De Nexu, qualis constet inter utrumque divinae constitutionis foedus, prophetico. Ad insignem illum Petri apostoli locum 1 ep. c. I. v. 10-12 commentatio /

"Quam post receptos S. S. theologiae honores summos a supremo theologorum ordine iuliam Carolinam Helmstadiensem tantis virorum s. ven. nominibus exornante D.XXI.MAII A.P.C.N. Lab. MDCCXCI modo solenni ac liberalissimo sibi collatos gratae memoriae et officii caussa cum orbe erudito communicare..."

Tägliches Hand-Buch in guten und bösen Tagen, das ist Aufmunterung, Gebete und Gesänge ...

Mode of access: Internet.

Selenotopographische Fragmente zur genauern Kenntniss der Mondfläche : ihrer erlittenen Veränderungen und Atmosphäre : sammt den dazu gehörigen Specialcharten und Zeichnungen /

Errata between text and plates in each volume.

Erklärende Anmerkungen zum Homers Ilias,

Editions vary.

Kritischer Bocksprung von Dresden nach Prag : ein neues Capriccio, als Gegenstück des Katersprunges /

Mode of access: Internet.

Johann Heinrich Merck's ausgewählte Schriften zur schönen Literatur und Kunst : ein Denkmal

hrsg. von Adolf Stahr. Mit Merck's Bildnisse nach der Zeichnung von Lips, in Stahlstich von Carl Mayer in Nürnberg

Johann Peter Hebels Briefe an Gustave Fecht, 1791-1826 /

Mode of access: Internet.

Pietismin kuva - ikkuna yksityiseen hengellisyyteen : Johann Arndtin opetukset pietistisen embleemin perustana

The image of Pietism a window to personal spirituality. The teachings of Johann Arndt as the basis of Pietist emblems The Pietist effect on spiritual images has to be scrutinised as a continuum initiating from the teachings of Johann Arndt who created a protestant iconography that defended the status of pictures and images as the foundation of divine revelation. Pietist artworks reveal Arndtian part of secret, eternal world, and God. Even though modern scholars do not regarded him as a founding father of Pietism anymore, his works have been essential for the development of iconography, and the themes of the Pietist images are linked with his works. For Arndt, the starting point is in the affecting love for Christ who suffered for the humankind. The reading experience is personal and the words point directly at the reader and thus appear as evidence of the guilt of the reader as well as of the love of God. Arndt uses bounteous and descriptive language which has partially affected promoting and picturing of many themes. Like Arndt, Philipp Jakob Spener also emphasised the heart that believes. The Pietist movement was born to oppose detached faith and the lack of the Holy Ghost. Christians touched by the teachings of Arndt and Spener began to create images out of metaphors presented by Arndt. As those people were part of the intelligentsia, it was natural that the fashionable emblematics of the 17th century was moulded for the personal needs. For Arndt, the human heart is manifested as a symbol of soul, personal faith or unbelief as well as an allegory of the burning love for Jesus. Due to this fact, heart emblems were gradually widely used and linked with the love of Christ. In the Nordic countries, the introduction of emblems emanated from the gentry s connections to the Central Europe where emblems were exploited in order to decorate books, artefacts, interiors, and buildings as well as visual/literal trademarks of the intelligentsia. Emblematic paintings in the churches of the castles of Venngarn (1665) and Läckö (1668), owned by Magnus Gabriel De la Gardie, are one of the most central interior paintings preserved in the Nordic countries, and they emphasise personal righteous life. Nonetheless, it was the books by Arndt and the Poet s Society in Nurnberg that bound the Swedish gentry and the scholars of the Pietist movement together. The Finnish gentry had no castles or castle churches so they supported county churches, both in building and in maintenance. As the churches were not private, their iconography could not be private either. Instead, people used Pietist symbols such as Agnus Dei, Cor ardens, an open book, beams, king David, frankincense, wood themes and Virtues. In the Pietist images made for public spaces, the attention is focused on pedagogical, metaphorical, and meaningful presentation as well as concealed statements.

O processo de transcrição da Suíte 20 de Johann Jacob Froberger para violão solo

Este trabalho trata do processo de transcrição da Suíte 20 de J. J Froberger para violão solo. O objetivo geral é descrever o processo de transcrição com base em modelos de transcrição dos séculos XVII e XXI. A partir destas análises foi construído um referencial teórico para aplicação na transcrição da Suíte 20. A identificação dos elementos típicos do chamado stile brisé a partir do referencial foi essencial para o processo de transcrição da suíte 20, que se utilizou de vários procedimentos similares. No anexo deste artigo consta uma edição comparativa da versão original da Suíte 20 com a transcrição, bem como outra edição com a parte do violão solo e sugestões de execução.

A obra de triangulis omnimodis libri quinque de Johann Müller Regiomontanus (1436 1476): uma contribuição para o desenvolvimento da trigonometria

Trigonometry, branch of mathematics related to the study of triangles, developed from practical needs, especially relating to astronomy, Surveying and Navigation. Johann Müller, the Regiomontanus (1436-1476) mathematician and astronomer of the fifteenth century played an important role in the development of this science. His work titled De Triangulis Omnimodis Libri Quinque written around 1464, and published posthumously in 1533, presents the first systematic exposure of European plane and spherical trigonometry, a treatment independent of astronomy. In this study we present a description, translation and analysis of some aspects of this important work in the history of trigonometry. Therefore, the translation was performed using a version of the book Regiomontanus on Triangles of Barnabas Hughes, 1967. In it you will find the original work in Latin and an English translation. For this study, we use for most of our translation in Portuguese, the English version, but some doubt utterance, statement and figures were made by the original Latin. In this work, we can see that trigonometry is considered as a branch of mathematics which is subordinated to geometry, that is, toward the study of triangles. Regiomontanus provides a large number of theorems as the original trigonometric formula for the area of a triangle. Use algebra to solve geometric problems and mainly shows the first practical theorem for the law of cosines in spherical trigonometry. Thus, this study shows some of the development of the trigonometry in the fifteenth century, especially with regard to concepts such as sine and cosine (sine reverse), the work discussed above, is of paramount importance for the research in the history of mathematics more specifically in the area of historical analysis and critique of literary sources or studying the work of a particular mathematician

Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 284 - Brief an Johann Georg Keil zu Verlagsangelegenheiten

u.a.: Friedrich Fleischer; Baltasar Gracián;

Ms.Ff.F.Stoltze 3. 634 - Brief von Johann Albrecht Vogtherr an Friedrich Stoltze

Aufführungen seiner Theaterstücke, Frankfurter Zeitung: Kritik, Johannes Proelß

Das Leben Johann Wesley's; nebst einer Schilderung des Methodismus und seiner unhänger in Grossbritannien und Irland. Beitrag zur Christlichen Religions, und Kirchen, Geschichte /

Mode of access: Internet.

Johann Gottlieb Kern vom Schneckensteine oder dem sächsischen Topasfelsen [microform] /

Mode of access: Internet.