Mythological Elements in the Post Independent Hindi Dramas (l947- I975)

HINDI

HINDI Kl ANCHALIK KAHANIYAM PHANEESVVARNATH RENU.$lVAPRASAD SING EVAM MARKANDEY KE VISESH SANDARBH MEIN

HINDI

THE SOCIAL ENVIRONMENTS IN HINDI LITERATURE OF BHAKTI PERIOD

HINDI

MOOLYA PARIVARTHAN KI AVADHARANA SWATHANTHRYOTHAR HINDI UPANYAS MEIN

HINDI

A COMPARATIVE STUDY OF THE MAIN TRENDS OF MODERN SWAGHANDATAVAD IN THE POETRY OF HINDI AND TAMIL

HINDI

HINDI KI PRAEADIVADI KAVITHA THHILIIIIHAN KI KAVITHA KE VISBSH SANDARBH MEIN

HINDI

WOMEN CHARACTERS IN POST PREMCHAND HINDI NOVELS [1936-1970]

HINDI

Adhunik Hindi Natak Aur Upanyas mein Abhvyakt Kalakar ki Srijanatmakata: Ek Anusheelan

Hindi

HINDI REKHACHITRA KA VISHLESHANATMAK ADHYAYANMAHADEVI VERMA AUR RAMAVRIKSHA aempum KE VISHESH SANDARBH MEIN

HINDI

The contribution of representative poets in the development of modern Hindi criticism on poetry

HINDI

Nirala’s role in the advent of modern trends in Hindi poetry

HINDI

Hindi nukkad natakom ka samajik sarokar : ek vishleshnatmak adhyayan

Cochin University of Science & Technology

Samakaleen hindi kavita mein lok tatv

Cochin University of Science & Technology

Samakaleen hindi kahaniyom mein vrudh jeevan ka yatharth

Cochin University of Science & Technology

José Aguiar : la pintura como drama.

Muestra antológica de la obra de este pintor. El autor, con sólida formación clásica, reconocía que a Florencia se lo debía todo. Su carácter está marcado por un drama interior: un alma barroca que por vocación se siente clásica. Aguiar quería profundizar en la pintura narrativa superando las limitaciones del particularismo regionalista, y reviviéndo así en su pintura un fino neoclasicismo.