Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar
| Contribuinte(s) |
Marchetti, Giovanni Gentile |
|---|---|
| Data(s) |
07/06/2011
|
| Resumo |
The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art movements Dada and Surrealism. |
| Formato |
application/pdf |
| Identificador |
http://amsdottorato.unibo.it/3826/1/ontoria_mercedes_tesi.pdf urn:nbn:it:unibo-2707 Ontoria, Mercedes (2011) Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar, [Dissertation thesis], Alma Mater Studiorum Università di Bologna. Dottorato di ricerca in Iberistica <http://amsdottorato.unibo.it/view/dottorati/DOT252/>, 23 Ciclo. |
| Idioma(s) |
es |
| Publicador |
Alma Mater Studiorum - Università di Bologna |
| Relação |
http://amsdottorato.unibo.it/3826/ |
| Direitos |
info:eu-repo/semantics/restrictedAccess |
| Palavras-Chave | #L-LIN/06 Lingua e letterature ispano-americane |
| Tipo |
Doctoral Thesis PeerReviewed |
