Not Very Far, But Not Close Either

In “Not Very Far, But Not Close Either”, formal lyrics, free verse poems, and translations from the first century Latin of Martial and Horace explore ideas of distance: the physical distance between bodies, the psychological distance between (and within) human minds, the temporal distance between past, present, and future. A speaker considers his relationship to the image in a foggy bathroom mirror, another to the bird living behind his house, another to the ghosts of his dead parents, whom he asks to watch over a beloved and recently departed child. In exploring these distances—between self and semblance, man and bird, living and dead—the speakers of these poems attempt to locate themselves the only way we can ever locate anything: in relation to something—or someone—else. In this spirit, the manuscript incorporates not only translations and original poems, but poems adapted from and taken after the work of poets who have explored similar themes, questions, and concerns.

Falling Out of the Sky

“Falling Out of the Sky” is a collection of poems, both formal and free verse, that explores an intimate familial landscape. In particular, these poems raise the question of what it means to be human through examinations of family mythology and its changes as bodies and memories become unreliable with time.

Of Taffeta and Soil

OF TAFFETA AND SOIL is a collection of poetry unified through images of Argentinean and Floridian soil, flora, and fauna, and by themes of geographic and emotional dislocation, memory, and the quest for home. These images are brought forth in lyrical poems that question the growth and settling of a romantic partnership, domestic turmoil and resolution, and the constant tension between self and community. Mostly written in free verse, the collection also utilizes forms such as prose poem, haiku, and sonnet, for more formal unity. Section one chronicles and explores a romantic relationship through attraction, passion, disappointment, and self-awareness. Section two is a long poem that centers on the speaker’s continuous struggle to come to terms with her present adult life while still remembering and idealizing a homeland. Finally, the collection ends with two sections that work toward self-acceptance, forgiveness, and evolution via community, family, travel and nature.

South of the South

The purpose of this creative thesis was to explore, in a cacophony of lyric voices and registers, the constant struggle for personal expression in the face of mortality in its many forms. While many of the poems are written purely in free verse, many others are written using traditional forms, variations on traditional forms, and nonce forms, thus the thesis seeks to contemplate and celebrate its themes of mortality, family, cultural and personal myth, language, and abstraction through the use of its fluid, constantly improvised sonic techniques. The result was that the multifarious approach to lyric poetry is an accurate, memorable, and revelatory mode through which mortality can be confronted and celebrated.