996 resultados para Holmes, Oliver Wendell
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Incluye dossier fotográfico
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Se estudia este turbulento período de la historia británica, en el que estalla el conflicto entre la Corona y el Estado que llevó a la guerra civil. Se repasan los problemas del reinado de Carlos I, su figura como mecenas de las artes, el ascenso al poder de Oliver Cromwell, las causas de la guerra que dividió al país, así como la vida durante el período de los Estuardo y los inventos y descubrimientos de la época.
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Esta obra literaria se utiliza como base para mostrar,las tendencias sociales, el contexto social, los acontecimientos históricos de Londres en la época victoriana: cómo se vivía, la actitud hacia la pobreza, el tipo de educación que recibían los niños, las condiciones en las fábricas, etc., y expone cómo la literatura refleja la historia. Tiene cronología, glosario y bibliografía.
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El artículo forma parte de un monográfico de la revista dedicado a la comunicación y divulgación de la ciencia
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This essay aims to demonstrate how Dickens’s search for ‘truth’ (and his understanding of what that abstraction consists of) entered into and emerged from one of the key philosophical discussions of the early nineteenth century: namely whether moral knowledge is the sum of one’s experiences or whether there are such things as a priori or ‘natural’ principles of ethics that transcend human practice.
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A recent paper published in this journal considers the numerical integration of the shallow-water equations using the leapfrog time-stepping scheme [Sun Wen-Yih, Sun Oliver MT. A modified leapfrog scheme for shallow water equations. Comput Fluids 2011;52:69–72]. The authors of that paper propose using the time-averaged height in the numerical calculation of the pressure-gradient force, instead of the instantaneous height at the middle time step. The authors show that this modification doubles the maximum Courant number (and hence the maximum time step) at which the integrations are stable, doubling the computational efficiency. Unfortunately, the pressure-averaging technique proposed by the authors is not original. It was devised and published by Shuman [5] and has been widely used in the atmosphere and ocean modelling community for over 40 years.
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Tennyson’s responses to science have been thoroughly documented and discussed, but how did scientists respond to his poetry? Through examining in detail the work of three scientists who wrote at length about Tennyson--the astronomer Norman Lockyer, the physicist Oliver Lodge, and the American geologist William North Rice--it is possible to see how Tennyson went from being respected by contemporary scientists to being feted as the Poet of Science itself after his death. As a materialist, a Spiritualist, and a Darwinian Methodist respectively, Lockyer, Lodge, and Rice had very different conceptions of how science worked and what it implied about the universe, yet each looked to Tennyson and his poetry to confirm and extend his own judgements and values.
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This article demonstrates how early Pre-Raphaelite poetry worked according to the principle that art should be modelled on science theorised by the Pre-Raphaelites in their early essays. As the main theorists (rather than practitioners) of Pre-Raphaelite art, F. G. Stephens and William Michael Rossetti defined the Pre-Raphaelite project in terms of observation, investigation, experiment, the “adherence to fact” and the “search after truth”. In the hands of the early Pre-Raphaelite poets, and particularly Rossetti himself, poetry too becomes a mode of scientific enquiry into the natural world, the nature of observation, human psychology and medical practice.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)