Caroli a Linné ... Materia medica.

Includes indexes.

Genera plantarum eorumque characteres naturales secundum numerum, figuram, situm et proportionem omnium fructificationis partium.

Sometimes considered as ed. 9.

Caroli a Linné ... Amoenitates academicæ seu, Dissertationes variæ physicæ, medicæ, botanicæ, antehac seorsim editæ nunc collectæ et auctæ cum tabulis aeneis /

Vol. 10 is in 2 parts with separate pagination, the 2d consisting of dissertations and papers of Linné the younger.

Plantarum verticillatarum unilabiatarum genera et species.

Mode of access: Internet.

Pamiętniki z osmnastego wieku.

Pamiętniki o rewolucyi polskiej z roku 1794 Jenerał-kwatermistrza de Pistor -- Dzień 17 i 18 kwietnia 1794 w Warszawie. Przez naocznego świadka -- Pamiętniki Jana Kilińskiego, szewca, a razen pułkownika 20 regimentu.

Franz Grillparzer, Eduard von Bauernfeld, Anastasius Grün, Franz Stelzhammer, Johann Ludwig Deinhardstein {[u.a.], Brustbilder, Gruppenbildnis

Signatur des Originals: S 36/G03841

Observationes ad cognitionem mei et aliorum: Januar - August 1739

Handschrift

Berlin, Germany, 1739 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Die. Königl. Preus. u. Churf. Brandenburg Residenz-Stadt Berlin = Regiae Borvss & Elector Brandenb. sedis Berolini, entworfen von Johann fridrich Waltern zu Berlin 1737 u. nach dem grossen original in diesen kleinen form gebracht u. heraussgegeben von Homann Erben = ichnographia ex prototypo Walteriano majori Berolini edito in hanc minorem formam reducta et excusa per Homanianos Heredes. It was published by Homann Eben in [1739]. Scale [ca. 1:8,710]. Covers a portion of Berlin, Germany. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Deutsches Hauptdreiecksnetz (DHDN) 3-degree Gauss-Kruger Zone 4 coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, buildings, churches, ground cover, and more. Includes indices and view. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Johann August Eberhards ... Synonymisches Handwörterbuch der deutschen Sprache.

Mode of access: Internet.

Joh. Jak. Redinger und seine Beziehungen au Johann Amos Comenius; eine historisch-pädigogische Skizze aus dem XVII. Jahrhundert.

Author autographed presentation copy.

Johann August Eberhard's ... Synonymisches Handwörterbuch der deutschen Sprache für alle, die sich in dieser Sprache richtig ausdrucken wollen.

Mode of access: Internet.

Des Johann Amos Comenius Sittenvorschriften für die Schule zu Saros-Patak ; mit einem einleitenden Berichte über des Comenius Thätigkeit in Ungarn vom Jahre 1650-1654 /

Text in German and Latin.

[Johann Georg Schramm].

Handwritten purchase agreement for a barn in Merzbach, Franconia (photocopy of the original and typed transcript).

Pietismin kuva - ikkuna yksityiseen hengellisyyteen : Johann Arndtin opetukset pietistisen embleemin perustana

The image of Pietism a window to personal spirituality. The teachings of Johann Arndt as the basis of Pietist emblems The Pietist effect on spiritual images has to be scrutinised as a continuum initiating from the teachings of Johann Arndt who created a protestant iconography that defended the status of pictures and images as the foundation of divine revelation. Pietist artworks reveal Arndtian part of secret, eternal world, and God. Even though modern scholars do not regarded him as a founding father of Pietism anymore, his works have been essential for the development of iconography, and the themes of the Pietist images are linked with his works. For Arndt, the starting point is in the affecting love for Christ who suffered for the humankind. The reading experience is personal and the words point directly at the reader and thus appear as evidence of the guilt of the reader as well as of the love of God. Arndt uses bounteous and descriptive language which has partially affected promoting and picturing of many themes. Like Arndt, Philipp Jakob Spener also emphasised the heart that believes. The Pietist movement was born to oppose detached faith and the lack of the Holy Ghost. Christians touched by the teachings of Arndt and Spener began to create images out of metaphors presented by Arndt. As those people were part of the intelligentsia, it was natural that the fashionable emblematics of the 17th century was moulded for the personal needs. For Arndt, the human heart is manifested as a symbol of soul, personal faith or unbelief as well as an allegory of the burning love for Jesus. Due to this fact, heart emblems were gradually widely used and linked with the love of Christ. In the Nordic countries, the introduction of emblems emanated from the gentry s connections to the Central Europe where emblems were exploited in order to decorate books, artefacts, interiors, and buildings as well as visual/literal trademarks of the intelligentsia. Emblematic paintings in the churches of the castles of Venngarn (1665) and Läckö (1668), owned by Magnus Gabriel De la Gardie, are one of the most central interior paintings preserved in the Nordic countries, and they emphasise personal righteous life. Nonetheless, it was the books by Arndt and the Poet s Society in Nurnberg that bound the Swedish gentry and the scholars of the Pietist movement together. The Finnish gentry had no castles or castle churches so they supported county churches, both in building and in maintenance. As the churches were not private, their iconography could not be private either. Instead, people used Pietist symbols such as Agnus Dei, Cor ardens, an open book, beams, king David, frankincense, wood themes and Virtues. In the Pietist images made for public spaces, the attention is focused on pedagogical, metaphorical, and meaningful presentation as well as concealed statements.

La traducción vista desde la perspectiva del concepto de "literatura universal" de Johann Wolfgang von Goethe (1749-1832)

Eguíluz, Federico; Merino, Raquel; Olsen, Vickie; Pajares, Eterio; Santamaría, José Miguel (eds.)