923 resultados para Mayo, Richard Southwell Bourke, Earl of, 1822-1872.


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"The notes here appended to the text are selected (and in some cases abridged) from those of Scott and Lord Corke, the omissions chiefly concerning the latter."--Pref.

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v. 1. Vivian Grey-- v. 2. The young duke. Count Alarcos -- v. 3. Contarini Fleming. The rise of Iskander -- v. 4. Alroy. Ixion in heaven. The infernal marriage. Popanilla -- v. 5. Henrietta Temple -- v. 6. Venetia -- v. 7. Coningsby -- v. 8. Sybil -- v. 9. Tancred -- v. 10. Lothair -- v. 11. Endymion. Memoir of the Earl of Beaconsfield.

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Mode of access: Internet.

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Thompson: "1857 reappeared as The Rose of sharon for all seasons, Boston, Tompkins, 1858...Longest lived of American literary annuals. Best known contributors are J.G. Adams, Henry Bacon, Alice and Phoebe Cary, Margaret Fuller (1846), Horace Greeley, and TB. Read...Oliver Pelton engraved most of the plates..."

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Mode of access: Internet.

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In the latter half of the nineteenth century the railway became an emblem of technological advancement, stood for the improvement and progression of European life, and became a recognizable symbol for the achievements of governments and citizens. The implementation and use of the railway became closely linked with notions of national identity and character. The railway became an identifiable artefact in official history but at the same time it became a part of everyday life. Richard Flanagan’s Gould’s Book of Fish retells the life-story of a fictionalized convict sent to Sarah Island and who paints fish, eventually he metamorphoses into one. It could be thought that a novel set in convict times would have little to do with notions of national identity, technological advancement, and railway travel. However, Richard Flanagan, in this very complex, almost surreal, novel, has used the construction of a fictional national railway as one of the ways to explore Australia's complex relationship with history and space. The novel tells of the plans of a history-loving Commandant and his desire to build a national railway on Sarah Island. This paper explores how Sarah Island becomes a metonym for Australia as a whole and Flanagan's novel takes on a metaphysical dimension as he reveals the struggles that emerge when official history collides with non-official versions. The fabulations of the novel contribute to an historical reconstruction of the spatial/architectural history of the Tasmanian colonial project.

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Accounts of the Knock Apparition, academic and devotional, always start by relating that the Virgin Mary, St Joseph, and St John the Evangelist appeared to fifteen people on a rainy Thursday evening at the south gable of Knock chapel, Co. Mayo, on 21 August 1879. They usually mention that the Land War was in progress. Despite the fact Knock supposedly receives one and a half million visitors a year, until three decades ago no scholar had examined accounts of the apparition. Recent work has sought to define the Knock Apparition in light of the Land War, the ‘devotional revolution’, which took place in Irish Catholicism in the quarter century prior to the apparition, and the influence of the parish priest, Archdeacon Bartholomew Cavanagh. This thesis acknowledges these factors, but contends that the single greatest force in shaping accounts of the apparition was Canon Ulick Joseph Bourke, one of the three priests on the commission of investigation into Knock. Furthermore, this thesis proves that Bourke’s role as a central figure in influencing the later Gaelic revival has been overlooked by scholars of cultural nationalism. By examining Bourke’s cultural nationalism and views on antiquity and language, as well as his politics and reaction to the Land War, this thesis argues that Bourke sought to create an orthodox version of the apparition which could be reconciled to his views on Irish Catholic identity, while serving as a bulwark against threats to the temporal power of the clergy. In addition to influencing accounts of the apparition through his role in interviewing the witnesses and recording their testimony, Bourke further shaped the narrative of the apparition by controlling its dissemination, to the extent that all accounts of Knock are based on a text largely created by him.