354 resultados para F54 - Colonialism
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La nation sest affirme partir de la fin du 18e sicle comme lun des grands paramtres de la modernit. Sa remise en cause, tout spcialement dans les dernires dcennies du sicle dernier, est la fois partie prenante et symptomatique de lactuel phnomne deffritement des identits collectives. Le Qubec nchappe pas ce courant de fond, comme en tmoigne luvre du vidaste et cinaste Robert Morin, qui propose une galerie de personnages en manque dattaches et souvent rduits leur propre subjectivit. Dans un contexte de questionnement gnralis des concepts de nation et de collectivit, ces individualits se sentent isoles et tentent dsesprment de ractualiser les liens qui les unissent leurs semblables, mais sans grand succs. La communaut revt ainsi une dimension nostalgique, parcourant luvre de Morin dans son entiret et se manifestant de diffrentes manires, tant lcran qu travers son approche du mdium qui reste grandement tributaire des pratiques filmiques et vidographiques des annes 60 et 70. cartel entre la prise de conscience de son isolement et son dsir dappartenir une entit collective, quelle soit nationale ou autre, le sujet dli que lon retrouve chez Morin, comme cette thse tente de le dmontrer, subit ce phnomne de dliaison et lutte simultanment pour lenrayer.
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La nation sest affirme partir de la fin du 18e sicle comme lun des grands paramtres de la modernit. Sa remise en cause, tout spcialement dans les dernires dcennies du sicle dernier, est la fois partie prenante et symptomatique de lactuel phnomne deffritement des identits collectives. Le Qubec nchappe pas ce courant de fond, comme en tmoigne luvre du vidaste et cinaste Robert Morin, qui propose une galerie de personnages en manque dattaches et souvent rduits leur propre subjectivit. Dans un contexte de questionnement gnralis des concepts de nation et de collectivit, ces individualits se sentent isoles et tentent dsesprment de ractualiser les liens qui les unissent leurs semblables, mais sans grand succs. La communaut revt ainsi une dimension nostalgique, parcourant luvre de Morin dans son entiret et se manifestant de diffrentes manires, tant lcran qu travers son approche du mdium qui reste grandement tributaire des pratiques filmiques et vidographiques des annes 60 et 70. cartel entre la prise de conscience de son isolement et son dsir dappartenir une entit collective, quelle soit nationale ou autre, le sujet dli que lon retrouve chez Morin, comme cette thse tente de le dmontrer, subit ce phnomne de dliaison et lutte simultanment pour lenrayer.
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La cuestin de la "dependencia intelectual" es una de las preocupaciones ms antiguas y sistemticas del pensamiento latinoamericano. En este trabajo observamos cules han sido los cambios recientes en las formas de produccin intelectual y su circulacin que atraviesan los espacios nacionales, segmentando los procesos de consagracin. Argumentamos que la colonialidad intelectual no describe la actual situacin de nuestros campos acadmicos, ms bien caracterizados por la convivencia conflictiva de la autonoma y la heteronoma. La dependencia acadmica, sin embargo, existe, pero es necesario observarla y analizarla como "situacin concreta" llevando a fondo el enfoque relacional de la tradicin histrico-estructural latinoamericana. En esta lnea, primero analizamos el itinerario latinoamericano del debate sobre la dependencia intelectual, para luego proponer una definicin operativa de dependencia acadmica. Finalmente, desarrollamos nuestra propuesta analtica para observar la produccin de conocimientos en la periferia a partir de la articulacin del concepto de "campo" y de "circuito".
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Added title page: Allgemeine Landerkunde hrsg. von Wilhelm Sievers.
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For centuries, Africas Upper Guinea Coast region has been the site of regional and global interactions, with societies from different parts of the world engaging in economic trade, cultural exchange, and conflict. This book examines how such encounters have continued into the present day. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
Auf weiter Fahrt : Selbsterlebnisse zur See und zu Lande : Deutsche Marine- und Kolonialbibliothek /
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Mode of access: Internet.
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The purpose of this study is to depict and examine the perception of black Koreans in South Korean childrens literature. This study examines my research questions through four theoretical frameworks: culture and identity, post-colonialism, nationalism and racism, blackness and black Koreans portrayal in Korean media and multiculturalism in Korea. My study raises the question how multicultural literature can help or not promote a new perception of otherness in South Korea. The method used for this study is qualitative text analysis. The primary source of information is a close-reading of Won You Soons book Please find Charlton Sunja Kim and interviews with the author of this book. The findings show that there are still some stereotypes about black Koreans and blackness that prevail in South Korean society and can still be found in recent literary works.
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The aim of this study has been to revaluate Bronze Age society using rock art as an archaeological material. It has also sought to question certain prevailing interpretative trends within the research of rock art; ascribing it as ritual practices, expression of a social elite and the adoption of symbols from cultures along the Mediterranean Sea. This has chiefly been made possible through the application of Slavoj ieks ideas about the ideological fantasy and the sublime object of ideology. The thesis proposes a connection between art and ideology. A selected sampling of rock carvings from three areas in Sweden has been made in order to further investigate the relationship between different figurative motives both at a regional level, as well as a local. This study claims that rather than having been under the control of an elite, rock art has been accessible for the majority of the population both to produce and view. The depiction of human representation as rock carving does not depict a clear social stratification. It is also argued that the idea of images displayed on the rocks having roots in the imagery of Mediterranean civilizations is a construct of current western ideology, as the symbolic connection between the cultures is tenable at best, according to this study.
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Thesis (Master's)--University of Washington, 2016-06
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Thesis (Ed.D.)--University of Washington, 2016-06
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Thesis (Ph.D.)--University of Washington, 2016-06
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Thesis (Ph.D.)--University of Washington, 2016-06
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Thesis (Master's)--University of Washington, 2016-06
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The article critically examines propositions driving the exportation of western whistleblower concepts into the developing world.(1) Specifically it attacks the prevailing view that public interest disclosure is somehow a culture-free, or at least a culture-muted phenomenon, governed by a set of rules and conventions detached from local histories and practices. The article concludes that this exportation is in the spirit of neo-colonialism and issues a note of warning about the dangers of dispersing western conceived forms of corruption reporting to Africa. Copyright (c) 2005 John Wiley & Sons, Ltd.
