Gays contanto suas histórias: uma análise organizacional, lexical e discursiva das narrativas de sair do armário

Este trabalho tem por objetivo investigar as histórias de sair do armário sob seu aspecto organizacional, lexical e discursivo. Busca-se apontar que padrões organizacionais prevalecem nas histórias, que léxicos significativos predominam e como os léxicos predominantes são avaliados em termos de Afeto, Julgamento e Apreciação. Para o exame organizacional, a análise se apropria do quadro analítico de Labov e colaboradores (1967; 1972), por ser pioneiro nos estudos sobre narrativas orais de experiência pessoal; em seguida, lança mão dos elementos do Padrão Problema-Solução (PPS), proposto por Hoey (1983; 2001), por iluminar o aspecto cíclico das referidas histórias. Para a análise lexical, esse estudo se ampara nos preceitos e técnicas da investigação eletrônica de textos da Linguística de Corpus (TOGNINI BONELILI, 2001; SINCLAIR, 2004; BERBER-SARDINHA, 2004; McENERY e HARDIE, 2011), conjugado ao conjunto de programas WordSmith Tool 5.0 (SCOTT, 2010). Já sobre o aspecto discursivo, em especial sobre a linguagem da avaliação, a análise privilegiou a metafunção interpessoal da Linguística Sistêmico Funcional (Halliday, 2004) e lançou mão das categorias do subsistema da ATITUDE da Teoria da Avaliatividade, proposto por Martin (2000) e Martin e White (2005). O Corpus analisado consiste de sete narrativas, coletadas pelo método da Entrevista Narrativa, à qual se voluntariaram homossexuais do sexo masculino, entre (20) vinte a (30) anos de idade, oriundos da zona norte do Rio de Janeiro. Os resultados da análise da organização da narrativa mostraram que as histórias de sair do armário são episódicas, são contadas com muitos recursos avaliativos como descritos por Labov e se organizam por meio do Padrão Problema-Solução. Os resultados da análise lexical revelaram a predominância do item eu e mãe/ela nas sete histórias coletivamente. Por fim a análise discursiva, sob a ótica da linguagem atitudinal, aponta que os itens eu e mãe/ela, que apontam para o narrador e suas mães, são marcados por Afeto (emoções) e Julgamento (comportamento). A dissertação em seu final combina as três linhas de análise para fazer uma reflexão sobre o peso social do que significa sair do armário para o sujeito gay

Lifelong learning through digital storytelling in corporate training

In this paper we discuss collaborative learning strategies based on the use of digital stories in corporate training and lifelong learning. The text starts with a concise review on theoretical and technical foundations about the use of digital technologies in collaborative strategies in lifelong learning. We will also discuss if the corporate training may be improved by the use of individual audio-visual experience in learning process. Careful planning, scripting and production of audio-visual digital stories can help in the construction of collaborative learning spaces in which adults are in the context of vocational training throughout life. Our analysis concludes emphasizing on the need to experience the routing performance of digital stories in the context of corporate training, following the reference levels mentioned here, so we can have in a future more theoretical and empirical elements for the validation and conceptualization in the use of digital stories in the context of corporate training. Ultimately we believe that lifelong learning can be improved with the use of strategies that promote the production of personal audio-visual for those involved in teaching and learning process in organizational context.

Letting go : a self-study utilizing critical literacy as method in improving my practice /

This is a Self-study about my role as a teacher, driven by the question: "How do I improve my practice?" (Whitehead, 1989)? In this study, I explored the discomfort that I had with the way that I had been teaching. Specifically, I worked to uncover the reasons behind my obsessive (mis)management of my students. I wrote of how I came to give my Self permission for this critique: how I came to know that all knowledge is a construction, and that my practice, too, is a construction. I grounded this journey within my experiences. I constructed these experiences in narrative fomi in order to reach a greater understanding of how I came to be the teacher I initially was. I explored metaphors that impacted my practice, re-constructed them, and saw more clearly the assumptions and influences that have guided my teaching. I centred my inquiry into my teaching within an Action Reflection methodology, bon-owing Jack Whitehead's (1989) term to describe my version of Action Research. I relied upon the embedded cyclical pattern of Action Reflection to understand my teaching Self: beginning from a critical moment, reflecting upon it, and then taking appropriate action, and continuing in this way, working to improve my practice. To understand these critical moments, I developed a personal definition of critical literacy. I then tumed this definition inward. In treating my practice as a textual production, I applied critical literacy as a framework in coming to know and understand the construction that is my teaching. I grounded my thesis journey within my Self, positioning my study within my experiences of being a grade 1 teacher struggling to teach critical literacy. I then repositioned my journey to that of a grade 1 teacher struggling to use critical literacy to improve my practice. This journey, then, is about the transition from critical literacyit as-subject to critical literacy-as-instmctional-method in improving my practice. I joumeyed inwards, using a critical moment to build new understandings, leading me to the next critical moment, and continued in this cyclical way. I worked in this meandering yet deliberate way to reach a new place in my teaching: one that is more inclusive of all the voices in my room. I concluded my journey with a beginning: a beginning of re-visioning my practice. In telling the stories of my journey, of my teaching, of my experiences, I changed into the teacher that I am more comfortable with. I've come to the frightening conclusion that I am the decisive element in the classroom. It's my personal approach that creates the climate. It's my daily mood that makes the weather As a teacher, I possess a tremendous power to make a person's life miserable or joyous. I can be a tool of torture or an instrument of inspiration. I can humiliate or humour, hurt or heal. In all situations, it is my response that decides whether a crisis will be escalated or de-escalated and a person humanized or de-humanized. (Ginott, as cited in Buscaglia, 2002, p. 22)

Teachers talking difference: teacher education and the poetics of anti-racism

This paper reports on a case study which explores the experiences of two teachers of ethnic difference working in secondary schools in rural Australia. In seeking an alternative way of telling their stories, transcript poems have been constructed from data obtained through semi-structured interviews with the teachers. The poems highlight the teachers' experiences of marginalisation and racism and their responses to their positioning in mainly white Anglo-Australian school communities. The study raises particular concerns about the effects of professional and cultural isolation on young and inexperienced teachers of ethnic difference as well as the need to view teacher education as an important site for the development of greater cultural awareness in "mainstream" teacher education students.

People living with ALS/MND tell the diagnosis story : what happened before they knew

Background: Being told that one has a life threatening disease is shattering, but for some people it comes as a relief, following as it does the years of uncertainty and traumatic experiences that lead to diagnosis. The need to debrief the experience is paramount before the story of living with the disease can be told.
Objectives: The purpose of this paper is to describe the extended and often demoralising process of diagnosis for people with ALS/MND.
Methods: Grounded theory methodology was used to explore the life and world of people diagnosed and living with ALS/MND. Data were collected via in-depth interviews with 25 people with the disease, their stories and photographs, poems and books they identified as important, and field notes. The textual data were analysed using constant comparative analysis. All people who volunteered were included in the study. Many participants with communication challenges worked with the researcher to tell their stories.
Results: Participants recounted the processes they experienced prior to the time when they were finally given a reason for the perplexing behaviour of their bodies. The diagnosis story was revealed as a sequence of: ‘recognizing a problem’, ‘seeking medical help’, ‘being on the diagnostic roundabout’, ‘confirming ALS/MND’, ‘reevaluating life and the future’, then ‘living with ALS/MND’. Consequences included a loss of trust in the competence of the health care system, which had implications for seeking help later when living with the disease.
Discussion: Participant distress seemed to have more in common with the stress linked to post-traumatic stress disorder (PTSD). Participants continued to relive the diagnosis experience in their dreams and daily lives many months after diagnosis, which impacted negatively on their well-being. For this group of people, the diagnostic process itself was the traumatic stressor. It seemed that telling their stories gave them the opportunity to debrief and have their words recorded. Debrief support is recommended whenthe ALS/MND diagnosis is finalized, and continued, to prevent long-term reliving of the diagnostic process.
Conclusion: Health professionals continue to address the issues around the process of giving the ‘bad news’ of ALS/MND. This ‘diagnosis story’ may provide additional guidance in addressing the process so as to limit potential harm and promote well-being for people with the disease and their families.

Not the "other" mother : how language constructs lesbian co-parenting relationships

This paper presents findings from recent Australian qualitative research with lesbian co-parents where study participants' fluid narrative identities are  deconstructed in order to better understand how language constructs relationships within private and public domains. Language used to define, describe and give meaning to roles and relationships of lesbian co-parents within social and kinship networks and wider community is explored. Through claiming language and telling their stories lesbian co-parents give meaning to their lives; affirm their identity; and present their relationships as visible and valid.

Dorothy Gordon

Perhaps due to her later fame as the newspaper columnist and controversial radio personality known as “Andrea,” the early film career of Dorothy Gordon has been largely overlooked. Certainly her significant celebrity in Australia in the 1 960s overshadowed her comparatively lesser achievements as a silent cinema extra, actor, screenwriter, and art director. The recognition of her contribution to the Australian film industry is further diminished by the loss of her major work as star of Raymond Longford’s Hills of Hate (1926). In addition, her reputation as an entertaining raconteur fond of telling tall stories, especially about herself, leav es much room for doubt about the recorded detail of her early career in both Holly wood and Australian silent films.

Estratégias de mediação em atividade de reconto de histórias com alunos com paralisia cerebral sem oralidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Imprensa e política: os usos simbólicos da Conjuração Mineira em São João del - Rei e Ouro Preto (1877 – 1889)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Talking Tools, Suffering Servants, and Defecating Men: The Power of Storytelling in Maithil Women’s Tales

What can we learn about the way that folk storytelling operates for tellers and audience members by examining the telling of stories by characters within such narratives? I examine Maithil women’s folktales in which stories of women’s suffering at the hands of other women are first suppressed and later overheard by men who have the power to alleviate such suffering. Maithil women are pitted against one another in their pursuit of security and resources in the context of patrilineal formations. The solidarities such women nonetheless form—in part through sharing stories and keeping each other’s secrets—serve to mitigate their suffering and maintain a counter-system of ideational patterns and practices.

Impacto del discurso historiográfico alfonsí en el nacimiento de la prosa literaria castellana

Alfonso X y su equipo de traductores ‘inventaron’ una forma de decir la historia en lengua vulgar que influyó en la forma de narrar la ficción. La narración literaria empleó, así, estrategias características del discurso historiográfico y señaló una vez más la importancia de la labor alfonsí en el nacimiento de la prosa castellana.

O DEUS ROSIANO: ANÁLISE TEOLÓGICO-LITERÁRIA DAS IMAGENS AMBÍ-GUAS DE DEUS EM GRANDE SERTÃO: VEREDAS

Tudo é e não é . Analisar algumas imagens ambíguas de Deus em Grande Sertão: Veredas foi o objetivo desta dissertação. Para tanto, essa análise é uma tentativa interdisciplinar de leitura e interpretação, em que Teologia e Literatura são interlocutoras. A partir do romance rosiano, sob à luz hermenêutica da crítica literária e da reflexão teológica, tentamos indicar que a escritura de João Guimarães Rosa apresenta Deus de modo ambíguo. Essa assertiva é possível, pois se percebeu na provisoriedade humana, poetizada pelo escritor e personificada por Riobaldo, o traço sine qua non do modo de ver mundos misturados . Ao rememorar e renarrar as estórias sua vida, Riobaldo abre espaço ao Mistério. Nonada . Em cada travessia, o protagonista-narrador reflete acerca de Deus , por meio da fala poética cujas imagens diversas sugerem um Deus muito contrariado . Sem enquadramentos teológicos e/ou filosóficos definitivos, Rosa provoca-nos ao mostrar-nos que o Deus que roda tudo revela-se e evade-se no sertão-universo. Lugar físico-mítico. É no sertão que intentamos seguir os rastros de Deus segundo a íris riobaldiana. Olhar de constante movimento entre o obscuro e o revelado, entre o é e não é.(AU)

Affect and the politics of testimony in Holocaust museums

In 2010, the Jewish Holocaust Centre (JHC) in Melbourne unveiled its new permanent exhibition, replacing one that had remained, mostly unchanged, for the past twenty years since a major redevelopment in 1990. The former exhibition had received many plaudits from visitors and reviewers for its homespun, intimate aesthetics and display techniques, largely based on photographs (Light, 2002). Central to the JHC’s role as a site of mourning and education, the exhibition included the use of personal testimony from Melbourne’s Holocaust survivors, both in the exhibition displays and through the survivors who ran the museum and shared their stories with individuals and groups. A continuing anxiety over the thirty-year history of the JHC has been the passing of Holocaust survivors. These survivor guides were central to the discourse of a “living museum,” seen as giving the organization its uniqueness compared to other Holocaust institutions as well as other museums generally. Oral survivor testimony was perceived as a key aspect of the museum’s pedagogic potential: The affective encounter with survivors telling their stories while the visitor was viewing the exhibition was identified as having a transformative function, particularly for school-age students who comprised the majority of the visitors. The exhibition redevelopment in 2010 was, in part, a manifestation of that anxiety, with the urgency to incorporate survivor video-testimony increasing as the survivors aged and their memories faded. However, replacing a much-loved exhibition was fraught with difficulties, as the survivors were still very much part of the museum decision-making process. As the JHC had gradually moved from a survivor-volunteer based place of mourning to a professionally run museum with paid employees, there was a need to preserve the voices of the survivors who had been guides at the museum since its opening. Approaching a time when the survivors are not bodily present to share their stories, how might their testimonies still have transformative potential and inform interpretive techniques?

Storytelling for ordinary, practical purposes (Walter Benjamin’s ‘The Storyteller’)

This essay explores the role that storytelling can play in teachers’ learning. Walter Benjamin’s ‘The Storyteller’ provides a theoretical framework that enables us to highlight the complexity of the professional learning of teachers when they share stories about their everyday lives. We develop our argument by presenting two instances of teachers representing their professional experiences through storytelling, using these examples (which are drawn from two distinct research projects) to reflect on the learning they accomplish by telling their stories. In the first example, Portuguese teachers involved in a professional learning programme use storytelling to develop their understanding of their practice as literacy educators. In the second example, Australian teachers who participated in a research project tell stories that challenge the way standardised literacy testing devalues their experience as educators. The lesson we draw from these examples affirms the socially grounded character of storytelling for the professional learning and renewal of teachers vis-à-vis a policy environment that privileges other forms of knowledge.

Mujeres armadas de paz

¿Qué tienen por decir mujeres excombatientes de grupos insurgentes (guerrillas como las FARC y el EPL) y de las Autodefensas Unidas de Colombia acerca de su proceso de desmovilización y reintegración? Este reportaje busca responder esa pregunta por medio de la historia de vida de Camila, Valentina y Blanca, tres mujeres que pertenecieron a grupos armados ilegales y que ahora luchan por reconstruir su proyecto de vida y le apuestan a la construcción de la paz desde las luchas cotidianas que tiene que afrontar.