras investigaciones.

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ABSTRACT The aim of this dissertation is to provide a translation from Italian into Russian of the graphic novel Dodici by Zerocalcare. The book is a comic horror story set in Rebibbia, a district of Rome. The plot revolves around the adventures of a group of friends as they attempt to save themselves from the zombie epidemic that has affected their neighborhood. This thesis consists of three chapters. The first chapter provides an insight into the history of comics, starting with its precursors and ending with modern times. Then it proceeds to carry out an analysis of the language of the comics and to list the different types and genres of comics. The chapter ends with a brief walk through the history of comics in Italy and Russia. The second chapter opens with an introduction to the author and his works, followed by the plot of the comic book and its analysis. The main part of this chapter concerns the proposed translation of the first 52 pages. Finally, the third chapter gives a commentary on the translation that was carried out, analyzing the major difficulties encountered during the translation process and suggesting some suitable translation strategies to solve these problems.

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This project is concerned with the way that illustrations, photographs, diagrams and graphs, and typographic elements interact to convey ideas on the book page. A framework for graphic description is proposed to elucidate this graphic language of ‘complex texts’. The model is built up from three main areas of study, with reference to a corpus of contemporary children’s science books. First, a historical survey puts the subjects for study in context. Then a multidisciplinary discussion of graphic communication provides a theoretical underpinning for the model; this leads to various proposals, such as the central importance of ratios and relationships among parts in creating meaning in graphic communication. Lastly a series of trials in description contribute to the structure of the model itself. At the heart of the framework is an organising principle that integrates descriptive models from fields of design, literary criticism, art history, and linguistics, among others, as well as novel categories designed specifically for book design. Broadly, design features are described in terms of elemental component parts (micro-level), larger groupings of these (macro-level), and finally in terms of overarching, ‘whole book’ qualities (meta-level). Various features of book design emerge at different levels; for instance, the presence of nested discursive structures, a form of graphic recursion in editorial design, is proposed at the macro-level. Across these three levels are the intersecting categories of ‘rule’ and ‘context’, offering different perspectives with which to describe graphic characteristics. Contextbased features are contingent on social and cultural environment, the reader’s previous knowledge, and the actual conditions of reading; rule-based features relate to the systematic or codified aspects of graphic language. The model aims to be a frame of reference for graphic description, of use in different forms of qualitative or quantitative research and as a heuristic tool in practice and teaching.

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This article presents a new automatic evaluation for on-line graphics, its application and the numerous advantages achieved applying this developed correcting method. The software application developed by the Innovation in Education Group “E4”, from the Technical University of Madrid, is oriented for the online self-assessment of the graphic drawings that students carry out as continuous training. The adaptation to the European Higher Educational Area is an important opportunity to research about the possibilities of on-line education assessment. In this way, a new software tool has been developed for continuous self-testing by undergraduates. Using this software it is possible to evaluate the graphical answer of the students. Thus, the drawings made on-line by students are automatically corrected according to the geometry (straight lines, sloping lines or second order curves) and by sizes (depending on the specific values which define the graphics).

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The mechanism underlying castration-induced prostate regression, which is a classical physiological concept translated into the therapeutic treatment of advanced prostate cancer, involves epithelial cell apoptosis. In searching for events and mechanisms contributing to prostate regression in response to androgen modulation, we have frequently observed the collective deletion of epithelial cells. This work was undertaken to characterize this phenomenon hereafter named desquamation and to verify its presence after 17β-estradiol (E2) administration. Electron microscopy revealed that the desquamating cells had preserved cell-cell junctions and collapsed nuclear contents. The TUNEL reaction was negative for these cells, which were also negative for cleaved caspases-8, -9, -3 and nuclear apoptosis-inducing factor. Detailed analyses revealed that the condensed chromatin was first affected detaching from the nuclear lamina, which was observable after lamin A immunohistochemistry, suggesting the lack of lamin A degradation. A search in animals treated with supraphysiological E2 employed as an alternative anti-androgen treatment revealed no desquamation. The combined treatment (Cas + E2 group) caused changes particular to each treatment, including desquamation. In conclusion, desquamation appeared as a novel phenomenon contributing to collective prostate epithelial cell deletion, distinct from the classical castration-induced apoptosis and particular to the androgen deprivation resulting from surgical castration, and should be considered as part of the mechanisms promoting organ regression.

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In this study, 103 unrelated South-American patients with mucopolysaccharidosis type II (MPS II) were investigated aiming at the identification of iduronate-2-sulfatase (IDS) disease causing mutations and the possibility of some insights on the genotype-phenotype correlation The strategy used for genotyping involved the identification of the previously reported inversion/disruption of the IDS gene by PCR and screening for other mutations by PCR/SSCP. The exons with altered mobility on SSCP were sequenced, as well as all the exons of patients with no SSCP alteration. By using this strategy, we were able to find the pathogenic mutation in all patients. Alterations such as inversion/disruption and partial/total deletions of the IDS gene were found in 20/103 (19%) patients. Small insertions/deletions/indels (<22 bp) and point mutations were identified in 83/103 (88%) patients, including 30 novel mutations; except for a higher frequency of small duplications in relation to small deletions, the frequencies of major and minor alterations found in our sample are in accordance with those described in the literature.

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Resistant hypertension (RH) is a multifactorial disease, frequently associated with obesity and characterized by blood pressure above goal (140/90 mm Hg) despite the concurrent use of ≥3 antihypertensive drugs of different classes. The mechanisms of obesity-related hypertension include, among others, aldosterone excess and inflammatory adipokines, which have demonstrated a significant role in the pathogenesis of metabolic syndrome and RH. This review aims to summarize recent studies on the role of the adipokines leptin, resistin, and adiponectin in the pathophysiology of RH and target-organ damage associated with this condition. The deregulation of adipokine levels has been associated with clinical characteristics frequently recognized in RH such as diabetes, hyperactivity of sympathetic and renin-angiotensin-aldosterone systems, and vascular and renal damage. Strategies to regulate adipokines may be promising for the management of RH and some clinical implications must be considered when managing controlled and uncontrolled patients with RH.

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A Bacillus cereus strain, FT9, isolated from a hot spring in the midwest region of Brazil, had its entire genome sequenced.

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A series of novel 1-(substituted phenyl)-3-(2-oxo-1,3,4-oxadiazol-5-yl) β-carbolines (4a-e) and the corresponding Mannich bases 5-9(a-c) were synthesized and evaluated for their in vitro antitumor activity against seven human cancer cell lines. Compounds of 4a-e series showed a broad spectrum of antitumor activity, with GI50 values lower than 15μM for five cell lines. The derivative 4b, having the N,N-dimethylaminophenyl group at C-1, displayed the highest activity with GI50 in the range of 0.67-3.20μM. A high selectivity and potent activity were observed for some Mannich bases, particularly towards resistant ovarian (NCI-ADR/RES) cell lines (5a, 5b, 6a, 6c and 9b), and ovarian (OVCAR-03) cell lines (5b, 6a, 6c, 9a, 9b and 9c). In addition, the interaction of compound 4b with DNA was investigated by using UV and fluorescence spectroscopic analysis. These studies indicated that 4b interact with ctDNA by intercalation binding.

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Relationships among floral biology, floral micromorphology and pollinator behaviour in bird-pollinated orchids are important issues to understand the evolution of the huge flower diversity within Orchidaceae. We aimed to investigate floral mechanisms underlying the interaction with pollinators in two hummingbird-pollinated orchids occurring in the Atlantic forest. We assessed floral biology, nectar traits, nectary and column micromorphologies, breeding systems and pollinators. In both species, nectar is secreted by lip calli through spaces between the medial lamellar surfaces of epidermal cells. Such form of floral nectar secretion has not been previously described. Both species present functional protandry and are self-compatible yet pollinator-dependent. Fruit sets in hand-pollination experiments were more than twice those under natural conditions, evidencing pollen limitation. The absence of fruit set in interspecific crosses suggests the existence of post-pollination barriers between these synchronopatric species. In Elleanthus brasiliensis, fruits resulting from cross-pollination and natural conditions were heavier than those resulting from self-pollination, suggesting advantages to cross-pollination. Hummingbirds pollinated both species, which share at least one pollinator species. Species differences in floral morphologies led to distinct pollination mechanisms. In E. brasiliensis, attachment of pollinaria to the hummingbird bill occurs through a lever apparatus formed by an appendage in the column, another novelty to the knowledge of orchids. In E. crinipes, pollinaria attachment occurs by simple contact with the bill during insertion into the flower tube, which fits tightly around the bill. The novelties described here illustrate the overlooked richness in ecology and morphophysiology in Orchidaceae. This article is protected by copyright. All rights reserved.