994 resultados para Sarcophagi, Early Christian


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At head of title: Illustrated handbooks of art history.

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Volume 2 has title: History of painting.

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At head of title: Illustrated handbooks of art history.

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Includes index.

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Este artículo se ocupa de las voces siriaco arameas incluidas en las primeras copias del Pentateuco (ms. Sin. ar. 2) del siglo X, que fueron traducidas a partir de la Peshīṭtā. Uno de sus reasgos más característicos es la existencia de residuos siriaco-arameos, especialmente en las palabras siriaco-arameas que no son comunes al árabe.

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From the Harvard theological review, v. III, July, 1910.

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Sobre el conjunt escultòric funerari romà i paleocristià de l' Església de Sant Feliu de Girona. Es descriu el conegut com 'el sarcòfag de Sant Feliu' que durant molts segles s'ha venerat com la tomba que originàriament hauria conservat les despulles de Feliu, màrtir gironí del segle IV

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Sobre el conjunt escultòric funerari romà i paleocristià de l' Església de Sant Feliu de Girona. Es descriu el conegut com 'el sarcòfag de Sant Feliu' que durant molts segles s'ha venerat com la tomba que originàriament hauria conservat les despulles de Feliu, màrtir gironí del segle IV

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Mode of access: Internet.

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The Hulsean prize essay, 1917.

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The excavations of the Dericik Early Christian Basilicas revealed the importance of the surrounding area of Bursa for understanding Early Christianity between the Late Roman and Early Byzantine periods. In the salvage excavations of 2001, the basic plan of the basilica (nave, narthex, presbyterium and apse) was revealed. The most important artefacts uncovered in that year were the mosaic pavements with geometric and plant ornaments and a grave located in the North Eastern corner of the church. The mosaic of the basilica was laid with the opus tessellatum technique on a thick mortar foundation with white, red, yellow, olive green and dark blue tesserae. A refrigerium scene is represented in the middle of the narthex mosaic. The mosaic in the centre of the nave is divided into parts, one of which with figures of birds inside octagons. In the transitional area between the nave and apse, three heavily damaged inscriptions have been conserved each of three or four lines, one of them indicating the wish of Epituchanos, diakôn, a church member.