Capricho para quinteto de cuerda [Manuscrito]

Número 292 en el catálogo de Vicente Galbis e Hilari García, bajo el título de "Capricho"

Por qué al laurel se unió el cipres [Manuscrito]: melodia elegiaca a la memoria del Poeta Zorrilla

Número 308 en el catálogo de Vicente Galbis e Hilari García

Cuarteto 1 [Manuscrito]

Número 295 en el catálogo de Vicente Galbis e Hilari García

Andante con variaciones de violín, clarinete, etc. [Manuscrito]

Número 316 en el catálogo de Vicente Galbis e Hilari García, bajo el título "Andante con variaciones"

Capricho instrumental [Manuscrito]: compuesto sobre motivos de estudios de Concone

Número 317 en el catálogo de Vicente Galbis e Hilari García

Himno al saber [Manuscrito]

Número 263 en el catálogo de Vicente Galbis e Hilari García

A mi patria [Manuscrito]: elegía sinfónica

Dedicatoria : "Si de mi amada patria sin ventura / En trists notas la desdicha hoy canto, / Si anubla mi pupila raudo llanto / Y mi alma de español prueba amargura, / Un dulce lenitivo a mi tortura / Prestar puede la Fe: arcano santo / que trae a mi alma misterioso encanto / y un provenir de glorias aun le augura; / Mas, si ambición, con dolo vil y artero, / Destierra de mi patria la fortuna, / Sobre el frio mármol, con buril de acero, / (Por la que fué de tantos héroes cuna,) / Escriba este epitafio el orbe entero.../Fué noble, altiva y grande, cual ninguna!"

Otro título: Himne a València

Número 259 en el catálogo de Vicente Galbis e Hilari García, bajo el título "Himne a València"

Otro título: Himno a Valencia

Número 259 en el catálogo de Vicente Galbis e Hilari García

Bolero : para orquesta, banda y coro [Manuscrito]

Número 254 en el catálogo de Vicente Galbis e Hilari García

Sugestões performáticas do bilhete de um jogral para viola sozinha e das três peças para viola e piano de César Guerra-Peixe

This work is aimed at providing an interpretive study of the work for viola and piano titled Three Pieces, and work for solo viola titled Ticket of a Jogral, by Brazilian composer César Guerra Peixe. This study will be divided into three parts: The first will bring a brief history of the composer focusing on his visit to Pernambuco in the late 1940s and early 1950s; the second shows the use of Pernambuco musical regionalism elements used by the composer in the aforementioned documents; the third will present a set of interpretive suggestions based: the analysis of regional musical elements identified in these works; the technical rudiments used in writing for viola depicting the arcades, dynamics, fingerings, articulations, phrasing; and the experiences lived by the author of this research as an interpreter of these works.

Sugestões performáticas do bilhete de um jogral para viola sozinha e das três peças para viola e piano de César Guerra-Peixe

This work is aimed at providing an interpretive study of the work for viola and piano titled Three Pieces, and work for solo viola titled Ticket of a Jogral, by Brazilian composer César Guerra Peixe. This study will be divided into three parts: The first will bring a brief history of the composer focusing on his visit to Pernambuco in the late 1940s and early 1950s; the second shows the use of Pernambuco musical regionalism elements used by the composer in the aforementioned documents; the third will present a set of interpretive suggestions based: the analysis of regional musical elements identified in these works; the technical rudiments used in writing for viola depicting the arcades, dynamics, fingerings, articulations, phrasing; and the experiences lived by the author of this research as an interpreter of these works.

Albert Einstein with violin, Josef Schwarz at piano, and Boris Schwarz in background; Haberlandstrasse 5, Berlin Portraits Groups; Men

Digital Image

Pianist Heida Hermanns née Goldschmidt seated at a piano; New York Portraits Women

Digital Image

Pianist Heida Hermanns née Goldschmidt seated at a piano; Berlin Portraits Women

Digital Image