Cenografia teatral: uma análise dos aspectos cênicos da peça Bê-a-Bá Brasil - memória, sonho e fantasia

The main objective of this project step is the evolution of scenery matter on the occidental theater media, related to space and technical possibilities of the theatrical building and space on history of contemporary arts. The main point is that scenery must communicate with a specific matter. Something in touch with the plot speeches. Something that makes all the plot elements to communicate. Acting has an specific message to deliver, and that message is what really matter to the viewer of the show. “It’s never late to state that scenery is not a decoration, or just an interior composition. Scenery is not a painting or a sculpture: it’s an integrated art form. It’s never too repetitive to say that scenery is a result from the composition with lights, shadows, shapes, lines and volumes, in balance and on harmony as a whole, that create movement and contrast” (Dias, 2001) On the second step of the project, the objective is to analyze the building process and the scenery aspects of the “Be-a-bá Brasil” show, using illustrations, pictures and analysis data of the context the show was inserted on

Dramaturgia de Dea Loher na peça Inocência: o hibridismo teatral na cena contemporânea

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Do vento ao vapor em mares já antes navegados: a companhia de navegação La Veloce e o transporte de emigrantes pelo Atlântico

In the final decades of the nineteenth century, the growth of Italian emigration was constituted in a secure source of income for the shipping companies that operated in the Atlantic and played a major role in financing the replacement of old sailboats by modern steamers. Based on reports and balance exercises financial, besides newspapers related to mercantile marine, this article aims to present some results of the research about the importance of Italians emigrants’ transporting to the shipping company La Veloce, showing its economic trajectory and particularities.

Ser ou não ser (de santo)?: aspectos do campo religioso afro-brasileiro na peça teatral Balbina de Iansã, de Plínio Marcos

To be or not to be (of candomblé)? – aspects of Afro-Brazilian religious field in the theater play Balbina de Iansã, by Plínio Marcos. In 1970, the playwright born in Santos-SP Plínio Marcos writes and directs the spectacle Balbina de Iansã, an adaptation (in form of a musical) from Romeo and Juliet, by Shakespeare. The action happens in a candomblé yard, managed authoritatively by a Mãe-de Santo, who tries to prevent the young protagonist couple’s love. This study analyzes the representation of some rites and principles of Afro-Brazilian religion in the play, especially concerning the critique of the relations of power that exist in the yards of São Paulo.

A Folia de Reis da Companhia de Reis Fernandes em Olímpia/São Paulo (1964-2014): entre o sagrado e o profano

Pós-graduação em História - FCLAS

O lugar da fotografia na cena teatral paulistana no século XXI

Pós-graduação em Artes - IA

A dança da situação: refletindo sobre os elementos que compõem a linguagem estético-expressiva presente na construção da obra A Mão do Meio - Sinfonia Lúdica, coreografada por Denise Namura e Michael Bugdahn

A Cie. <<à fleur de peau>>, fundada em 1988 pela brasileira Denise Namura e pelo alemão Michael Bugdahn, sediada na França, desenvolve uma linguagem estéticoexpressiva própria, caracterizada por integrar áreas artísticas distintas, como a dança, as artes circenses, o teatro e a mímica. Tal confluência decorre da formação de ambos os fundadores, atuais diretores e coreógrafos da companhia de dança-teatro. O intercâmbio dessa companhia com o Brasil é constante, incluindo apresentações de seus espetácul os, coreografias para outras companhias e oficinas. Em uma de suas vindas à cidade de São Paulo, no ano de 2013, tivemos a oportunidade de entrar em contato com a pesquisa de linguagem da Cie. Em 2014, os fundadores foram convidados a coreografar um espetáculo infantil para a Cia. de Danças de Diadema, localizada no ABCDMR paulista. Este estudo partiu do interesse em conhecer o trabalho desenvolvido por Namura e Bugdahn. A partir desse encontro, pudemos observar, relatar e refletir sobre como ocorreu a tran smissão dessa linguagem estético-expressiva no processo de criação do espetáculo A Mão do Meio - Sinfonia Lúdica aos bailarinos da companhia diademense. Para tanto, acompanhamos os ensaios referentes ao espetáculo durante os períodos anterior e posterior à pré-estreia e à estreia oficial do espetáculo. Posteriormente, foi possível tecer outra reflexão, dessa vez sobre os elementos teatrais componentes dessa linguagem, que a tornam diferente em relação ao processo de criação artística e apresentação da obra

O transporte público no município de Araraquara: origem, crise e as tramas da proposta de privatização da Companhia de Trólebus de Araraquara - C.T.A

For decades the Companhia Tróleibus de Araraquara was a national reference in public transportion, but in recent years it is in a process of bankruptcy and scrapping, characteristics of privatizing processes that has been occurring worldwide since the rise of neoliberal ideas. This monography is centered on the finance analysis of CTA to investigate what reasons led the public company to come in the current financial scenario, what are the interests that exist to privatize a public company and which consequences the sale of the of public companies have for a country of subordinate capitalism like Brazil. Most Brazilian cities are in an urban collapse due to the lack of public policies for public transportation and bulky incentives for private transportation. Furthermore, this monography aims to contribute for the study of urban mobility and point out if privatization is a way to improve life in the cities

Doses de superfosfato simples na produção da berinjela ‘ciça’ em cassilândia (MS) Brasil

The objective of this experiment was to evaluate the answer of the eggplant (Solanum melongena L.) submitted to different applied match doses in the planting hole. The treatments were composed by four doses of simple superphosphate (0, 1000, 2000, 3000 kg.ha-1), the experimental design was randomized block, with five repetitions, tends each unit experimental four plants. The phosphorus fertilized soil propitiated increase of the diameter of the lap of the adult plant, of the number of fruits for plant and productivity of fruits; could be used doses among 1814 to 2054 kg ha-1 of simple superphosphate in the conditions of Cassilandia (State of Mato Grosso do Sul - Brazil).

Abordaje a la música teatral del siglo XVI con algunos cabos sueltos

Rezension von Stephanie Klauk: Musik im spanischen Theater des 16. Jahrhunderts. Sinzing [Studio Verlag] 2013

Cancer intelligence acquired (CIA): tumor glycosylation and sialylation codes dismantling antitumor defense

Aberrant glycosylation is a key feature of malignant transformation and reflects epigenetic and genetic anomalies among the multitude of molecules involved in glycan biosynthesis. Although glycan biosynthesis is not template bound, altered tumor glycosylation is not random, but associated with common glycosylation patterns. Evidence suggests that acquisition of distinct glycosylation patterns evolves from a ‘microevolutionary’ process conferring advantages in terms of tumor growth, tumor dissemination, and immune escape. Such glycosylation modifications also involve xeno- and hypersialylation. Xeno-autoantigens such as Neu5Gc-gangliosides provide potential targets for immunotherapy. Hypersialylation may display ‘enhanced self’ to escape immunosurveillance and involves several not mutually exclusive inhibitory pathways that all rely on protein–glycan interactions. A better understanding of tumor ‘glycan codes’ as deciphered by lectins, such as siglecs, selectins, C-type lectins and galectins, may lead to novel treatment strategies, not only in cancer, but also in autoimmune disease or transplantation.