816 resultados para Tranational popular culture
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The marginalization of popular culture in radical scholarship on Palestine and Israel is symptomatic of the conceptual limits that still define much Middle East studies scholarship: namely, the prevailing logic of the nation-state on the one hand and the analytic tools of classical Marxist historiography and political economy on the other. This essay offers a polemic about the form that alternative scholarly projects might take through recourse to questions of popular culture. The authors argue that close allention to the ways that popular culture "articulates" with broader political, social, and economic processes can expand scholarly understandings of the terrain of power in Palestine and Israel, and hence the possible arenas and modalities of struggle. © 2004 by the Institute for Palestine Studies. All rights reserved.
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This paper is part of a larger project in which the author is interested in recovering popular performative traditions and practices that have been occluded by the modernist project of the Irish Revival. This erasure has been compounded by subsequent historiographical paradigms that have reinforced the revivalist narrative of theatre history and excluded indigenous forms, traditions and practices (mumming, rhymers, strawboys) along with the wider performative culture of patterns, wakes, fairs, faction fights etc. This essay subjects to scrutiny what the author sees as a disjuncture between the riotous reality of peasant popular culture and its representation in Revivalist dramas to argue that Irish Theatre Studies needs to develop alternative historiographies of performance and to methodologically engage with theoretical models extant in Performance Studies.
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A review of changes in language, custom, amusements during Ulster's transition from a rural to an urban industrial society
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This article explores recent developments in cultural studies debates regarding the representation of class in British and Irish life.
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Special Issue of the 'Proceedings of the Royal Irish Academy Modern Languages Symposium', reflecting a selection of papers from the Belfast Conference (13th-14th December 2013)
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Resumen basado en del autor
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Forma parte de una serie que muestra los cambios producidos en la sociedad británica desde el final de la Segunda Guerra Mundial hasta la actualidad. En este volumen se describen la música, el deporte, la moda, el entretenimiento y la literatura a lo largo de las seis décadas que transcurren entre 1950 y los años 2000. Cada uno de los temas se ilustra con una pequeña cronología, citas de fuentes primarias que recuerdan acontecimientos y recuadros con datos que permiten hacer comparaciones entre el pasado y el presente.
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A sample of deaf/hard of hearing students and hearing students ages 11-14 were surveyed to examine social perceptions about intellect and popularity related to popular culture knowledge. Participants also provided descriptive responses to their popular culture favorites.