The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas


Autoria(s): Owen, Thomas Roger
Contribuinte(s)

Department of Theatre, Film & Television Studies

Welsh Theatre and Media Research

Data(s)

13/11/2008

13/11/2008

2007

Resumo

Owen, Roger, 'The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas', In: 'Cool Britannia: British Political Drama in the 1990s', Rebecca D'Mont? and Graham Saunders (eds), (Basingstoke: Palgrave Macmillan), pp.158-175, 2007 RAE2008

Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender.

Formato

18

Identificador

Owen , T R 2007 , The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas . in Cool Britannia: British Political Drama in the 1990s . Springer Nature , pp. 158-175 .

978-1-4039-8813-3

PURE: 85818

PURE UUID: 838d2e31-66e9-4774-b210-b9ec9143ec07

dspace: 2160/1149

http://hdl.handle.net/2160/1149

Publicador

Springer Nature

Relação

Cool Britannia: British Political Drama in the 1990s

Idioma(s)

eng

Direitos

Tipo

/dk/atira/pure/researchoutput/researchoutputtypes/contributiontobookanthology/chapter