Methodo lusitanico de desenhar as fortificaçoens das praças regulares & irregulares : fortes de campanha, e outras obras pertencentes a architectura militar, distribuido em duas partes operativa e qualificativa /

Errata, last p.

Felsina pittrice : vite de pittori bolognesi /

A third volume was issued by Luigi Crespi, with title: Vite de' pittori bolognesi non descritte nella Felsina pittrice. Roma, 1769.

Idolatŕas y supersticiones de los indios.

Published in fascicles between 1892 and 1899.

Historia dell'origine, fondatione, et progressi del famosissimo tempio di S. Maria delle Gratie, in campagna di Curtatone fuori di Mantoua : con la descrittione del monastero dignissimo, sue giurisdittioni, & altre attinenze della sopradetta Santa Casa /

Errata, p. [192].

Antiqvae vrbis splendor : hoc est præcipva eivsdem templa, amphitheatra, theatra, circi, navmachiæ, arcvs trivmphales, mavsolea aliaqve svmptvosiora ædificia, Pompæ item trivmphalis et colossæarvm imaginvm descriptio /

A fourth part appeared in 1628 with some 40 additional plates.

Sefer Darkhe noʻam; ṿe-hu ḥibur teshuvot sheʼelot ...

"Ḳunṭres" (41 leaves at end) has special t.p., dated 1698.

Niwtʻer hay melikʻutʻean masin /

"E.L." was Eruand Lalayean, the moving force within Hayotsʻ Azgayin Ěnkerutʻiwn.

Fuldensium antiquitatum libri IIII.

Includes index.

Note, overo, Memorie del mvseo del conte Lodovico Moscardo ...

Ill. in 1st pt. largely engravings, with some woodcuts; in pt. 2, only woodcuts. Engraved frontispiece, 1st p. It is signed: Alberi' Pasi.' F. Veronae.

Regola delli cinque ordini d' architettura /

Engraved throughout. Architectural title leaf includes the arms of Cardinal Alessandro Farnese, to whom the work is dedicated, and the half-length port. of Vignola facing to the viewer's right. Plates are printed on one side of the leaf only, and are arranged in pairs on a verso and the facing recto. The 5 leaves at the end are from the series of 7 "Porte di Michel Angelo." Over 3 of the doorways are inscriptions relating to the Farnese.

Dios genethlia : Natalitia Iovis, in numismate imp. Antonini Caracallae expressa : epistola Caroli Patini.

Mode of access: Internet.

Color and Shape: A Plea for Equal Treatment

Many philosophers, especially in the wake of the 17th century, have favored an inegalitarian view of shape and color, according to which shape is mind-independent while color is mind-dependent. In this essay, I advance a novel argument against inegalitarianism. The argument begins with an intuition about the modal dependence of color on shape, namely: it is impossible for something to have a color without having a shape (i.e. without having some sort of spatial extension, or at least spatial location). I then argue that, given reasonable assumptions, inegalitarianism contradicts this modal-dependence principle. Given the plausibility of the latter, I conclude that we should reject inegalitarianism in favor of some form of egalitarianism—either a subjective egalitarianism on which both shape and color are mind-dependent or an objective egalitarianism on which both shape and color are mind-independent.

Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque curâ in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit /

The engravings of the paintings are from many engravers: I. Troyen, N. v. Hoij, L. Vosterman, P. Lisebetius, L. Popels, etc.

Panel

Grand-Ducal Workshops; 1 ft. 3 23/64 in. x 11 1/32 in.; pietre dure mosaic on white marble ground

Diuerses especes de poissons de mer.

Specimens are seen against sea and harbor views.