O olhar pós-colonial na construção de uma identidade irlandesa: um estudo da peça Translations, de Brian Friel

Pós-graduação em Letras - IBILCE

Estro linguistico e problemi traduttivi in Mr Alfred M. A. di George Friel

My work is focused on George Friel, a distinguished Scottish writer known for his witty style bristling with puns and more or less literary allusions. In particular I proposed an annotated translation of what can be considered his masterpiece “Mr Alfred M.A.” in which wordplay has a central role for its plot. In the first part of my thesis I outlined the fundamental features of Friel’s writing: the wide variety of registers and styles, the rhythm and irony. Additionally I pointed out the strategies that the translator has to face when translating this text. Finally I identified the number of problems which may arise while translating Friel’s “Mr Alfred M.A.” into Italian with particular concern on the strategies of supplementation and explicitation for wordplay.

The Ryan White CARE Act : 20 years of transition

The Ryan White CARE Act has undergone substantial changes in the past 20 years. Today it serves over 500,000 persons living with HIV/AIDS in the United States. The purpose of this project was to update the history and content Ryan White CARE Act and to consider how changes since the 2006 CARE Act reauthorization have affected the Ryan White Planning Council in Harris County. The results of the 2008 Houston Area HIV/AIDS Needs Assessment were reviewed and compared to responses to access of service questions of the 2005 Houston Area HIV/AIDS Needs Assessment. The results of the comparison show that informational barriers continue to be the leading barriers in persons living with HIV/AIDS to accessing services. In conclusion the strength of the Ryan White CARE Act is its ability to respond to a changing epidemic and its weakness lies in its vulnerability to shifting political sentiments. ^

Out of the ordinary : Anne Ryan and collage

Anne Ryan (1889-1954) was an active member of New York’s vibrant avant-garde art community during the tumultuous period marked by World War II. Ryan participated in the famed 1951 “Ninth Street Show,” and was an early member of Betty Parsons’s legendary stable of artists. She is not widely known today, however, and her influence is rarely acknowledged. Ryan is primarily known for her abstract collages—works that are frequently linked to Abstract Expressionism.