¿Cambiar para seguir igual? la experiencia de la oposición política rusa: del legado de la Perestroika a la democracia soberana

El colapso de la Unión Soviética a inicios de los años noventa del siglo pasado, constituyó para Rusia un punto de partida para su reconfiguración y reestructuración como un país independiente. En este proceso de reconfiguración y reestructuración Rusia ha adoptado diferentes elementos de la cultura política occidental; situación que resulta de gran interés, toda vez que en los años de la Guerra Fría la Rusia comunista encarnaba la antítesis de Occidente a nivel ideológico, político y económico. Esta investigación pretende estudiar la oposición política en Rusia entre los años 2004 y 2012, y, con ello, presentar algunos elementos clave en la comprensión de las acciones, relaciones e influencia de los diferentes actores del nuevo sistema político de esta potencia mundial.

La democracia ¿Para qué? Jóvenes, gobierno escolar y socialización política. El caso de los egresados de un colegio público de la localidad de San Cristóbal

En el año 2014 se cumplieron 20 años de la Ley 115. Uno de los aportes de la Ley fue dar forma y reconocimiento al gobierno escolar como mecanismo de participación y decisión en las instituciones educativas. Es así como en el ámbito de la educación media y básica, el gobierno escolar ha sido visto, entre otros por el Estado, como una apuesta por la ciudadanización de los jóvenes y una forma de favorecer su integración al sistema democrático del país. Sin embargo, la literatura ha sido bastante crítica con los resultados de la implementación del gobierno escolar. Muchos trabajos concuerdan en señalar que el gobierno escolar está contribuyendo a la reproducción de la cultura política y no a su trasformación. El presente trabajo intenta aportar en esta discusión rastreando y analizando las diferencias entre las actitudes políticas de jóvenes egresados participantes y no participantes en el gobierno escolar de un colegio público de una localidad pobre de Bogotá, la localidad de San Cristóbal. Con este trabajo se pretende ampliar la comprensión sobre los procesos de socialización política de estos actores sociales, así como brindar luces sobre la influencia que puede tener el gobierno escolar en la construcción de actitudes hacia lo político. Este trabajo señala la relevancia de tomar una perspectiva biográfica, que tome en cuenta los vínculos entre los distintos espacios de socialización en los que se desarrollan esta población y en los que se forman actitudes políticas duraderas: miradas sobre la política, probabilidad de votar, etc.

Experiencias de investigación en la secundaria: una visión desde adentro

This paper shows results of the project on Alfabetización crítica en la cultura escolar: Cultura política en la educación secundaria costarricense, currently being developed at the División de  Educología, Universidad Nacional, Costa Rica. The first phase of this research refers to the aim to know more about the reaction of high school students dealing in the traditional authoritarian type school. There are evidences that a repressive and excluding scholar institution does not promote the integral development of the students. This new phase of the project gathers also the voice of teachers. Through the action-research methodology teachers are accompanied and encouraged into a process of deep thinking on those problematic aspects of the school environment. Our main objective is to compare the opinions between students and teachers. experiencias de investigación en la secundaria: una visión desde adentro

Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany

Historically political song has often been perceived negatively, as a disturbance of the peace, summed up by the legendary line from Goethe’s Faust: “Politisches Lied – ein garstiges Lied”. In the period in Germany of the Vormärz (from 1815 up to the revolution of March 1848), however, we see how this perception may be changing as it increasingly becomes a means of self-expression in public life. This was the era of restauration, in which broader sections of German society are striving for political emancipation from the princes and kings. A whole host of political themes emerge in the songs (Freiheitslieder) of that period in which a new oppositional political consciousness is reflected. The themes range from freedom of speech, freedom from censorship, and the need for democratic and national self-determination to critiques of injustice and hunger, and parodies of political convention and opportunism. Sources of reception give indications about the social and political milieus in which these songs circulated. Such sources include broadsheets, handwritten manuscripts, song collections, commemoration events, advertisements in political press, memoires, police reports and general literature of the time. In many cases we see how these songs reflect the emerging social and political identities of those who sing them. One also sees the use of well known melodies in the popular dissemination of these songs. An intertextual function of music often becomes apparent in the practice of contrefacture whereby melodies with particular semantic associations are used to either underline the message or parody the subject of the song.

Education and culture: a political perspective: hypotheses on the importance of education for development

Includes bibliography

Culture & anarchy, an essay in political and social criticism; and Friendship's garland, being the conversations, letters, and opinions of the late Arminius, baron von Thunder-ten-Tronckh.

Mode of access: Internet.

Culture & anarchy, an essay in political and social criticism; and Friendship's garland, being the conversations, letters, and opinions of the late Arminius, baron von Thunderten-Tronckh.

Mode of access: Internet.

Culture and anarchy; an essay in political and social criticism,

Mode of access: Internet.

Culture and anarchy : an essay in political and social criticism.

Mode of access: Internet.

Developing a participatory impact assessment approach and action research culture within a communication for social change organisation in Nepal

Developing an effective impact evaluation framework, managing and conducting rigorous impact evaluations, and developing a strong research and evaluation culture within development communication organisations presents many challenges. This is especially so when both the community and organisational context is continually changing and the outcomes of programs are complex and difficult to clearly identify.----- This paper presents a case study from a research project being conducted from 2007-2010 that aims to address these challenges and issues, entitled Assessing Communication for Social Change: A New Agenda in Impact Assessment. Building on previous development communication projects which used ethnographic action research, this project is developing, trailing and rigorously evaluating a participatory impact assessment methodology for assessing the social change impacts of community radio programs in Nepal. This project is a collaboration between Equal Access – Nepal (EAN), Equal Access – International, local stakeholders and listeners, a network of trained community researchers, and a research team from two Australian universities. A key element of the project is the establishment of an organisational culture within EAN that values and supports the impact assessment process being developed, which is based on continuous action learning and improvement. The paper describes the situation related to monitoring and evaluation (M&E) and impact assessment before the project began, in which EAN was often reliant on time-bound studies and ‘success stories’ derived from listener letters and feedback. We then outline the various strategies used in an effort to develop stronger and more effective impact assessment and M&E systems, and the gradual changes that have occurred to date. These changes include a greater understanding of the value of adopting a participatory, holistic, evidence-based approach to impact assessment. We also critically review the many challenges experienced in this process, including:----- • Tension between the pressure from donors to ‘prove’ impacts and the adoption of a bottom-up, participatory approach based on ‘improving’ programs in ways that meet community needs and aspirations.----- • Resistance from the content teams to changing their existing M&E practices and to the perceived complexity of the approach.----- • Lack of meaningful connection between the M&E and content teams.----- • Human resource problems and lack of capacity in analysing qualitative data and reporting results.----- • The contextual challenges, including extreme poverty, wide cultural and linguistic diversity, poor transport and communications infrastructure, and political instability.----- • A general lack of acceptance of the importance of evaluation within Nepal due to accepting everything as fate or ‘natural’ rather than requiring investigation into a problem.

High Culture as Subculture : Brisbane's Contemporary Chamber Music Scene

The aim of the dissertation is to discover the extent to which methodologies and conceptual frameworks used to understand popular culture may also be useful in the attempt to understand contemporary high culture. The dissertation addresses this question through the application of subculture theory to Brisbane’s contemporary chamber music scene, drawing on a detailed case study of the contemporary chamber ensemble Topology and its audiences. The dissertation begins by establishing the logic and necessity of applying cultural studies methodologies to contemporary high culture. This argument is supported by a discussion of the conceptual relationships between cultural studies, high culture, and popular culture, and the methodological consequences of these relationships. In Chapter 2, a brief overview of interdisciplinary approaches to music reveals the central importance of subculture theory, and a detailed survey of the history of cultural studies research into music subcultures follows. Five investigative themes are identified as being crucial to all forms of contemporary subculture theory: the symbolic; the spatial; the social; the temporal; the ideological and political. Chapters 3 and 4 present the findings of the case study as they relate to these five investigative themes of contemporary subculture theory. Chapter 5 synthesises the findings of the previous two chapters, and argues that while participation in contemporary chamber music is not as intense or pervasive as is the case with the most researched street-based youth subcultures, it is nevertheless possible to describe Brisbane’s contemporary chamber music scene as a subculture. The dissertation closes by reflecting on the ways in which the subcultural analysis of contemporary chamber music has yielded some insight into the lived practices of high culture in contemporary urban contexts.