Influence of light guide tip used in the photo-activation on degree of conversion and hardness of one nanofilled dental composite

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Influência da composição de resinas compostas no grau de conversão e degradação hidrolítica

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Estudo da dureza e do grau de conversão de resinas compostas: efeito de fonte de luz e material

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O efeito da técnica de inclusão para fundição de titânio CP na fluidez, rusogidade, camada de reação e desajuste marginal

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Effect of different light-curing techniques on hardness of a microhybrid dental composite resin

Coordenação de Aperfeicoamento de Pessoal de Nivel Superior (CAPES)

Teaching in Landscape

“We, the landscape architects, concerned with the future development of our landscapes in a fast changing world, believe that everything, influencing the way in which the outdoor environment is created, used, and maintained is fundamental to sustainable development and human well-being. We, being responsible for the improvement of the education of future landscape architects to enable them to work for a sustainable environment within the context of our natural and cultural heritage”. (IFLA/UNESCO 2005) CHARTER FOR LANDSCAPE ARCHITECTURAL EDUCATION) Nowadays, respect and appreciation of the landscape sustainably grow. Landscape Architecture professionals are makers encourage and guide this growth. However, there is still no legal recognition of the landscape profession in Spain. For this reason we present this paper that shows the current framework in which appear a professional educated with masters and specialized courses, but it lacks a defined work area and unique in its business learned. We present the demands of both IFLA and the EFLA and teaching lines proposed by these organizations at European level are distinguished. Furthermore, we analyze the national scene and major training centres are distinguished.

Report submitted to the Seventieth General Assembly of the State of Illinois.

Mode of access: Internet.

Design for boulder bridge; grounds of Mr. James A. Allison

Red and black ink on linen. View from top, side and end elevations and cross-section with distances and grades. 111 cm. x 50 cm. Scale: 1/4" = 1'. Signed. [Marion College] [from photographic copy by Lance Burgharrdt]

Untitled

Ink on linen. Details, profiles and ground plan of stone seat, spring, rocks and dam. Was pinned to other Chalmers drawings. Signed. 67 cm. x 44 cm. Scale: 1"=5' [from photographic copy by Lance Burgharrdt]

Conference Point

[Camp organized for the training of Presbyterian Sunday School teachers.] Plat of a topographical survey of Conference Point; Lake Geneva, Wisconsin. Note at top: "Formerly the Chambers Estate." Appears to be resort with cottages, clubhouses, etc. Unsigned. 120 cm. x 102 cm. Scale: 1"=30' [from photographic copy by Lance Burgharrdt]

Drain and water system plan. Grounds of Mr. L. Rueckheim.

Red, green, black ink on linen; note, "See Anderson, Lake Forest, for topo. survey"; signed; 78 x 42 cm.; Scale: 1" = 20' [from photographic copy by Lance Burgharrdt]

L.I.F.E. Landscape: A Co-created Healing Environment for Vulnerable Maasai Youth

Thesis (Master's)--University of Washington, 2016-06

SITE 1121 - FIELD NOTES Revealing Deep Form as a Basis for Urban Landscape Design

Thesis (Master's)--University of Washington, 2016-06

The Impact of Chinese Culture on European Landscape Design

The English garden design style and the landscape garden movement became the most emblematic cultural achievement of England in the 18th-19th century. The natural garden style proved to be the symbol of the liberal philosophy and the enlightened way of thinking. But the English landscape garden, which can be seen as an idealized view of nature, is inspired by the classical landscape paintings and is also influenced by the classic Chinese gardens, which had recently been described by European travellers. The interest for Chinese culture, architecture and garden design spread around the British island and inspired the talented garden designers. The gardens of Chambers created a new section in the picturesque landscape gardens, the so called anglo-chinoiseric gardens where eastern, mainly Chinese architectural motives and garden elements have been used in most cases without integrating the Chinese nature philosophy. This first, more or less formal effects of Chinese garden design on European landscape architecture were overwritten by garden designers and horticulturalist during the gardenesque period of the early 19th century when great variety in plant design was taken into the focus of landscape architecture.