916 resultados para Alberto Lacerda, Mário Cesariny, Surrealismo
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The purpose of this study was to analyze the bone repair around commercially pure titanium implants with rough and porous surface, fabricated using powder metallurgy technique, after their insertion in tibiae of rabbits. Seven male rabbits were used. Each animal received 3 porous-surface implants in the left tibia and 3 rough-surface implants in the right tibia. The rabbits were sacrificed 4 weeks after surgery and fragments of the tibiae containing the implants were submitted to histological and histomorphometric analyses to evaluate new bone formation at the implant-bone interface. Means (%) of bone neoformation obtained in the histomorphometric analysis were compared by Student's t-test for paired samples at 5% significance level.. The results of the histological analysis showed that osseointegration occurred for both types of implants with similar quality of bone tissue. The histomorphometric analysis revealed means of new bone formation at implant-bone interface of 79.69 ± 1.00% and 65.05 ± 1.23% for the porous- and rough-surface implants, respectively. Statistically significant difference was observed between the two types of implants with respect to the amount new bone formation (p<0.05). In conclusion, the porous-surface implants contributed to the osseointegration because they provide a larger contact area at implant-bone interface.
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Because it still brings polemic among the professionals, it was mention once more, in this literature review, the theme that aims to define the appropriate timing to approach the bad occlusions of Class II, and also when it would the right opportunity to treat them, in way that would convey to the patient consistent, stable results in a long term. These are important aspects to be taken into consideration by orthodontists, either by those who defend the early treatment or by those who defend the late treatment. Therefore, the present study aims to aid the clarification of daily doubts regarding this aspect.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The NNW-trending Nova Lacerda tholeiitic dike swarm in Mato Grosso State, Central Brazil, intrudes the Nova Lacerda granite (1.46 Ga) and the Jauru granite-greenstone terrain (ca. 1.79-1.77 Ga). The swarm comprises diabases I and II and amphibolites emplaced at ca. 1.38 Ga. Geochemical data indicate that these are evolved tholeiites characterized by high LILE/HSFE and LREE/HSFE ratios. Isotopic modelling yields positive epsilon(Nd)(T) values (+0.86 to +2.65), whereas values for epsilon(Sr)(T) range from positive to negative (+1.96 to -5.56). Crustal contamination did not play a significant petrogenetic role, as indicated by a comparison of isotopic data (Sr-Nd) from both dikes and country rocks, and by the relationship between isotopic and geochemical parameters (SiO2, K2O, Rb/Sr, and La/Yb) of the dikes. We attribute the origin of these tholeiites to fractional crystallization of evolved melts derived from a heterogeneous mantle source. Comparison of the geochemical and isotopic data of the studied swarm and other tholeiitic Mesoproterozoic mafic intrusions of the SWAmazonian Craton the Serra da Providencia, Colorado, and Nova Brasilandia bimodal suites - indicates that parental melts of the Nova Lacerda swarm were derived from the most enriched mantle source. This enrichment was probably caused by the stronger influence of the EMI component on the DMM end-member. These data, coupled with trace element bulk-rock geochemistry of the country rocks, and comparisons with the Colorado Complex of similar age, suggest a continental-margin arc setting for the emplacement of the Nova Lacerda dikes.
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Depois das "palavras em liberdade" de Pauliceia desvairada, Mário de Andrade inaugurou, nos anos de 1920, uma nova fase de sua obra literária, que correspondia a uma reorientação do próprio Modernismo brasileiro: a busca da "contribuição milionária de todos os erros" (Oswald de Andrade, "Manifesto Pau Brasil"). Contra as regras da gramática e do discurso letrado, procurava-se imitar a "língua errada do povo". No caso de Mário de Andrade, o desejo de estilizar a fala popular resultou no projeto da Gramatiquinha da Língua Brasileira, que tinha no chamado dialeto caipira uma de suas inspirações. O diálogo com a cultura caipira ocorre em momentos centrais da sua produção literária: Macunaíma, Clã do jabuti, Os contos de Belazarte. Estudando a pintura de Tarsila do Amaral, Mário dirá que a sua brasilidade consiste no "caipirismo" das cores e das formas; algo que também se aplica, e mais radicalmente, à literatura cada vez mais enraizada de Mário de Andrade, na qual os "erros" de linguagem e a presença de personagens caipiras ou selvagens figuram o deslocamento do Brasil e o do próprio escritor em relação ao processo de modernização.
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[ES] En este trabajo se analiza el Otro femenino en el Surrealismo canario y francés vehiculado a través del cuerpo en diéresis o desmembrado. La alteridad que establece la identidad femenina en el surrealismo se afirma y patentiza en la presencia del cuerpo de la mujer. Su representación truncada, cuerpo siempre ajeno en Occidente, se desgarra en herida para la conciencia, se simplifica y condensa en receptáculo de deseo o frustración.
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[ES] A causa de su militancia en el partido socialista, el poeta canario Domingo López Torres (1910-1937) murió asesinado en los inicios de la Guerra Civil española tras permanecer varios meses en prisión. Su compromiso no sólo fue político, sino también literario. Enemigo de todo tradicionalismo, simpatizó con aquellas tendencias estética s renovadoras que incorporaban los estilos, las ideas y conductas más progresistas de la Europa de los años 30, llegando a desempeñar un papel vital en el proceso de recepción del surrealismo en la isla de Tenerife. Este artículo describe el paulatino acercamiento de López Torres al movimiento vanguardista liderado por André Breton. Con ese objetivo se analizan sus dos obras fundamentales: Diario de un sol de verano y Lo imprevisto , ambas inéditas hasta 1987 y 1981, respectivamente. Mientras el primer volumen, escrito hacia 1929, conecta con los principios del Ultraísmo, con el regionalismo postulado por su paisano Pedro García Cabrera, con la “poesía pura” de Juan Ramón JJiménez o con las facetas neopopulistas de García Lorca y de Alberti, el segundo, compuesto en la cárcel de Fyffes poco antes de morir, revela ya el uso de imágenes y procedimientos abiertamente sur realistas.
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The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art movements Dada and Surrealism.
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This dissertation is aimed at analysing deeply and thoroughly the most significant topics and features reflected in the Latin American literary work of Alberto Manzi. His almost thirty years of travelling and volunteering in the indigenous communities of South America formed a background of knowledge and experiences, which turned out to be crucial for the genesis of his Latin American trilogy. In the light of this, not only are ‘La luna nelle baracche’, ‘El loco’ and ‘E venne il sabato’ a speaking testimony of Manzi’s life and inner development, but they also offer a privileged perspective on the social, historical and religious situation of the people of Latin America. For a better understanding of the books, chapter one provides an extensive historical and economic commentary stretching over a century, from the collapse of the Spanish Empire to the rise of modern dictatorships in the late ‘70s, and the long democratic transition of the ‘80s. As far as the religious background is concerned, it is important to mention the influence of the liberation theology in the shaping of Manzi’s revolutionary thought. Indeed, chapter two identifies the precursors of the liberation theology, considers the effects of the Second Vatican Council on Latin America’s Catholic Church, and presents the methodology and the most powerful intuitions of the liberation theology. Finally, chapter three employs a critical analysis of Manzi’s Latin American trilogy, which focuses on his personal journal of his time in the austral continent, and Sonia and Giulia Manzi’s testimony published in a book entitled ‘Non è mai troppo tardi’. Chapter three provides an in-depth analysis of the evolution of the author’s revolutionary thought and plot dynamics; it discusses the psychological profile of the characters, the cultural features of the indigenous traditions, and the author’s urge to involve the readership in a permanent process of self-questioning.