Le cours de medecine en francois, contenant Le miroir de beaute et sante corporelle /

Contiene con portada y paginacion propias : Traitant de la goutte, maladie venerienne, peste, petite verole, & rougeole, des fievres, des tumeurs, playes, ulceres, fractures, dislocations & difformitez exterieures ... par M. Louis Guion ..., sieur de la Nauche ... Augmente du Traite des maladies nouvelles, extraordinaires, spirituelles, & astrales, avec des recherches curieuses; par M. Lazare Meyssonnier ... ; Theorie de la medecine, d'une maniere nouuelle, & tres-intelligible ... par M. Lazare Meyssonnier ...

Vignaud pamphlets. Idiocy.

Binder's title.

La crise de l'état moderne : L'organisation du travail /

Includes bibliographical references.

A PAIXÃO DE CRISTO SEGUNDO SÃO MATEUS: ESTRATÉGIAS NARRATIVAS

A literatura é um tipo de conhecimento que faz uso da palavra com a finalidade de projetar realidades possíveis. Para tanto, a mimese literária tem na experiência vivencial a verossimilhança que torna possível a apreensão da obra literária como fenômeno interpretativo. Nesse processo de composição, o gênero literário converte-se no conjunto de convenções que o autor se vale para fazer-se inteligível a seu público. As narrativas bíblicas e, em especial, o Evangelho Segundo São Mateus, possuem elementos que permitem sua leitura como obras literárias próprias da Antiguidade, cujas estratégias narrativas se mostram construtoras de representação verossímil da realidade. Para tanto, o narrador do Evangelho Segundo São Mateus utilizou-se daquelas convenções que se conformavam ao horizonte de expectativas de seu público e que articulam experiências advindas da literatura greco-romana e da literatura judaica. No caso da Paixão de Cristo Segundo São Mateus, o narrador empreende um conjunto de estratégias narrativas que favorecem sua condução da leitura da narrativa de acordo com sua perspectiva. Nesse processo, vale-se de uma estrutura que combina a biografia greco-romana àquela já consagrada na literatura bíblica. Dessa forma, a Paixão de Cristo nos é apresentada como parte final da história, numa perspectiva paradigmática e, ao mesmo tempo, como realização das Escrituras, que figuram e profetizam a respeito de Jesus e a natureza redimensionadora e universalizadora da salvação.

DIVULGAÇÃO CIENTÍFICA NAS REVISTAS CIÊNCIA HOJE, SCIENTIFIC AMERICAN BRASIL E SUPERINTERESSANTE: ESTUDO COMPARATIVO

Estudo comparativo que analisa a divulgação científica (DC) praticada pelas revistas Ciência Hoje (CH), Scientific American Brasil (SAB) e Superinteressante (SI), apontando convergências e divergências entre as três publicações. Objetiva-se analisar como as formas de construção textual e o uso de ilustrações nas matérias e nos artigos de capa das revistas CH, SAB e SI podem contribuir ou interferir de maneira efetiva na DC que praticam. Para tanto, são delineados cinco pressupostos básicos: (1) as publicações de análise priorizam nas capas temas pertencentes às Ciências Básicas (CB) em detrimento das Ciências Humanas e Sociais (CHS); (2) no campo amplo das CB há preferência, nas capas das revistas, por temas relacionados à saúde; (3) as temáticas abordadas nas capas das revistas CH, SAB e SI não são, em geral, coincidentes entre si, pois não seguem uma lógica de matérias quentes ; (4) o uso freqüente de elementos explicativos, termos figurados, fontes de informação diversificadas e citações diretas nas construções textuais das matérias e dos artigos de capa das publicações, bem como o uso de ilustrações devidamente contextualizadas, contribuem para tornar os textos mais inteligíveis; (5) as revistas CH, SAB e SI, embora consideradas revistas de DC, apresentam níveis diferenciados de divulgação, em função do perfil de seus leitores. Em consonância com esses pressupostos, são objetivos específicos: a) identificar, dentro das duas amplas categorias (CB e CHS), os temas mais explorados, reunindo-os em subcategorias para identificar mais afinidade / proximidade entre eles; b) examinar, através das formas de construção textual e do uso das ilustrações nas matérias e nos artigos de capa, os critérios utilizados pelas publicações para divulgar ciência e tecnologia (C&T). Para responder os parâmetros estabelecidos nos objetivos apresentados, a metodologia inclui questionário aplicado aos editores das publicações investigadas e análise de conteúdo (AC) da amostra selecionada, que engloba 19 matérias / artigos de capa das revistas CH, SAB e SI, escolhidos entre julho de 2009 e junho de 2010. Os dados coletados e devidamente discutidos permitem confirmar os pressupostos enunciados, vez que, em termos gerais, é evidente que a DC praticada pelas três revistas apresenta mais divergências do que convergências. Isto possibilita estabelecer níveis distintos de divulgação, manifestos na forma como constroem os textos e como utilizam as ilustrações, com maior dificuldade em SAB e CH e com teor mais simplificado em SI.

The other on display: translation in the Ethnographic Museum

The ethnographic museum in the West has a long and troubling history. The display of 'exotic peoples' in travelling exhibitions began as early as the sixteenth century, but it was the mid and late nineteenth century that saw the great expansion of museums as sites to show artefacts collected - under anything but reputable circumstances - from what were considered the 'primitive', 'natural', or 'tribal' peoples of the world. Today the ethnographic museum is still a feature of large European cities, though faced with newly formulated dilemmas in the postcolonial world. For how can the material culture of a non-western people be collected and displayed in the West without its makers being translated into wordless and powerless objects of visual consumption? In national museums the processes of choosing, contextualizing and commentating exhibits help form national identity; in the ethnographic museum, similarly, they shape perceptions of the apparently distant Other. Like written ethnography, the museum is a 'translation of culture', with many of the associated problems traced by Talal Asad (1986). Like the written form, it has to represent the dialogic realities of cultural encounters in a fixed and intelligible form, to propose categories that define and order the material it has gathered. As the public face of academic ethnography, the museum interprets other cultures for the benefit of the general reader, and in that task museum practice, like all ethnography, operates within very specific historical and political parameters. How are museums in western Europe responding to the issues raised by critical ethnographers like James Clifford (1988), with their focus on the politics of representation? Is globalisation increasing the degree of accountability imposed on the ethnographic museum, or merely reinforcing older patterns? What opportunities and problems are raised by the use of more words - more 'translation' in the narrower sense - in ethnographic museums, and how do museums gain from introducing a reflexive and contextualizing concept of "thick translation" (Appiah 1993) into their work of interpretation?

Experimental and theoretical characterisation of tunable fibre gratings

This thesis presents details on both theoretical and experimental aspects of UV written fibre gratings. The main body of the thesis deals with the design, fabrication and testing of telecommunication optical fibre grating devices, but also an accurate theoretical analysis of intra-core fibre gratings is presented. Since more than a decade, fibre gratings have been extensively used in the telecommunication field (as filters, dispersion compensators, and add/drop multiplexers for instance). Gratings for telecommunication should conform to very high fabrication standards as the presence of any imperfection raises the noise level in the transmission system compromising its ability of transmitting intelligible sequence of bits to the receiver. Strong side lobes suppression and high and sharp reflection profile are then necessary characteristics. A fundamental part of the theoretical and experimental work reported in this thesis is about apodisation. The physical principle of apodisation is introduced and a number of apodisation techniques, experimental results and numerical optimisation of the shading functions and all the practical parameters involved in the fabrication are detailed. The measurement of chromatic dispersion in fibres and FBGs is detailed and an estimation of its accuracy is given. An overview on the possible methods that can be implemented for the fabrication of tunable fibre gratings is given before detailing a new dispersion compensator device based on the action of a distributed strain onto a linearly chirped FBG. It is shown that tuning of second and third order dispersion of the grating can be obtained by the use of a specially designed multipoint bending rig. Experiments on the recompression of optical pulses travelling long distances are detailed for 10 Gb/s and 40 Gb/s. The characterisation of a new kind of double section LPG fabricated on a metal-clad coated fibre is reported. The fabrication of the device is made easier by directly writing the grating through the metal coating. This device may be used to overcome the recoating problems associated with standard LPGs written in step-index fibre. Also, it can be used as a sensor for simultaneous measurements of temperature and surrounding medium refractive index.

The intelligibility of noise-vocoded speech:spectral information available from across-channel comparison of amplitude envelopes

Noise-vocoded (NV) speech is often regarded as conveying phonetic information primarily through temporal-envelope cues rather than spectral cues. However, listeners may infer the formant frequencies in the vocal-tract output—a key source of phonetic detail—from across-band differences in amplitude when speech is processed through a small number of channels. The potential utility of this spectral information was assessed for NV speech created by filtering sentences into six frequency bands, and using the amplitude envelope of each band (=30 Hz) to modulate a matched noise-band carrier (N). Bands were paired, corresponding to F1 (˜N1 + N2), F2 (˜N3 + N4) and the higher formants (F3' ˜ N5 + N6), such that the frequency contour of each formant was implied by variations in relative amplitude between bands within the corresponding pair. Three-formant analogues (F0 = 150 Hz) of the NV stimuli were synthesized using frame-by-frame reconstruction of the frequency and amplitude of each formant. These analogues were less intelligible than the NV stimuli or analogues created using contours extracted from spectrograms of the original sentences, but more intelligible than when the frequency contours were replaced with constant (mean) values. Across-band comparisons of amplitude envelopes in NV speech can provide phonetically important information about the frequency contours of the underlying formants.

Teaching pronunciation:a case for a pedagogy based upon intelligibility

This thesis examines the main aim of teaching pronunciation in second language acquisition in the Syrian context. In other words, it investigates the desirable end point, namely: whether it is native-like accent, or intelligible pronunciation. This thesis also investigates the factors that affect native-like pronunciation and intelligible accent. It also analyses English language teaching methods. The currently used English pronunciation course is examined in detail too. The aim is to find out the learners’ aim of pronunciation, the best teaching method for achieving that aim, and the most appropriate course book that fulfils the aim. In order to find out learners’ aim in pronunciation, a qualitative research is undertaken. The research takes advantage of some aspects of case study. It is also supported by a questionnaire to gather data. The result of this research can be regarded as an attempt to bring the Syrian context to the current trends in the teaching of English pronunciation. The results show that learners are satisfied with intelligible pronunciation. The currently used teaching method (grammar-translation method) may be better replaced by the (communicative approach) which is more appropriate than the currently used method. It is also more effective to change the currently used book to a new one that corresponds to that aim. The current theories and issues in teaching English pronunciation that support learners’ intelligibility will be taken into account in the newly proposed course book.

Music as the Source of Information Influence and Soul Education

Unlike other works of art (painting, sculpture, etc.) a musical composition should be performed, it should sound to become accessible. Therefore, the role of the musical masterly performance is extremely important. But presently it has increased in importance when music through mass communication media i.e. radio, television, sound recording becomes in the full sense of the word the property of millions. Art in all its genres as a means of information helps to recreate a picture of one or other epoch as a whole. Moreover, art has a profound impact on education: it can be positive or negative, creative or destructive. Let us dwell on such aspect of music as means of information and the value of musical mastery activity for brining information to hearers of the alternating generations. Unlike other works of art (painting, sculpture etc.) a musical composition should be performed, it should sound to become intelligible. Therefore, the role of the musical masterly performance is extremely important. But presently it becomes particularly great in the XXI century when music becomes a true property of the masses due to mass media – radio, television, sound recording.

O cinema como educação do olhar

The knowledge is only possible due to we exist bodily. However, during the educational experience, the epistemic potency of the body is neglected, declining the registers of the intelligibility. The current thesis approaches that problem obliquely: from a body and image philosophy which has revealed other ways of doing those registers in the modernity – understood not as period itself, but as a qualification for the negotiations between the real and the intelligible. The referred ways are explored through Merleau- Ponty’s and Michel Foucault’s works, which offer a spectrum about that new negotiation of the real. In order to approach the studied problem, the visibility and the human body motricity in the cinema are taken as analysis object. The mentioned objects have been analyzed through a corpus of movies of which plots are centered at the formal education and they require from the characters and the spectators engagement into a visual performance. Aiming to approach the object, it is questioned how the Education phenomenon is represented by the cinema; how the body is exposed and how spectators can see it. Analyzing the corpus and articulating Merleau- Ponty’s and Michel Foucault’s theories, it has been possible to state the following thesis: the cinema as an education of the gaze. The general objective of this study is to reveal the educational potency of the filmic experience, which provides a new path of intelligibility for Education. In that sense, the body as a visual operator widens the capacity of understanding the real. The current work is divided in three chapters. The first one brings the methodological approach: it is pointed how the theoretical articulation is properly arranged; it explains the method of using the images as indirect language as part of the reality description; the filmic corpus is presented, as well the criteria for the films choices and for the construction of instrument adopted during the object analysis are described. In the second chapter, it is problematized the incapacity of the western society of formulating the real discursively by debating Merleau-Ponty’s and Foucault’s theoretical contributions about the visual performance displayed on the images while the films are watched and analyzed. In the third chapter, the implications of the education of the gaze provided by the cinema are developed, mainly concerning about the place attributed to the visibility during the formulation of the real. Finally, paths are designed for the construction of another approach for the visibility in Education. Assuming the gaze as an experience of knowledge, this study aims to present other ways of being, seeing, thinking and feeling the world. Therefore, it is a proposal to reset the epistemic and subjectification patterns at the educational context.

A escrita da escrita em (d)enunciação no espaço sócio-escolar: um espaço (em vão) para a (cri)atividade escrita

This thesis is a writing of (d)enunciation because it reveals the language experiencies of those individuals who take, in social school space, the social role of the teacher and of the student, for some reason, they feel restrained by a demand which prevents them of teaching and learning how to write – and, even, their own writing. On this basis, we consider some questions concerning Benveniste‘s theory of enunciation and the teaching and learning process in Portuguese from the triad among teacher – teaching of writing/ knowledge – student, making this theoretical area closer to the pedagogical one. We support in the working hypothesis that is based on the position of the loosening of this triad has its effects in the process of intervention-interference to the point where it does not leave a scar which can remain working on productive effects on the student‘s writing. As a consequence, we show two findings which allow us to think the teaching of writing in Portuguese is a space for writing creativity in such a way it reveals itself as a sine qua non condition for the institutionalized and subjective writing. The first finding is that taking genre as a model has some implications in the teaching and learning process of writing according to the instructions of the official documents. The second finding, as a result of the first one, is the assumption that genre is at the same time a model and a transgression and taking it as a (ex)sample opens space for writing creativity which ―is a transposition of the interior language‖ (BENVENISTE, 2014 [1968-1969], p. 132) in a way this creativity makes it intelligible and highlights what is a model (interactiveness) and a transgression (inventiveness). From such findings, we organize our heterogeneous corpus according to these procedures: recording the classes in audio; recording the interviews we made with teachers and students in audio; and constituting an archive with the students‘ writing production. From this corpus, we analyzed the (d)enunciative mo(ve)ments in the teacher – teaching of writing/ knowledge – student triad and the history of (d)enunciations, of language experiences. Besides, we analyzed the teacher‘s discourse in relation to the way he plans his classes based on the knowledge that must be taught and his own way of managing this knowledge in order to understand his interference in his students‘ writings. Our analyses (re)affirm that when the loosening of the triad happens, the students become lost, what makes them unable of working upon their own writing epilinguisticaly. Because of it, schools have lost their specificity as a place for teaching students how to read and write as they open space for training, only. On this basis, we consider that the effect of such a loosening generates complaints and denunciations. Therefore, based on such (d)enunciations, we present the Primary sketches of a proposition for intervention-interference in teaching how to write and we aim at introducing much knowledge to teachers and students in order to allow them to think about possible ways out.

Estudo sobre o descobrimento do cogito em Descartes

Ce travail est le résultat d’une recherche dédiée à étudier le processus philosophique de la découverte du cogitochez Descartes. Ses buts ont été : a) de préciser qu’il existe d’autres possibilités d’interprétation du cogito au-delà de celles les plus courantes et b) de montrer que, dans cette découverte, il y a un trajet qui passe nécessairement par les degrés de la sagesse. La mise en oeuvre du travail d’enquête a exigé la manipulation des sources bibliographiques primaires, constituées des principaux écrits de Descartes, avec une plus grande attention à laLettre-préface des Principes de la philosophie, aux Méditations sur la philosophie première, aux Principes de la philosophie et aux Réponses aux secondes objections. Nous avons cherché à lier ces textes traditionnels aux textes de la littérature secondaire de la modernité, prouvant ainsi la pertinence du sujet au sein du domaine de la Philosophie dans les universités brésiliennes. Pour attester nos constatations, nous nous sommes appuyés sur l’analyse linguistique de termes spécifiques au discours cartésien, en utilisant des dictionnaires de latin (langue dans laquelle a été écrite une grande partie du texte de Descartes), du français de la Renaissance et de portugais. L’argumentation s’est arrêtée dans la mise en contexte du cadre des degrés de la sagesse. Pour cela, il a été nécessaire d’expliquer les notions fondamentales de la philosophie cartésienne explicitées dans la Lettre-préface. Par exemple, le concept de philosopher qui, chez Descartes, est fortement associé à la pulsion sceptique, source commune d’inspiration pour le philosophe et pour le sceptique, étant, en outre, point de convergence entre Descartes et un autre penseur avec lequel il réalise une espèce de conversation : Montaigne. Pendant le moment du quatrième degré de la sagesse, Descartes identifie, dans la pensée de Montaigne, les traces permettant de transcender le quatrième vers le cinquième degré de la sagesse, celui-ci signifiant surtout la découverte des premières causes, des premières notions, des principes qui engendrent toute la Philosophie. La portée des premières notions ou causes, des principes est l’objectif principal du philosopher cartésien. Descartes distingue, même si de façon non explicitée, entre des notions communes et des notions primitives. Dans les deux cas, il s’agit de notions premières, néanmoins, chacun a une fonction différente au sein de la philosophie cartésienne. Les notions communes sont les règles de la raison ou les principes logiques qui confirment la découverte d’un savoir. Les notions primitives sont les principes qui engendrent le savoir. La conclusion présentée dans ce travail – la découverte du cogito passe par les quatre degrés de la sagesse, en réalisant avec excellence, dans son cinquième degré, une expérience dans laquelle il faut trouver l’instance originelle de la pensée – renforce notre constatation, ne mettant pourtant pas fin aux discussions. Puisque, dans la myriade de réflexions sur le sujet, ce n’est qu’une modeste collaboration.

Perception des vocalisations : études comportementales et d'imagerie par résonance magnétique fonctionnelle événementielle

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.

Nitrate metabolism in the dinoflagellate Lingulodinium polyedrum

Les dinoflagellés sont des eucaryotes unicellulaires retrouvés dans la plupart des écosystèmes aquatiques du globe. Ces organismes amènent une contribution substantielle à la production primaire des océans, soit en tant que membre du phytoplancton, soit en tant que symbiontes des anthozoaires formant les récifs coralliens. Malheureusement, ce rôle écologique majeur est souvent négligé face à la capacité de certaines espèces de dinoflagellés à former des fleurs d'eau, parfois d'étendue et de durée spectaculaires. Ces floraisons d'algues, communément appelées "marées rouges", peuvent avoir de graves conséquences sur les écosystèmes côtiers, sur les industries de la pêche et du tourisme, ainsi que sur la santé humaine. Un des facteurs souvent corrélé avec la formation des fleurs d'eau est une augmentation dans la concentration de nutriments, notamment l’azote et le phosphore. Le nitrate est un des composants principaux retrouvés dans les eaux de ruissellement agricoles, mais également la forme d'azote bioaccessible la plus abondante dans les écosystèmes marins. Ainsi, l'agriculture humaine a contribué à magnifier significativement les problèmes associés aux marées rouges au niveau mondial. Cependant, la pollution ne peut pas expliquer à elle seule la formation et la persistance des fleurs d'eau, qui impliquent plusieurs facteurs biotiques et abiotiques. Il est particulièrement difficile d'évaluer l'importance relative qu'ont les ajouts de nitrate par rapport à ces autres facteurs, parce que le métabolisme du nitrate chez les dinoflagellés est largement méconnu. Le but principal de cette thèse vise à remédier à cette lacune. J'ai choisi Lingulodinium polyedrum comme modèle pour l'étude du métabolisme du nitrate, parce que ce dinoflagellé est facilement cultivable en laboratoire et qu'une étude transcriptomique a récemment fourni une liste de gènes pratiquement complète pour cette espèce. Il est également intéressant que certaines composantes moléculaires de la voie du nitrate chez cet organisme soient sous contrôle circadien. Ainsi, dans ce projet, j'ai utilisé des analyses physiologiques, biochimiques, transcriptomiques et bioinformatiques pour enrichir nos connaissances sur le métabolisme du nitrate des dinoflagellés et nous permettre de mieux apprécier le rôle de l'horloge circadienne dans la régulation de cette importante voie métabolique primaire. Je me suis tout d'abord penché sur les cas particuliers où des floraisons de dinoflagellés sont observées dans des conditions de carence en azote. Cette idée peut sembler contreintuitive, parce que l'ajout de nitrate plutôt que son épuisement dans le milieu est généralement associé aux floraisons d'algues. Cependant, j’ai découvert que lorsque du nitrate était ajouté à des cultures initialement carencées ou enrichies en azote, celles qui s'étaient acclimatées au stress d'azote arrivaient à survivre près de deux mois à haute densité cellulaire, alors que les cellules qui n'étaient pas acclimatées mourraient après deux semaines. En condition de carence d'azote sévère, les cellules arrivaient à survivre un peu plus de deux semaines et ce, en arrêtant leur cycle cellulaire et en diminuant leur activité photosynthétique. L’incapacité pour ces cellules carencées à synthétiser de nouveaux acides aminés dans un contexte où la photosynthèse était toujours active a mené à l’accumulation de carbone réduit sous forme de granules d’amidon et corps lipidiques. Curieusement, ces deux réserves de carbone se trouvaient à des pôles opposés de la cellule, suggérant un rôle fonctionnel à cette polarisation. La deuxième contribution de ma thèse fut d’identifier et de caractériser les premiers transporteurs de nitrate chez les dinoflagellés. J'ai découvert que Lingulodinium ne possédait que très peu de transporteurs comparativement à ce qui est observé chez les plantes et j'ai suggéré que seuls les membres de la famille des transporteurs de nitrate de haute affinité 2 (NRT2) étaient réellement impliqués dans le transport du nitrate. Le principal transporteur chez Lingulodinium était exprimé constitutivement, suggérant que l’acquisition du nitrate chez ce dinoflagellé se fondait majoritairement sur un système constitutif plutôt qu’inductible. Enfin, j'ai démontré que l'acquisition du nitrate chez Lingulodinium était régulée par la lumière et non par l'horloge circadienne, tel qu'il avait été proposé dans une étude antérieure. Finalement, j’ai utilisé une approche RNA-seq pour vérifier si certains transcrits de composantes impliquées dans le métabolisme du nitrate de Lingulodinium étaient sous contrôle circadien. Non seulement ai-je découvert qu’il n’y avait aucune variation journalière dans les niveaux des transcrits impliqués dans le métabolisme du nitrate, j’ai aussi constaté qu’il n’y avait aucune variation journalière pour n’importe quel ARN du transcriptome de Lingulodinium. Cette découverte a démontré que l’horloge de ce dinoflagellé n'avait pas besoin de transcription rythmique pour générer des rythmes physiologiques comme observé chez les autres eukaryotes.