Erinnerungen aus den Feldzügen 1859 und 1866 : ein Beitrag zur Geschichte des k. und k. Uhlanen-Regimentes Nr. 1 /

Mode of access: Internet.

Kurze zusammenstellung der nachrichten über die errichtung und die folgenden organisationen des reitenden feldjäger-corps; zur erinnerung an das 100 jährigen jubiläum desselben 24 nov. 1840.

Mode of access: Internet.

Geschichte des königlich preussischen Ersten Kürassier-regiments von dessen errichtung bis auf unsere zeit.

Mode of access: Internet.

Manoeuvres, exercises et parades effectués en 1835 par les troupes impériales de Russie et les troupes royales de Prusse, au Camp de Kalisz, en présence de Sa Majesté le Roi Frédéric-Guillaume III.

Mode of access: Internet.

Ernstfeuerwerkerei für die Königlich Preussische Artillerie. Mit allerhöchster Genehmigung Seiner Majestät des Königs, auf Befehl Seiner Königlichen Hoheit des Prinzen August von Preussen.

Mode of access: Internet.

Historische darstellung der wichtigsten ereignisse des Königlich-Preussischen Zweiten Kürassier-Regiments (genannt Königinn) von dessen stiftung im jahre 1717 bis zum jahre 1820.

Mode of access: Internet.

A nation trained in arms or a militia? Lessons in war from the past and the present,

"A sequel to the recently published volume, Deductions from the worldwar."--p. viii.

Zapfenstreich, Drama in vier Aufzügen,

Mode of access: Internet.

Kriegsbuch der 4. Armee ...

A third and fourth part were in preparation in 1917, but no more published?

Dutch tilt, Aussie auteur : the films of Rolf de Heer. 2nd ed.

Dutch-born Australian director, Rolf de Heer, is Australia's most successful and unpredictable film-maker, with thirteen feature films of widely varying style and genre to his name. Arising from the author's 2006 - 2009 PhD research at the Queensland University of Technology (which focussed on the psychoanalytic use of sound in his films), and a fixed term Research Fellowship at the National Film and Sound Archive in Canberra, Australia, "Dutch Tilt, Aussie Auteur: The Films of Rolf de Heer" was first published in 2009 by VDM in Saarbrucken, Germany. This second edition addresses de Heer's additional film-making since 2009, and as with the first edition, is an auteur analysis of the thirteen feature films he has directed (and mostly written and produced). The book explores the theoretical instability of the concept of auteurism and concludes that there is a signature world view to be detected in his oeuvre, and that de Heer (quite possibly unconsciously) promotes unlikely protagonists who are non-hyper masculine, child-like and nurturing, as opposed to the typical Hollywood hero who is macho, exploitative and hyper masculine. Rolf de Heer was born in Heemskerk, Holland, in 1951 and migrated to Australia with his family in 1959. He spent seven years working for the ABC before gaining entry to Australia's Film, Television and Radio School, where he studied Producing and Directing. From his debut feature film after graduating, the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger" (1984) to his breakout cult sensation "Bad Boy Bubby" (1993) which "tore Venice [Film Festival] apart" to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the Australian Film Institute awards, de Heer has consistently proven himself unpredictable. This analysis of his widely disparate films, however, suggests that Australia's most innovative film-maker has a signature pre-occupation with giving a voice to marginalised, non-hyper masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, his 'Dutch tilt' is very much not Hollywood, but is nevertheless representative of a typically Aussie world-view.

Kriegsliederbuch für das duetsche heer, 1914,

Without music.

Das Königlich Preussische 15. Infanterie-Regiment, Prinz Friedrich der Niederlande, (früher Graf Bülow von Dennewitz) in den Kriegsjahren 1813., 14., und 15. /

Mode of access: Internet.

Comparing international television news : the case of violence presentation in Germany, Great Britain and Russia -- [in German : Gewalt in internationalen Fernsehnachrichten - eine komparative Analyse medialer Gewaltpräsentation in Deutschland, Großbritannien und Russland]

This is an important book that ought to launch a debate about how we research our understanding of the world, it is an innovative intervention in a vital public issue, and it is an elegant and scholarly hard look at what is actually happening. Jean Seaton, Prof of Media History, U of Westminster, UK & Official Historian of the BBC -- Summary: This book investigates the question of how comparative studies of international TV news (here: on violence presentation) can best be conceptualized in a way that allows for crossnational, comparative conclusions on an empirically validated basis. This book shows that such a conceptualization is necessary in order to overcome existing restrictions in the comparability of international analysis on violence presentation. Investigated examples include the most watched news bulletins in Great Britain (10o'clock news on the BBC), Germany (Tagesschau on ARD) and Russia (Vremja on Channel 1). This book highlights a substantial cross-national violence news flow as well as a cross-national visual violence flow (key visuals) as distinct transnational components. In addition, event-related textual analysis reveals how the historical rootedness of nations and its symbols of power are still manifested in televisual mediations of violence. In conclusion, this study lobbies for a conscientious use of comparative data/analysis both in journalism research and practice in order to understand what it may convey in the different arenas of today’s newsmaking.