The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas
Contribuinte(s) |
Department of Theatre, Film & Television Studies Welsh Theatre and Media Research |
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Data(s) |
13/11/2008
13/11/2008
2007
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Resumo |
Owen, Roger, 'The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas', In: 'Cool Britannia: British Political Drama in the 1990s', Rebecca D'Mont? and Graham Saunders (eds), (Basingstoke: Palgrave Macmillan), pp.158-175, 2007 RAE2008 Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender. |
Formato |
18 |
Identificador |
Owen , T R 2007 , The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas . in Cool Britannia: British Political Drama in the 1990s . Springer Nature , pp. 158-175 . 978-1-4039-8813-3 PURE: 85818 PURE UUID: 838d2e31-66e9-4774-b210-b9ec9143ec07 dspace: 2160/1149 |
Publicador |
Springer Nature |
Relação |
Cool Britannia: British Political Drama in the 1990s |
Idioma(s) |
eng |
Direitos | |
Tipo |
/dk/atira/pure/researchoutput/researchoutputtypes/contributiontobookanthology/chapter |