995 resultados para Allen, Thomas, 1813-1882.


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A synopsis of 744 nominal species of Myxobolus Butschli, 1882 (Myxozoa, Myxosporea, Myxobolidae) is presented. For each species, the relevant morphometric and morphological data are indicated, as well as the host(s), site(s) of infection within the host and type-locality.

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Allen的时间理论因直观、易懂而倍受推崇,但它存在不能处理连续变化事件等缺欠。本文提出更为一般的时间理论框架,以扩展Allen的理论,本框架的特点为:(l)将Allen的理论纳入其中;(2)可由时间点构造时区,并可处理时区和时间点;(3)以时间元素集的2D图形表示为基础的约束传播算法,既高效又可视化。

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Poster, Jeremy, 'I Cannot Tell: Edward Thomas's Uncertainties', In: 'Branch-Lines: Edward Thomas and Contemporary Poetry', Guy Cuthbertson & Lucy Newlyn (eds), (London: Enitharmon Press), pp.264, 2007 RAE2008

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Prescott, S. (2006). 'Gray's Pale Spectre': Evan Evans, Thomas Gray, and the Rise of Welsh Bardic Nationalism. Modern Philology. 104(1), pp.72-95. RAE2008

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Owen, Roger, 'The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas', In: 'Cool Britannia: British Political Drama in the 1990s', Rebecca D'Mont? and Graham Saunders (eds), (Basingstoke: Palgrave Macmillan), pp.158-175, 2007 RAE2008

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On the basis of two indecidable texts (Thomas Clerc, “Paris, musée du XXIe siècle. Le dixième arrondissement”, Gallimard 2007 and Philippe Vasset, “Un livre blanc”, Fayard 2007), we will reflect on new approaches to the city in contemporary French litterature. Clerc and Vasset, in their respective texts, suggest considering litterature as a series of practices connected with the exploration of the city (Clerc) and of the urban area (Vasset) according to the idea of an arbitrary itinerary. The image of the city whose space, subject to a permanent process of museifi cation, is constantly considered to be a work of art (Clerc) contrasts with a project of viewing the deserted areas of the city and of its surroundings as an infinite collection of “artistic installations” created in daily life (Vasset). Clerc’s and Vasset’s artistic mentality leads them to the fascination with “works of involuntary art”, both concrete signs and tangible proof of the transitional period which they try to describe systematically, following, at the same time, the principles of an axonometric city map.

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Memoriam.

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Digitized by Google

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http://books.google.com/books?id=plhkPFrJ1QUC&dq=law+and+custom+of+slavery+in+British+India

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http://www.archive.org/details/upanddownnorth00crosrich