33 resultados para explicitation


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The focus of this thesis is the discussion of stories from the fairy tales genre in reading classes of Children´s Literature. Its main purpose is to investigate the argumentative action in the mediation pedagogic process.The evidence from this study is that the argumentative action is a fundamental component of teacher´s mediation as far as story discussion is concerned. The concept of mediation in this thesis comes from principles of interacionist Psychology articulated with THE theory of argumentation. It is understood that argumentative action is a process that objectives to obtain and to intensify the interlocuter´s adhesion through speech. The analysis of the story discussion activity is based on Psycholinguistic, particularly on the study of prevision ability; on the Theory of reception with special reference to the theory of the aesthetic effect, which considers the reader´s reactions and reader´s replies to the text; and on sociocognitive conflict study highlighting conflicts modalities brought up by the discussion of texts. The corpus analysed is composed by discussion episodes of stories from reading classes of Children´s Literature realized through participative observation.The subjects were children aged five-six years old from a public pre-school located in Natal-RN, Brazil. The study highlights mediation acts of argumentative nature such as direct question; illustrations from the book; rereading that were used by the teacher-researcher in story discussion. Among its conclusions it is revealed that argumentative action in stories discussion favors and intensifies the agreement of children´s to the activity. It increases the interaction between text and reader; it favours children´s organization and explicitation of their thoughts. The analysed material shows children´s exposing their ability to argue when having adequade scaffolding by an argumentative mediator the teacher

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The interdisciplinary nature of Astronomy makes it a field of great potential to explore various scientific concepts. However, studies show a great lack of understanding of fundamental subjects, including models that explain phenomena that mark everyday life, like the phases of the moon. Particularly in the context of distance education, learning of such models can be favored by the use of technologies of information and communication. Among other possibilities, we highlight the importance of digital materials that motivate and expand the forms of representation available about phenomena and models. It is also important, however, that these materials promote the explicitation of student's conceptions, as well as interaction with the most central aspects of the astronomical model for the phenomenon. In this dissertation we present a hypermedia module aimed at learning about the phases of the moon, drawn from an investigation on the difficulties with the subject during an Astronomy course for teaching training at undergraduate level at UFRN. The tests of three semesters of course were analyzed, taking into account also the alternative conceptions reported in the literature in astronomy education. The product makes use of small texts, questions, images and interactive animations. Emphasizes questions about the illumination of the Moon and other bodies, and their relationship to the sun, the perception from different angles of objects illuminated by a single source, the cause of the alternation between day and night, the identification of Moon's orbit around the Earth and the occurrence of the phases as a result of the position of observing it, and the perception of time involved in the phenomenon. The module incorporated considerations obtained from interviews with students in two poles where its given presential support for students of the course, and subjects from different pedagogical contexts. The final form of the material was used in a real situation of learning, as supplementary material for the final test of the discipline. The material was analyzed by 7 students and 4 tutors, among 56 users, in the period in question. Most students considered that the so called "Lunar Module" made a difference in their learning, the animations were considered the most prominent aspect, the images were indicated as stimulating and enlightening, and the text informative and enjoyable. The analysis of learning of these students, observing their responses to issues raised at the last evaluation, suggested gains in key aspects relating to the understanding of the phases, but also indicates more persistent difficulties. The work leads us to conclude that it is important to seek contributions for the training of science teachers making use of new technologies, with attention to the treatment of computer as a complementary resource. The interviews that preceded the use of the module, and the way student has sought the module if with questions and/or previous conflicts - established great difference in the effective contribution of the material, indicating that it should be used with the mediation of teacher or tutor, or via strategies that cause interactions between students. It is desirable that these interactions are associated with the recovery of memories of the subjects about previous observations and models, as well as the stimulus to new observations of phenomena

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Estudos Linguísticos - IBILCE

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Pós-graduação em Estudos Linguísticos - IBILCE

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The main purpose of this article is to investigate the aspects of explicitation in English translation of terms and expressions in two of Darcy Ribeiro’s anthropological works. The methodology used is that of Corpus-Based Translation Studies (BAKER, 1993, 1995, CAMARGO, 2005, 2007), Corpus Linguistics (BERBER SARDINHA, 2004) and Terminology (BARROS, 2004). According to Baker (1996), explicitation is the tendency to explain, in the translated text, parts of the original text that had been left implicit. Results show that these tendencies may be found in Ribeiro’s translated texts, indicating the difficulty of conceptualizing the Brazilian universe in English.

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The main purpose of this article is to investigate the social and linguistic behaviors (the habitus) of a translator in face of cultural barriers in translation, analyzing the use of explicitation aspects in the translational process into English of the terminological Brazilianisms developed by Darcy Ribeiro. With this aim, we used a parallel corpus composed by the work O povo brasileiro (1995) and by its respective translation, performed by Rabassa. The methodology used is that of Corpus-Based Translation Studies (BAKER, 1993, 1995, 1996, 2000; CAMARGO, 2005, 2007), Corpus Linguistics (BERBER SARDINHA, 2004) and Terminology (BARROS, 2004). For data analysis, we adopted Sociology of Translation theories (SIMEONI, 1998, 2007; GOUANVIC, 1995, 1999), as well as the habitus conception, proposed by the sociologist Pierre Bourdieu (1980). We believe that, as pointed by Baker`s theories (1996), explicitation is a translator`s tendency or procedure, which explains, in the translated text, parts of the original text that have been left implicit by the author. Results show that this action may be found in Ribeiro’s translated texts, indicating the difficult of conceptualizing the Brazilian universe in English.

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My work is focused on George Friel, a distinguished Scottish writer known for his witty style bristling with puns and more or less literary allusions. In particular I proposed an annotated translation of what can be considered his masterpiece “Mr Alfred M.A.” in which wordplay has a central role for its plot. In the first part of my thesis I outlined the fundamental features of Friel’s writing: the wide variety of registers and styles, the rhythm and irony. Additionally I pointed out the strategies that the translator has to face when translating this text. Finally I identified the number of problems which may arise while translating Friel’s “Mr Alfred M.A.” into Italian with particular concern on the strategies of supplementation and explicitation for wordplay.

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Although rational models of formal planning have been seriously criticized by strategy literature, they not only remain a widely used organizational practice in private firms, but they have increasingly been entering public, professional organizations too, as part of public sector managerial reforms. This research addresses this apparent paradox, exploring the meaning of formal planning in public sector professional work. Curiously, this is an issue that remains under-investigated in the literature: the long debate on formal planning in strategy research devoted scant attention to its diffusion in the public sector, and public sector studies have scrutinized the introduction of other management tools in professional work, but very limitedly formal planning itself. In fact, little is known on the actual meaning of formal planning in public, professional services. This research is based upon a case of adoption of formal planning tools in a public hospital. Embracing a discourse analytical lens, it examines which formal planning discourse entered professional work, to what extent, and how professionals interpret it and engage with it in their practice. The analysis uncovers dynamics of social construction of meaning where, eventually, a formal planning discourse both shapes and is shaped by professional practice. In particular, it is found that formal planning rationality largely penetrated professional work, but not to the detriment of professional values. Morevover, formal planning ‘fails’ as a tool for rational decision making, but it takes up a knowledge work and a social value in professional work, as a tool for explicitation of action courses and for dialogue between otherwise more disconnected parts of the organization.

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In this paper, we question the homogeneity of a large parallel corpus by measuring the similarity between various sub-parts. We compare results obtained using a general measure of lexical similarity based on χ2 and by counting the number of discourse connectives. We argue that discourse connectives provide a more sensitive measure, revealing differences that are not visible with the general measure. We also provide evidence for the existence of specific characteristics defining translated texts as opposed to non-translated ones, due to a universal tendency for explicitation.

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Este trabalho é uma interpretação do imaginário a respeito de Deus, revelado por um grupo de crianças desprotegidas. Obter-se uma representação desse imaginário, tarefa difícil, foi o primeiro passo da investigação. A partir da prática do desenho, considerado como forma capaz de oferecer indicações seguras para busca de traços de personalidade, adicionada às interpretações verbais, realizadas pelas crianças; imagens foram se revelando e concretizando o desejado imaginário. A explicitação dos mecanismos de produção de sentidos das imagens fundamentou-se em dois diferentes níveis de interpretação teórica: a primeira, subsidiada por propostas psicológicas e psicanalíticas, permitiu a interpretação dos traços e cores, nos desenhos, como indicadores de sentimento. A segunda, baseada na Teologia Sistemática: a simbologia segundo Tillich, oportunizou a identificação de símbolos relacionados ao Divino, dos quais um, pela sua presença nas duas expressões: pictórica e verbal, foi considerado o símbolo, ou, a figura simbólica de Deus, manifestada pelas crianças. O desenvolvimento do trabalho abarca os seguintes tópicos: realidade contextual das crianças, a perda como uma característica marcante nas crianças, o imaginário infantil, síntese tradicional das interpretações que as crianças fazem a respeito de Deus, significações das expressões pictóricas, revelação simbólica como representação da pessoa de Deus, imaginada, experiências religiosas de fé das crianças, para com a pessoa de Deus, por elas revelada. Considerando-se que nenhuma análise é acabada, no final do trabalho encontram-se algumas perspectivas oriundas do seu interior, substituindo qualquer conclusão.(AU)

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Este trabalho é uma interpretação do imaginário a respeito de Deus, revelado por um grupo de crianças desprotegidas. Obter-se uma representação desse imaginário, tarefa difícil, foi o primeiro passo da investigação. A partir da prática do desenho, considerado como forma capaz de oferecer indicações seguras para busca de traços de personalidade, adicionada às interpretações verbais, realizadas pelas crianças; imagens foram se revelando e concretizando o desejado imaginário. A explicitação dos mecanismos de produção de sentidos das imagens fundamentou-se em dois diferentes níveis de interpretação teórica: a primeira, subsidiada por propostas psicológicas e psicanalíticas, permitiu a interpretação dos traços e cores, nos desenhos, como indicadores de sentimento. A segunda, baseada na Teologia Sistemática: a simbologia segundo Tillich, oportunizou a identificação de símbolos relacionados ao Divino, dos quais um, pela sua presença nas duas expressões: pictórica e verbal, foi considerado o símbolo, ou, a figura simbólica de Deus, manifestada pelas crianças. O desenvolvimento do trabalho abarca os seguintes tópicos: realidade contextual das crianças, a perda como uma característica marcante nas crianças, o imaginário infantil, síntese tradicional das interpretações que as crianças fazem a respeito de Deus, significações das expressões pictóricas, revelação simbólica como representação da pessoa de Deus, imaginada, experiências religiosas de fé das crianças, para com a pessoa de Deus, por elas revelada. Considerando-se que nenhuma análise é acabada, no final do trabalho encontram-se algumas perspectivas oriundas do seu interior, substituindo qualquer conclusão.(AU)