A poética do corpo não-verbal: um olhar para a comicidade em cena

Throughout our history as an actor, director and teacher, we appreciate comedic performances they proposed a dialogue with the public through the body language of the performers whose performances abdicate the use of speech of the actors. This way of representing, in the silence of the stage, caught our attention and sparked our curiosity about the subject, which is directly related to the poetic constructions of the body on the scene. Before initial readings on the subject, we begin to understand that for a long time in human history, especially in the West, understanding body was constructed from various epistemological looks disregarded the body as a unit, an incarnation of the subject in all . This kind of thinking, reflecting the philosophy of modernity, reverberated strongly about the aesthetic issues of art making, here specifically in Theatre. For several centuries the theatrical make up molded from various aesthetic elements, but ignoring the potential of embodiment of the artist, ie the theatrical text, for example, was considered for a long time, as the main element of the scene and gave little emphasis on dramaturgy elaborate body. With the emergence of reflections on the subject, brought especially from the early twentieth century, the perception of the body as a creative element and creator, also began to gain ground. Over time artistic practices began to glimpse the creative possibilities of the body, including rethinking its relationship with the text written with the spoken word. And as part of these new reflections on the body in the creation process, we proposed this research, we have entitled "A poetics of non-verbal body: a look at the comic on the scene." In our research on this subject, also seek to understand how the corporeality of the actor may give us clues to realize / build nonverbal body and comical scene. From this perspective we can analyze how could the construction of a comical and non-verbal dramaturgy from the phenomenology of laughter. And with that look, we want to point out some aspects and procedures, arising from reflections on corporeality and comedy, that constitute, among other possible, non-verbal construction methodology scenic.

O professor/educador como gestor da autoridade e dos afetos no processo de ensino-aprendizagem

Relatório de estágio apresentado à Escola Superior de Educação de Santarém para obtenção do grau de mestre em Educação pré-escolar e Ensino do 1.º ciclo do ensino básico

JORNALISMO DIVERSIONAL: função, contornos e práticas na imprensa brasileira

Há, dentre os gêneros jornalísticos, especialmente os praticados na imprensa brasileira, um agrupamento a que José Marques de Melo atribui o nome de “jornalismo diversional”. Diferenciado por sua finalidade afeita à diversão e por abranger matérias reveladoras de histórias interessantes, a estrutura de seus formatos assimila elementos da literatura e da antropologia. Mas que motivações levam repórteres a desenvolver tal gênero e em quais circunstâncias? Quais métodos são adotados para sua feitura? Que forças agem aí? O estudo apresentado nesta tese buscou compreender como se dá esse processo, observando e comparando os modos de fazer adotados por nove jornalistas brasileiros, escolhidos por se submeterem a dois critérios inter-relacionados: 1) serem reconhecidos pelo meio jornalístico e/ou pelo mercado editorial como figuras que se destacam nesse exercício; e 2) terem produzido textos – com as características mencionadas – para jornais e/ou revistas e que, posteriormente, foram compilados em livro. A metodologia empregada tem vínculo estreito com a perspectiva teórica do newsmaking, valendo-se da técnica apropriada para uma observação que considera diferentes momentos da história (década de 1950 para cá): a entrevista, no seu tipo semiestruturado. O quadro de jornalistas entrevistados é formado por Audálio Dantas, Carlos Wagner, Consuelo Dieguez, Daniela Pinheiro, Eliane Brum, João Moreira Salles, José Hamilton Ribeiro, Ricardo Kotscho e Zuenir Ventura. Como resultado, defendemos que o gênero aqui posto como tema de pesquisa é cultivado por um seleto grupo de profissionais, capazes de direcionar olhares sensíveis sobre a realidade, para dela extrair detalhes e enredos que toquem nos sentimentos dos leitores, divertindo-os, ao propiciar gratificação estética, em contraponto à alienação que se costuma presumir. Trata-se de produção dependente de criatividade e curiosidade, de talento para redigir textos agradáveis e de métodos de apuração e de escrita altamente subjetivos, mas que aparecem como questão bem resolvida no agir profissional desses sujeitos. Essa capacidade também é que os possibilita conquistar espaço, em meio a embates com editores e diretores de redação, para elaborar matérias em que a autoria se sobressai. Por fim, a função de divertir, atribuída ao gênero, é confirmada pelos profissionais, ainda que de modo implícito

Development of a program of radiopaque lesions images via radiographic cases for active learning in oral medicine

Through the creation of this project in English, we have made a file of radiographic images that will be used by third year dental students in order to improve the practical teaching part of the subject of Oral Medicine, essentially by incorporating these files to the Virtual Campus. We have selected the most representative radiopaque radiographic images studied in pathology lectures given. We have prepared a file with 59 radiopaque radiographic images. These lesions have been divided according to their relationship and number with the tooth, into the following groups: “Anatomic radiopacities”, “Periapical radiopacities”, “Solitary radiopacities not necessarily contacting teeth”,“Multiple separate radiopacities”, and “Generalized radiopacities”. We created 4 flowcharts synthesizing the mayor explanatory bases of each pathological process in relation to other pathologies within each location. We have focused primarily in those clinical and radiographic features that can help us differentiate one pathology from another. We believe that by giving the student a knowledge base through each flowchart, as well as provide clinical cases, will start their curiosity to seek new cases on the Internet or try to look for images that we have not been able to locate due to low frequency. In addition, as this project has been done in English, it will provide the students with necessary tools to do a literature search, as most of the medical and dental literature is in English; thus far, providing the student with this material necessary to make the appropriate searched using keywords in English.

The Role of Home Practice Engagement in a Mindfulness-Based Intervention

Over the last three decades, there has been a precipitous rise in curiosity regarding the clinical use of mindfulness meditation for the self-management of a broad range of chronic health conditions. Despite the ever-growing body of evidence supporting the use of mindfulness-based therapies for both medical and psychological concerns, data on the active ingredients of these mind-body interventions are relatively scarce. Regular engagement in formal mindfulness practice is considered by many to be requisite for generating therapeutic change; however, previous investigations of at-home practice in MBIs have produced mixed results. The equivocal nature of these findings has been attributed to significant methodological limitations, including the lack of standardized, systematic practice monitoring tools, and a singular focus on practice time, with little attention paid to the nature and quality of one’s practice. The present study used a prospective, observational design to assess the effects of home-based practice on dispositional mindfulness, self-compassion, and psychological functioning in twenty-eight people enrolled in an MBSR or MBCT program. To address some of the aforementioned limitations, the present study collected detailed weekly accounts of participants’ home-based practice engagement, including information about practice time (i.e., frequency and duration), exercise type, perceived effort and barriers to participation, and practice quality. Hierarchical multiple regression was used to examine the relative contribution of practice time and practice quality on treatment outcomes, and to explore possible predictors of adherence to at-home practice recommendations. As anticipated, practice quality and perceived effort improved with time; however, rather unexpectedly, practice quality was not a significant predictor of treatment-related improvements in psychological health. Home practice engagement, however, was predictive of change in dispositional mindfulness, in the expected direction. Results of our secondary analyses demonstrated that employment status was predictive of home practice engagement, with those who were unemployed completing more at-home practice on average. Mindfulness self-efficacy at baseline and previous experience with meditation or other contemplative practices were independently predictive of mean practice quality. The results of this study suggest that home practice helps generate meaningful change in dispositional mindfulness, which is purportedly a key mechanism of action in mindfulness-based interventions.

Expectation Modulates Episodic Memory Formation via Dopaminergic Circuitry

Episodic memory formation is shaped by expectation. Events that generate expectations have the capacity to influence memory. Additionally, whether subsequent events meet or violate expectations has consequences for memory. However, clarification is still required to illuminate the circumstances and direction of memory modulation. In the brain, the mechanisms by which expectation modulates memory formation also require consideration. The dopamine system has been implicated in signaling events associated with different states of expectancy; it has also been shown to modulate episodic memory formation in the hippocampus. Thus, the studies included in this dissertation utilized both functional magnetic resonance imaging (fMRI) and behavioral testing to examine when and how the dopaminergic system supports the modulation of memory by expectation. The work aimed to characterize the activation of dopaminergic circuitry in response to cues that generate expectancy, during periods of anticipation, and in response to outcomes that resolve expectancy. The studies also examined how each of these event types influenced episodic memory formation. The present findings demonstrated that novelty and expectancy violation both drive dopaminergic circuitry capable of contributing to memory formation. Consistent with elevated dopaminergic midbrain and hippocampus activation for each, expected versus expectancy violating novelty did not differentially affect memory success. We also showed that high curiosity expectancy states drive memory formation. This was supported by activation in dopaminergic circuitry that was greater for subsequently remembered information only in the high curiosity state. Finally, we showed that cues that generate high expected reward value versus high reward uncertainty differentially modulate memory formation during reward anticipation. This behavioral result was consistent with distinct temporal profiles of dopaminergic action having differential downstream effects on episodic memory formation. Integrating the present studies with previous research suggests that dopaminergic circuitry signals events that are unpredicted, whether cuing or resolving expectations. It also suggests that contextual differences change the contribution of the dopaminergic system during anticipation, depending on the nature of the expectation. And finally, this work is consistent with a model in which dopamine elevation in response to expectancy events positively modulates episodic memory formation.

Espacio social : Aportes para una definición del concepto y su posible relación con el arte

En el presente trabajo proponemos avanzar de un modo crítico en horizontes teóricos, tanto desde la geografía urbana como desde la geografía política, para abordar el concepto de espacio. Para ello, analizamos las contribuciones de Henri Lefebvre, Milton Santos y Doreen Massey guiándonos por las siguientes preguntas: ¿Cómo definen estos autores al espacio y qué características le atribuyen? ¿Qué aportes realizan para problematizar la noción de espacio físico? A partir de esta indagación, arribamos a la consideración de que el espacio, lejos de concebirse en términos atemporales, objetivos, fijos y apolíticos, es una construcción histórico social que posee un carácter político al estar atravesado por relaciones de poder. Asimismo, sostenemos que la presencia del espacio en las prácticas sociales, entre ellas las acciones artísticas (objeto de nuestro interés), no es sólo contextual, por lo que excede a la idea de simple emplazamiento, telón de fondo o escenario donde transcurren los hechos. De esta manera, consideramos que estas indagaciones aportan un marco analítico significativo para comprender la centralidad que tiene la valoración, construcción y disputa del espacio por parte de numerosas prácticas. ;En síntesis, arribamos a la conclusión de que el espacio es a la vez productor y producto. Por ende, está en permanente cambio y las formas que adquiere son condición histórica y de posibilidad, y no una determinación, para los procesos sociales que allí se desarrollan. Cualquier manifestación social, entre ellas las artísticas, no se insertan en el espacio de forma "natural" sino que lo hacen de manera disruptiva, en lugares no esperados, con técnicas o mecanismos que apelan a descentrar, a movilizar los sentimientos y sentidos corporales, a despertar el interés, curiosidad, preguntas, cuestionamientos, entre otros. En este sentido, en el espacio construido socialmente confluyen cierta distribución del poder, el conflicto social y también las prácticas creativas que muchas veces se proponen generar operaciones contra esas dinámicas.

Espacio social : Aportes para una definición del concepto y su posible relación con el arte

En el presente trabajo proponemos avanzar de un modo crítico en horizontes teóricos, tanto desde la geografía urbana como desde la geografía política, para abordar el concepto de espacio. Para ello, analizamos las contribuciones de Henri Lefebvre, Milton Santos y Doreen Massey guiándonos por las siguientes preguntas: ¿Cómo definen estos autores al espacio y qué características le atribuyen? ¿Qué aportes realizan para problematizar la noción de espacio físico? A partir de esta indagación, arribamos a la consideración de que el espacio, lejos de concebirse en términos atemporales, objetivos, fijos y apolíticos, es una construcción histórico social que posee un carácter político al estar atravesado por relaciones de poder. Asimismo, sostenemos que la presencia del espacio en las prácticas sociales, entre ellas las acciones artísticas (objeto de nuestro interés), no es sólo contextual, por lo que excede a la idea de simple emplazamiento, telón de fondo o escenario donde transcurren los hechos. De esta manera, consideramos que estas indagaciones aportan un marco analítico significativo para comprender la centralidad que tiene la valoración, construcción y disputa del espacio por parte de numerosas prácticas. ;En síntesis, arribamos a la conclusión de que el espacio es a la vez productor y producto. Por ende, está en permanente cambio y las formas que adquiere son condición histórica y de posibilidad, y no una determinación, para los procesos sociales que allí se desarrollan. Cualquier manifestación social, entre ellas las artísticas, no se insertan en el espacio de forma "natural" sino que lo hacen de manera disruptiva, en lugares no esperados, con técnicas o mecanismos que apelan a descentrar, a movilizar los sentimientos y sentidos corporales, a despertar el interés, curiosidad, preguntas, cuestionamientos, entre otros. En este sentido, en el espacio construido socialmente confluyen cierta distribución del poder, el conflicto social y también las prácticas creativas que muchas veces se proponen generar operaciones contra esas dinámicas.

Espacio social : Aportes para una definición del concepto y su posible relación con el arte

En el presente trabajo proponemos avanzar de un modo crítico en horizontes teóricos, tanto desde la geografía urbana como desde la geografía política, para abordar el concepto de espacio. Para ello, analizamos las contribuciones de Henri Lefebvre, Milton Santos y Doreen Massey guiándonos por las siguientes preguntas: ¿Cómo definen estos autores al espacio y qué características le atribuyen? ¿Qué aportes realizan para problematizar la noción de espacio físico? A partir de esta indagación, arribamos a la consideración de que el espacio, lejos de concebirse en términos atemporales, objetivos, fijos y apolíticos, es una construcción histórico social que posee un carácter político al estar atravesado por relaciones de poder. Asimismo, sostenemos que la presencia del espacio en las prácticas sociales, entre ellas las acciones artísticas (objeto de nuestro interés), no es sólo contextual, por lo que excede a la idea de simple emplazamiento, telón de fondo o escenario donde transcurren los hechos. De esta manera, consideramos que estas indagaciones aportan un marco analítico significativo para comprender la centralidad que tiene la valoración, construcción y disputa del espacio por parte de numerosas prácticas. ;En síntesis, arribamos a la conclusión de que el espacio es a la vez productor y producto. Por ende, está en permanente cambio y las formas que adquiere son condición histórica y de posibilidad, y no una determinación, para los procesos sociales que allí se desarrollan. Cualquier manifestación social, entre ellas las artísticas, no se insertan en el espacio de forma "natural" sino que lo hacen de manera disruptiva, en lugares no esperados, con técnicas o mecanismos que apelan a descentrar, a movilizar los sentimientos y sentidos corporales, a despertar el interés, curiosidad, preguntas, cuestionamientos, entre otros. En este sentido, en el espacio construido socialmente confluyen cierta distribución del poder, el conflicto social y también las prácticas creativas que muchas veces se proponen generar operaciones contra esas dinámicas.

The Gentleman-Scholar at Home: Domesticity, Masculinity, and Civility in Dutch Seventeenth-Century Genre Painting

This dissertation examines the gentleman-scholar depicted at home in Dutch seventeenth-century genre paintings, focusing primarily on art created in the Northern Netherlands from the 1630s through the 1670s. The methodological approach is art historical but also pertains to history of architecture, history of dress, and gender studies. Employing the framework of the 'Ages of Man', this thesis investigates three related pictorial themes: the student, the scholar in his prime, and the aged scholar. Variations of male scholarly figures and the accoutrements of the study have a long history in Europe. Prototypical sources include religious history paintings of learned hermit-saints; artistic interest in the allegorical Saturnine persona; portraits of famous scholars; and the iconography of scholarly melancholy implied through vanitas allusions in portraiture and genre paintings. While the majority of Dutch genre paintings pertain to themes of women, male domestic routines form a small but important subset of this imagery and have not been studied. By the 1640s, this subject is readily identified by his setting, clothing, and actions. The ubiquity of scholarly attributes, such as books and globes, paired with the wearing of scholarly robes suggest the merits of intellectual curiosity and the privileges of studying as a pastime and designating a room as a study (studeerkamer). Distinct themes in genre also imply the challenges and rewards of scholarly activity pursued in concert with masculine civic and familial duty. Central to the development of this pictorial theme were: the innovative treatment of learned men by Rembrandt and his circle; the fijnschilder subjects of Dou; and the practice of amateur study by elite men, as suggested by the art of Vermeer. As this dissertation reveals, this convention did not grow to be consistent across the Northern Netherlands, nor was artistic interest limited to university towns. Rather, the larger relevance of scholars in Dutch society is evident in visual and literary sources. The domesticity of this figure in genre painting suggests that scholars mediated between an active and a contemplative life. Societal respect was garnered for scholars through their balance of familial and social duties with the honorable pastime of scholarly leisure.

La enseñanza de las construcciones pasivas e impersonales con "se" en español como L2. ¿Cuántas distinciones son necesarias?

Este artículo sugiere un enfoque nuevo a la enseñanza de las dos estructuras gramaticales la pasiva refleja y el “se” impersonal para las clases universitarias de E/LE. Concretamente, se argumenta que las dos se deberían tratar como construcciones pasivas, basada en un análisis léxico-funcional de ellas que enfoca la lingüística contrastiva. Incluso para la instrucción de E/LE, se recomienda una aproximación contrastiva en la que se enfocan tanto la reflexión metalingüística como la competencia del estudiante en el L2. Específicamente, el uso de córpora lingüísticos en la clase forma una parte integral de la instrucción. El uso de un corpus estimula la curiosidad del estudiante, le expone a material de lengua auténtica, y promulga la reflexión inductiva independiente.

Antonio y Gabriel de Sancha, libreros de la Ilustración, y sus relaciones comerciales con Inglaterra

In this article we take as our point of departure the booksellers' catalogues printed by the Sanchas during the reigns of Charles III and Charles IV, as well as the catalogues issued by their London correspondents the booksellers Thomas Payne and Benjamin White. We contextualize the business relationship which developed between the Sanchas and the London booksellers as a direct result of Gabriel de Sancha's visit to London in the Summer of 1784. This study highlights the significance of a parallel offer of recently published books in English and Spanish in some of the most renowned bookshops in Madrid and London between the mid 1780s and the years immediately before the Peninsular War, a circumstance that no doubt stimulated curiosity on both sides and sped up the transfert culturel between both countries. Notwithstanding their business and private troubles, Antonio and Gabriel de Sancha, self-reliant entrepreneurs and cultural intermediaries, were able to establish a dynamic book trade flow which did not imply the subordination of Spain to England.

Konflikter, ogräs eller frön? : Arbetsplatskonflikter utifrån ett ledarskapsperspektiv

Det gemensamma intresset för konflikter grundade idén att studera väl ansedda ledares perspektiv på arbetsplatskonflikter och hur dessa ledare löser konflikter konstruktivt. I grunden finns en undran om väl ansedda ledare har förmågor som gör att de löser konflikter mer konstruktivt. Konflikter utgör en stor del av en ledares arbetstid. Konflikter kan förmodligen inte undvikas men hur konflikter hanteras är avgörande för att en organisation och dess anställda skall mogna och utvecklas. Det har utövats forskning inom konflikthantering utifrån ett ledarskapsperspektiv men de studierna har haft en kvantitativ ansats. Studiens syfte är att undersöka hur väl ansedda chefer ser på arbetsplatskonflikter och hur dessa chefer hanterar konflikter. Ett delsyfte är att erhålla kunskap om vilka metoder ansedda ledare använder i konflikthantering. För att besvara syftet har följande frågeställningar använts: Vilka typer av arbetsplatskonflikter uppstår i en organisation? Vad är avgörande om konflikter blir konstruktiva eller destruktiva? Vad har ledarskapet för inverkan på konflikthantering och hur ska ledaren ta sig an konflikter? Vilka förmågor och egenskaper har ledare som hanterar konflikter effektivt? Studien grundar sig på en kvalitativ ansats med semistrukturerade intervjuer som insamlingsmetod. Det införskaffade materialet kodades och tematiserades. Resultaten analyserades med hjälp av teoriramen. Slutligen användes Rahims (2002) teori om conflict management i diskussion då det i resultatet framkom stöd för modellen, dock med en utveckling vilket presenteras i slutsatsen. I studiens analys framkom att ledare som hanterar konflikter konstruktivt behärskar tre huvudområden. Dessa förmågor är människoorienterad, uppgiftsorienterad och lärande- och kulturorienterad. Väl ansedda ledare manövrerar emellan dessa förmågor beroende på situation. I studiens resultat framkom också att undvikande och dominant ledarskapsbeteende skapar barriärer i konflikthantering.

Kultur ist mehr als Currywurst Ältere Literatur im Deutschunterricht : Eine Literaturstudie

With regards to the teaching of German in Sweden this literature study looks into the Swedish curriculum and the CEFR (Common European Framework of Reference for Languages) to compare today’s common interpretation of the goals in language learning to the educational goals in the documents. Critics mean that the CEFR and in extension the curricula in the associated countries focus mainly on measurable practical language skills. This leads to impoverishment of the concept of language learning, which should include broad cultural aspects, encourage the students to develop their personalities and curiosity and foster a livelong desire to study. This work will try to show that blaming the CEFR for the kind of lopsided development towards practical, measurable skills in language teaching does not origin in the document or in the national curriculum. It appears to be the interpretation of the documents that oversees some essential requirements, not only for successful language teaching but also for the use of German as a tool for conversation and understanding. The real understanding of a language is, according to the research referred to in this work, connected to the understanding of culture. This literature study will show that reading older literature in language classes will favour the students´ understanding of culture. Furthermore, this work will try to point out other educational benefits besides the gain of cultural knowledge in working with literature. Students learn to argue and gain understanding of their own world by comparing to the new reality they meet in the literature. In addition, students will, with the help of the text, acquire new vocabulary and get an understanding of the structure of the language. In essence the use of literature in teaching German on one hand meets and fulfils the requirements in the curriculum and on the other hand supports the development of language skills and personals skills.

En teorispäckad sociologisk analys av fritid och sport – ett ambitiöst projekt : recension av boken Leisure, Sports & Society av Karl Spracklen

I september 2014 bytte Leeds Metropolitan University, trots studentprotester, namn till Leeds Beckett University; universitetets första colleges låg i Beckett Park, vilken i sin tur fått namn efter bankiren och konservative parlamentsledamoten Ernest Beckett, 2nd Baron Grimthorpe (1856–1917), vars alma mater faktiskt var Trinity College, Cambridge. Leeds-studenternas motstånd hade sin grund i att namnändringen beräknades kosta en kvarts miljon pund, alltmedan inte minst universitetets idrottsanläggningar tillåtits förfalla. Vi vet inte hur universitetets personal ställde sig till namnförändringen, och särskilt nyfikna är vi ju på vad professorn i Leisure Studies (fritidsforskning, fritidsvetenskap) vid Leeds Beckett University, Karl Spracklen, tyckte om förändringen. Detta är dock blott "idle curiosity"; Spracklen är aktuell av ett helt annat, och viktigare, skäl, nämligen för sin bok Leisure, Sports & Society (Palgrave Macmillan). Spracklen, som är sociolog och vars forskningsintresse också inkluderar "metal music" (som sekreterare för International Society for Metal Music Studies och redaktör för Metal Music Studies) och "whiskey tourism" (som drivande i British Sociological Associations Alcohol Study Group) är en centralfigur inom det brittiska fritidsforskningsetablissemanget – han har bland annat varit ordförande i viktiga LSA, Leisure Studies Association från 2009 till 2013. Han har därtill en lång rad publikationer bakom sig, böcker, antologibidrag och vetenskapliga artiklar inom idrotts- och fritidsforskning i vid mening. Den nya boken ges här en grundlig recension av Erik Backman, som ju vet ett och annat om fritidsforskning, Spracklen bottnar teoretiskt i Habermas, i sig ovanligt bland brittiska forskare, men också i Marx, Weber och Bourdieu, bland andra, i sin utforskning av sambandet mellan fritid, fysisk aktivitet och sport ur ett tvärvetenskapligt perspektiv som innefattar idrottsvetenskap, sociologi, cultural studies, historia, filosofi och psykologi. Och vår recensent är imponerad över bredden, djupet och ambitionsnivån – även om det kan bli lite tjatigt från och till.