995 resultados para Equivalencia (Linguistica)
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Resumen basado en el de la publicaci??n
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Resumen basado en el de la publicaci??n
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En aquest article, s’hi justifica la importància de conèixer algunes de les propietats gramaticals de les llengües dels parlants que aprenen català i que són molt diferents de les que habitualment tenim més a prop. Aquest coneixement és bàsic per entendre moltes de les dificultats d’aquestes persones a l’hora d’aprendre el català i pot ajudar a elaborar materials didàctics més adequats i a plantejar les estratègies d’ensenyament més adients per a cada cas
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La presente investigación analiza, desde la perspectiva del análisis del discurso, la producción de sentido en torno a la articulación entre universidad, ciencia y desarrollo que, desde mediados de siglo XX, condensa el debate universitario en el país. Para conseguir esto, se analizan dos lugares de enunciación del discurso universitario: la Academia y el Estado. En el primer grupo, se analizan textos producidos por profesores universitarios que tienen notoria influencia en la reflexión sobre educación superior: Alfredo Pérez Guerrero, Manuel Agustín Aguirre, Hernán Malo. Cada uno de estos, en distintos períodos, fue rector de una institución universitaria, y desde ahí, impulsó procesos de reforma. En el segundo grupo, el Estado, se analizan las secciones de educación, universidad, ciencia y tecnología, presentes en los planes de desarrollo de 1963, 1972 y 1980. En estas secciones, es posible encontrar las propuestas de reforma de educación superior propuestas desde el Estado, en el marco de una política desarrollista de modernización de la sociedad. La perspectiva teórica que conduce esta investigación, asume la propuesta de análisis de discurso enunciada por Eliseo Verón. Esta propuesta permite pensar la equivalencia de los discursos enunciados desde la academia y desde el Estado. Dicha equivalencia no implica semejanza a nivel de contenidos discursivos –los cuales muestran claras diferencias– sino a nivel del funcionamiento discursivo, pues, hay una dimensión ideológica en el discurso universitario que establece los límites de lo pensable y lo decible en una época. La primera parte de esta investigación realiza una aproximación teórica a la semiosis social y al análisis del discurso. La segunda parte, realiza el análisis del discurso de los autores antes señalados; y en la tercera parte, se analiza el discurso universitario producido desde el Estado. Finalmente, las conclusiones buscan generar una inferencias teóricas que permiten la caracterización de la gramática del discurso universitario.
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Determiner Spreading (DS) occurs in adjectivally modified nominal phrases comprising more than one definite article, a phenomenon that has received considerable attention and has been extensively described in Greek. This paper discusses the syntactic properties of DS in detail and argues that DS structures are both arguments and predication configurations involving two DPs. This account successfully captures the word-order facts and the distinctive interpretation of DS, while also laying the groundwork towards unifying it with other structures linking two DPs in a predicative relation.
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Abstract According to Usage-based Theory (Tomasello 2006), children acquire wh- questions by initially producing concrete formula structures that happen to be very frequent in the input. In this research we analyze the wh-questions produced by three Spanish-speaking children (age range: 0;11-3;11) in longitudinal samples of spontaneous speech to determine whether the Usage-based Theory can explain the wh-question acquisition in Spanish. Results show that: i) the first wh-questions are formula, that appeared with few interrogative particles, and that are highly frequent in the input; ii) as the child develops, wh-questions become more complex, in which this structures are produced with more varied interrogative particles and different verbs; iii) the input seems to play a relevant role in the acquisition of wh-questions. Results seem to validate the Usage-based Theory.
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A rational strategy was employed for design of an orthorhombic structure of lamivudine with maleic acid. On the basis of the lamivudine saccharinate structure reported in the literature, maleic acid was chosen to synthesize a salt with the anti-HIV drug because of the structural similarities between the salt formers. Maleic acid has an acid-ionization constant of the anti first proton and an arrangement of their hydrogen bonding functionalities similar to those of saccharin. Likewise, there is a saccharin-like conformational rigidity in maleic acid because of the hydrogen-bonded ring formation and the Z-configuration around the C=C double bond. As was conceivably predicted, lamivudine maleate assembles into a structure whose intermolecular architecture is related to that of saccharinate salt of the drug. Therefore, a molecular framework responsible for crystal assembly into a lamivudine saccharinate-like structure could be recognized in the salt formers. Furthermore, structural correlations and structure-solubility relationships were established for lamivudine maleate and saccharinate. Although there is a same molecular framework in maleic acid and saccharin, these salt formers are Structurally different in some aspects. When compared to saccharin, neither out-of-plane SO(2) oxygens nor a benzene group occur in maleic acid. Both features could be related to higher solubility of lamivudine maleate. Here, we also anticipate that multicomponent molecular crystals of lamivudine with other salt formers possessing the molecular framework responsible for crystal assembly can be engineered successfully.
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Dissertacao essencialmente sobre derivacoes em aneis mostra que toda derivacao de jordan num anel primo e livre de 2-torcao e uma derivacao usual. prova que toda derivacao de hasse-schmidt-jordan definida num anel semiprimo e livre de 2-torcao e uma derivacao de hasse-schmidt. finalisa com derivacoes algebricas d definidas num anel primo r (c0m unidade) e com suas respectivas extensoes d* ao anel de quocientes (a direita) de martingale de r denotado por q. e demonstrado entao, uma equivalencia entre as r, q e c-algebricidades de d e d*, onde c denota o centroide estendido de r.
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Este trabalho é um estudo da lateral pós-vocálica no que se refere à sua realização como variante velarizada ou vocalizada, sob a perspectiva variacionista. O corpus utilizado é a fala de vinte e oito indivíduos de quatro regiões representativas de diferentes grupos étnicos existentes no Rio Grande do Sul. São examinadas as variáveis lingüísticas e extralingüísticas envolvidas na variação em estudo, confirmando-se a variável grupo étnico como a que mais favorece a presença das duas variantes. Além disso, apresentam-se as regras de velarização e de vocalização da lateral pós-vocálica em termos de traços fonológicos na linha de Clements e discute-se a posição destas no sistema de acordo com a linha da Fonologia Lexical.
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Over the last decades, the digital inclusion public policies have significantly invested in the purchase of hardwares and softwares in order to offer technology to the Brazilian public teaching institutions, specifically computers and broadband Internet. However, the teachers education to handle these artefacts is put away, even though there is some demand from the information society. With that, this dissertation chooses as an object of study the digital literacy practices performed by 38 (thirty-eight) teachers in initial and continuous education by means of the extension course Literacies and technologies: portuguese language teaching and cyberculture demands. In this direction, we aim at investigating the digital literacy practices of developing teachers in three specific moments: before, while and after this extension action with the intent to (i) delineate the digital literacy practices performed by the collaborators before the formative action; (ii) to narrate the literacy events made possible by the extension course; (iii) to investigate the contributions of the education course to the collaborators teaching practice. We sought theoretical contributions in the literacy studies (BAYNHAM, 1995; KLEIMAN, 1995; HAMILTON; BARTON; IVANIC, 2000), specifically when it comes to digital literacy (COPE, KALANTZIS, 2000; BUZATO, 2001, 2007, 2009; SNYDER, 2002, 2008; LANKSHEAR & KNOBEL, 2002, 2008) and teacher education (PERRENOUD, 2000; SILVA, 2001). Methodologically, this virtual ethnography study (KOZINETS, 1997; HINE, 2000) is inserted into the field of Applied Linguistics and adopts a quali-quantitative research approach (NUNAN, 1992; DÖRNYEI, 2006). The data analysis permitted to evidentiate that (i) before the course, the digital literacy practices focused on the personal and academic dimensions of their realities at the expense of the professional dimension; (ii) during the extension action, the teachers collaboratively took part in the hybrid study sessions, which had a pedagogical focus on the use of ICTs, accomplishing the use of digital literacy practices - unknown before that; (iii) after the course, the attitude of the collaborator teachers concerning the use of ICTs on their regular professional basis had changed, once those teachers started to effectively make use of them, promoting social visibility to what was produced in the school. We also observed that teachers in initial education acted as more experienced peers in collaborative learning process, offering support scaffolding (VYGOTSKY, 1978; BRUNER, 1985) to teachers in continuous education. This occurred because of the undergraduates actualize digital literacy practices were more sophisticated, besides the fact being integrate generation Y (PRENSKY, 2001)
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This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements in the construction of the scene. The purpose of this research is to study the connections between the scene and the media within the context of the formation of hybrid organism wich is the key element. That stands for an aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil. Thus, this work will investigate the concept of visual landscapes within the context of Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main empirical object of analysis, discussion and application of the framework developed in the text
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Seted in the context of the educational actions of Casa Renascer, a non-governmental organization, located in Natal city, which had as its primary purpose the care with children and adolescent girls in vulnerable situations, this research is based on describing and analysis on the topic in the creative process developed by Asmarias Theatre Company from 1993 to 2003, a process that culminated in the assembly of the dramatic text, Mateus e Mateusa, of Qorpo-Santo. In this research is focused on the route of the Theatre Company has done so much theater in its early history (1993), with the practice of reading and dramatic writing in the preparation of didactic material called Primer of Inventions, as in the procedures with theater street and forum theater (1997 to 2000) to the reunion in 2001 of seven teenagers which articulated the last group formation next to the assembly's text Qorpo-Santo (2002- 2003). During the development on this learning, the evolution of the creative process based on institutional theme when asked if one can provide moments of educational experiences through the traditional form of theater, with reference to the issues inherent in the dramatic texts considered classics. The debate on the issue through research and analysis in its descriptions and finds in the interim between his past and present indications that lead to conclusive guises. The methodology, which is guided by research, is based in theatrical archeology (PAVIS, 2005), the evidential paradigm (GINZBURG, 1989) and the second approaches the experiences narrated by Benjamin (1985). We selected documents in formats of written texts, photographic and filmed, and identified in these files, marks and tracks which took us to understand the subject in the creative process of Asmarias Theatre Company during the tests with the dramatic text, Mateus and Mateusa, of Qorpo-Santo. In this theatrical practice, located in the field of the theater pedagogy, it appears that the actions across thematic theater in the Casa Renascer and allowed the formation of critical aesthetic perspective and personal social dimension of the subjects involved. The theme has gained a significant proportion in the theatrical activity as a guiding point of the creative process of Theatre Company, taking in the theatrical art form. In this sense, the creative process with the dramatic and classic texts won the educational dimension to address the issue in the movement of the drama as the focus of individual creation which added to the collective universe of the interactive game
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We try to relate this research with other logic, to discover a path of practical approach to approach a creation composed of fragments and a search of parameters for the aesthetics of appropriation. Accordingly, we find relationship with the theater composed of fragments, where different styles are appropriate theatrical and representational styles are merged with each other. Discusses in the first chapter on the theater composed of fragments, and stroll through lanes of the strategies of some directors in the ways of the contemporary scene. In the second chapter we seek procedures and concepts of atmosphere Mikhail Tchekhov (TCHEKHOV, 1996), and the transition from point-to-point by Scott McCloud (2005). In the third part we describe the observation of the experiment conducted by the students of the Bachelor's Degree in Regional Theatre at the University of Cariri in Juazeiro, Ceará, in 2010. Using the methodology of "pesquisa-ação", observing that the scenic writing end of the experiment, called "Toque Me", and the presentation in the cities of Crato and Barbalha, in August 2010, contained elements of the strategies from theater fragmentary scenes and conceptual contents of contemporary theater