160 resultados para Choruses


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With organ accompaniment.

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From January, 1997 to April, 1998, we studied breeding activity in a population of Scinax centralis Pombal & Bastos, 1996, in the state of Goiás, inside the Cerrado Biome, Brazil. The behavior of males and females in the choruses, the relationships between environmental variables and the presence of individuals, the spatial distribution pattern, amplexus and clutches were analyzed. The breeding season occurred from November to May. The majority of males began to call when they entered the chorus; they were defending their calling sites against other males. We found a positive correlation between the number of females and males in the choruses, but no significant correlation was observed between the operational sexual ratio (OSR, number of reproducing females/number of reproducing males) and the number of calling males. OSR was highly male-biased; on average, there were 40 males for each female. The presence of individuals was positively correlated with air temperature of two previous days and negatively correlated with rainfall on the observation day. Generally, males were non-randomly distributed and satellite males were observed. Females were larger and heavier than males. Egg number, but not diameter of the egg, was correlated with the female size.

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The objective of this paper is to present a Portuguese translation, with notes and commentary, and the corresponding Greek text of a small excerpt of book I (Onir. I. 56.25 -45), of Artemidorus’ Interpretation of dreams, Oneirokritika, based on Pack’s edition (1963), and on Houlihan’s (1997a,b) reviews and of Bowersock (1994)’s. It is a particular and important passage, focused on dreams about tragedy, comedy, choruses and hymns. To this translation, which serves as the basis for the present study of the onirocritic text, other excerpts were added in order to examine the (re)configuration of the dramatic action or hypokrisis into dream interpretations, within the author’s model of analysis, and its relationship with truth and falseness on physis, ethos and tekhne levels; all on a common denominator, memory. A rhetoric basis for author’s onirocritic vision and the keys to onirocritics in the dramatic scenes are discussed.

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by Louis Cherubini ; with an accompt for stringed instts or pianoforte ad lib.

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Cover title.

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For 3-4 voices.

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Publisher's no: Edition Breitkopf Nr. 1634.

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Incidental music to the play.