Hamlet: homem de virtú

O artigo traz algumas relações/semelhanças entre Hamlet, de Shakespeare, e O Príncipe de Maquiavel. Portanto, pela “perspectiva” da Razão de Estado e não pela versão reducionista do “maquiavelismo” (maniqueísmo político), também podemos observar uma teoria política em Shakespeare.

Ofélia, de 'Hamlet', e o Hermetismo no Renascimento

Durante o reinado de Elizabeth I (1558-1603) o protestantismo anglicano foi fortalecido, com o consequente combate ao catolicismo escolástico. Substituiu-se o paradigma filosófico considerado papista pelo neoplatonismo que havia emergido em Florença durante o século XV, mediante a releitura de textos de Hermes Trimegisto. Assim, o renascimento elisabetano teve como principal característica um misticismo hermético em completo acordo com o cristianismo, pois, embora santos e padres não tenham poderes especiais para nos conectar com Deus, a própria natureza criada por Ele permite aos homens ascender ao nível dos anjos. Razão pela qual o anglicanismo se distingue do luteranismo, que se apoia apenas na fé para alcançar a graça e a salvação. A discussão teológica desdobra-se nas artes, a exemplo da peça Hamlet, de Shakespeare, que tem suas personagens caracterizadas segundo a medicina hipocrática dos humores em consonância com os elementos da natureza, o que é flagrante no próprio desenlace de Ofélia, por afogamento. Na Inglaterra, o projeto de arte renascentista e a religião reformada constituíram portanto medidas oficiais tomadas por um governo que, além de se precaver contra a Espanha ultracatólica e contra as investidas do poder papal, buscava legitimar-se pela negação das teorias maquiavélicas. Ainda que tiranos como o tio de Hamlet tenham sido bem-sucedidos ao usar de meios espúrios para tomar o poder, forças naturais e sobrenaturais concorrerão para restaurá-lo a quem de direito.

O romance europeu do século XIX: uma leitura de Notre-Dame de Paris (1831) de Victor Hugo e A tale of two cities (1859) de Charles Dickens

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O estilo do rei: o diálogo entre O Rei Leão, da Disney, e Hamlet, de Shakespeare, sob uma perspectiva semiótica

This work consists of a semiotic analysis of the animation motion picture The Lion King (1994), by the Walt Disney Animation Studios, describing its intertextual relation with Hamlet, by Shakespeare, considering Disney’s individuality, its style. In order to study style in texts, we use discursive semiotics theory, highlighting Discini’s work (2013) and the concept of discursive settings. Hence, a deep discussion about The Lion King’s style, compared to the Shakespeare’s play, is established. The movie, once a syncretic text, requires advanced studies on Expression Plane, its plastic, musical and verbal/phonic aspects. We find these studies in the work of José Luiz Fiorin (2009), Lúcia Teixeira (2009), Ana Claúdia de Oliveira (2009), Jean-Marie Floch (2009) and Antônio Vicente Pietroforte (2008). We note how a syncretic text makes the discursive settings more complex by assembling plastic and sonorous materials in semissimbolic relation. Once defined The Lion King’s style, we analyze the way it justifies the intense popularity of this kind of animation features. Finally, it is important to understand how Disney uses in its style not only discursive settings, but also passional settings, revealing its own way to stir emotions on the spectator

Prospecção de marcadores microssatélites, análise de viriabilidade e estrutura genética populacional de arara-azul-grande Anodorhynchus hyacinthinus (Latham, 1790) com ênfase na região do mosaico dos Caraj��s-PA

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Aspectos morfológicos dos aparelhos reprodutores, maturação de ovários e avaliação do desenvolvimento de ninfas de Quesada gigas (Olivier, 1790) (Hemíptera: Cicadidae) em relação a diferentes hospedeiros

Pós-graduação em Agronomia (Entomologia Agrícola) - FCAV

Revista Popular (1859-1863) e Jornal das Famílias (1863-1878): um perfil dos periódicos de Garnier

The purpose of this paper is to show some characteristics and essential information related to the Brazilian periodicals in the 19th century Revista Popular (1859-1862) and Jornal das Famílias (1863-1878), whose owner was the Frenchman Baptiste Louis Garnier. By that time the proliferation of periodicals attracts attention mainly because several of them had ephemeral existence, in opposition to Garnier’s periodicals which as a whole amount to 19 years in circulation. The research on these periodicals becomes relevant since they are well succeeded publications whose study makes possible the widening of the knowledge on social and cultural aspects of a very important period in Brazilian society.

Análise da relação filogenética entre Triatoma carcavalloi Jurberg, Rocha; Lent, 1998; Triatoma circummaculata Stal, 1859; Triatoma klugi Carcavallo, Jurberg, Lent; Galvão, 2001 e Triatoma rubrovaria Blanchard, 1843 (Hemiptera, Reduviidae) baseada no sequenciamento de genes do DNA mitocondrial e nuclear

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Um estudo sobre o conceito de história e tempo presente em Marx através da crítica da economia política de 1859

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Aspectos da biologia reprodutiva da arara-azul Anodorhynchus hyacinthinus (Latham, 1790) no mosaico Caraj��s-PA

Pós-graduação em Ciências Biológicas (Zoologia) - IBB

Zoeal stages and megalopa of Mithrax hispidus (Herbst, 1790) (Decapoda: Brachyura: Majoidea: Mithracidae): A reappraisal of larval characters from laboratory cultured material and a review of larvae of the Mithrax-Mithraculus species complex

Mithrax hispidus (Herbst, 1790) is a mithracid majoid crab occurring on sand, corals and rocks in waters of the western Atlantic. Larval development consists of two zoeal stages and a megalopa. All larval stages are described in detail based on multiple cultures. Prior to this study, larvae of M hispidus were considered to be different and grouped separately from most other larvae of Mithrax, primarily based on setation. A detailed morphological examination, based on the same specimens used for the first description, revealed that the inclusion of M hispidus in a separate group is not valid as zoeae now fully agree with the morphological characteristics defined for the other group of five Mithrax species, including M. pleuracanthus, M. verrucosus, M. caribbaeus, M. coryphe, and M. forceps. This illustrates the importance of precisely recording morphological details such as setation, which may otherwise lead to incorrect interpretations with regard to perceived taxonomic affinities. A comparison of larvae of the Mithrax -Mithraculus species complex does not support separation into two genera. Larval evidence supports the recently suggested adult-based synonymization of M caribbaeus with M. hispidus.

Hamlet's Ophelia: The Changing Perceptions of Suicide, Death, and Madness in the Elizabethan and Victorian Periods

William Shakespeare's Hamlet, Prince of Denmark has been the source of question, debate, and research since its theatrical debut. In the midst of readings performances and one particular question has remained open and unresolved: was Ophelia's death an accident or a suicide? Some see Ophelia's death as an accident; others see it as a suicide resulting from the accumulation of a series of unfortunate events: her rejection by her boyfriend, her father’s murder, and her possible pregnancy. This paper will explore that age-old question from the perspectives of two historically different audiences: those of sixteenth-century and nineteenth-century England. I will argue that, despite the 300-year expanse between these two audiences, both emerged with the same conclusion: Ophelia's death was accidental. However, cultural and scientific changes affected the reasons why each came to that conclusion.

Predation of Caiman yacare (Spix, 1825) (Crocodilia, Alligatoridae) by Busarellus nigricollis (Latham, 1790) (Accipitriformes, Accipitridae) in the Taiama Ecological Station, Alto Pantanal, State of Mato Grosso

Predation of Caiman yacare (Spix, 1825) (Crocodilia, Alligatoridae) by Busarellus nigricollis (Latham, 1790) (Accipitriformes, Accipitridae) in the Taiama Ecological Station, Alto Pantanal, State of Mato Grosso. The Black-collared Hawk Busarellus nigricollis is an Accipitridae commonly seen on river banks, lagoon shores, and marshy areas. It feeds mainly on fishes and aquatic insects. It hunts from dead tree branches at forest edges or emergent trunks in flooded areas. Detailed information about the Black-collared Hawk food habits is scarce. In this study, we describe the predation of Caiman yacare (Pantanal alligator) by an individual of B. nigricollis. The event was observed on 20 August 2010 at 10: 14 am, in the Taiama Ecological Station, municipality of Caceres, Alto Pantanal, state of Mato Grosso. The B. nigricollis individual was seen leaving the Paraguay River carrying a juvenile C. yacare around 40 cm long. The prey was torn apart and given to a Black-collared Hawk nestling sitting atop a nest in flooded forest, ca. 15 m way from the river bank. This is the first published record of Pantanal alligator predation by the Black-collared Hawk.