Do nobre ao patético: o herói de Victor Hugo e o anti-herói de Machado de Assis

This article analyses how Victor Hugo embodied his heroes and Machado de Assis his anti-heroes. Three Assis´s short stories and three Hugo´s novels are compared: “O caso da Vara” and the chapter “L‟affaire Champmathieu” from the book Les Misérables; “Noite de Almirante” and Les Travailleurs de la Mer; “Um incêndio” and Quatre-Vingt-Treize. These texts present similar situations, but each author shows an outcome that reveals their literary proposal. For this reason, Comparative Literature and Intertext had been used as base of reflection for this article.

O Heitor de Homero e as diversas faces do medo

Pós-graduação em Estudos Literários - FCLAR

Identidades em movimento: a representação feminina e as relações de gênero na obra de Angela Carter

Pós-graduação em Letras - FCLAS

Relações entre o cobrador do pênalti, o goleiro e o momento do jogo no futebol

The soccer is a sport that can be decided in a penalty, including world champions have already been defined For this, shoot a penalty or defend a penalty can build heroes and villains in this sport so popular and competitive. Studying penalty kicks will a better understanding of the actions of goalkeepers and kickers. This study looked at 527 penalty charges in professional games in 2010 to 2015. The objective was to verify the fact that the charge be right-handed or left-handed interfered with the action of the goalkeeper, differences in efficiency of left-and right-handed players, check results in penalty situations in the match and in the disputes of penalties and performance of players in club games and selections. The complete use in 527 penalty charges was 74%. It is concluded that if the debt collector is right-handed, the goalie moves to the right and if it's left-handed move more to the left. Tax collectors selections had better use (77%) than the clubs. Right-handers presented more efficacy (76%) compared to lefties (66%). The index of the goalkeepers was greater when centered (22%), although 91% of all charges being directed to the right and left sectors

Refuge Update – November/December 2005, Volume 2, Number 6

Table of Contents: Make Way for Ducklings, page 4 With help from refuge experts, roads and bridges can be built to accommodate wildlife. Katrina Heroes, pages 8-9 Extraordinary diaries from refuge staffers who were there when Katrina came calling. Focus on…Reaching Youth , page 10-15 Refuges give young people a chance to learn art, poetry, native culture, service – and stewardship. Nisqually: Growing and Restoring, page 17 The Outstanding Refuge Plan of 2005 opens the door to the largest estuary restoration project in the Pacific Northwest.

Relações entre o cobrador do pênalti, o goleiro e o momento do jogo no futebol

The soccer is a sport that can be decided in a penalty, including world champions have already been defined For this, shoot a penalty or defend a penalty can build heroes and villains in this sport so popular and competitive. Studying penalty kicks will a better understanding of the actions of goalkeepers and kickers. This study looked at 527 penalty charges in professional games in 2010 to 2015. The objective was to verify the fact that the charge be right-handed or left-handed interfered with the action of the goalkeeper, differences in efficiency of left-and right-handed players, check results in penalty situations in the match and in the disputes of penalties and performance of players in club games and selections. The complete use in 527 penalty charges was 74%. It is concluded that if the debt collector is right-handed, the goalie moves to the right and if it's left-handed move more to the left. Tax collectors selections had better use (77%) than the clubs. Right-handers presented more efficacy (76%) compared to lefties (66%). The index of the goalkeepers was greater when centered (22%), although 91% of all charges being directed to the right and left sectors

The Modernity of la Mode: a History of the French Revolution Through the Lens of Fashion, Culture, and Identity

In my thesis, I explore the cultural history of the French Revolution and its relation to the modern era which ensued. Many historians have studied the French Revolution as it relates to culture, the rise of modernity, and fashion. I combine the unique histories of all three of these aspects to reach an understanding of the history of the French Revolution and fashion’s role in bringing about change. In the majority of literature of costume history, discussion of fashion surrounds its reflective properties. Many historians conclude fashion as a reflection of the broader cultural shifts that occurred during the Revolution. I, on the other hand, propose that fashion is an active force in bringing out cultural change during this time. In exploring fashion as a historical motivator, I examine the aesthetic world of fashion from 1740 to 1815, the modern system of cultural dissemination of fashion through particular historical heroes, and the rise of “taste” and its relation to modern identity. Through aesthetics, culture, and identity, I argue that fashion is a decisive force of culture in that it creates a visual world through which ideas form and communicate.

Sexing the Male: Manifestations of Masculinity in Jane Eyre, Wuthering Heights, and Villette

Abstract: This project considers Emily and Charlotte Brontë's constructions of masculinity in Jane Eyre, Wuthering Heights, and Villette. There is a vast proliferation of scholarship focusing on gender in the Victorian Era, but as much of this criticism focuses on women, the analysis of heterosexual masculinity in these novels provides a unique perspective on the complexities involved in gender constructions during this period. Masculine identity was in a transitory state in the early nineteenth century, as Romantic values were replaced by Victorian conceptions of masculinity, largely influencing the expectations of men. This paper argues that based on an understanding of femininity and masculinity as defined in relation to each other, the Brontë heroes look to the female characters as a source of stability to define themselves against, constructing a stagnant feminine role to frame an understanding of how masculinity was changing. The female characters resist this categorization, however, never allowing the men to fully classify them into stable feminine roles, which leads both shifting gender roles to intertwine and collapse in the novels, undermining any conceptualization of a stable or universal understanding of gender. The paper considers the role of masculinity based in class, relationships with women, and the understanding of sexual passion, to argue that the Brontës' portrayal of men emulates the anxieties surrounding the shift from Romantic to Victorian values of manliness, ultimately rejecting any stable definition of the nineteenth-century man.

Problem of Tragedy and Tragic Consciousness in Russia at the turn of the 19th Century

This project intertwines philosophical and historico-literary themes, taking as its starting point the concept of tragic consciousness inherent in the epoch of classicism. The research work makes use of ontological categories in order to describe the underlying principles of the image of the world which was created in philosophical and scientific theories of the 17th century as well as in contemporary drama. Using these categories brought Mr. Vilk to the conclusion that the classical picture of the world implied a certain dualism; not the Manichaean division between light and darkness but the discrimination between nature and absolute being, i.e. God. Mr. Vilk begins with an examination of the philosophical essence of French classical theatre of the XVII and XVIII centuries. The history of French classical tragedy can be divided into three periods: from the mid 17th to early 19th centuries when it triumphed all over France and exerted a powerful influence over almost all European countries; followed by the period of its rejection by the Romantics, who declared classicism to be "artificial and rational"; and finally our own century which has taken a more moderate line. Nevertheless, French classical tragedy has never fully recovered its status. Instead, it is ancient tragedy and the works of Shakespeare that are regarded to be the most adequate embodiment of the tragic. Consequently they still provoke a great number of new interpretations ranging from specialised literary criticism to more philosophical rumination. An important feature of classical tragedy is a system of rules and unities which reveals a hidden ontological structure of the world. The ontological picture of the dramatic world can be described in categories worked out by medieval philosophy - being, essence and existence. The first category is to be understood as a tendency toward permanency and stability (within eternity) connected with this or that fragment of dramatic reality. The second implies a certain set of permanent elements that make up the reality. And the third - existence - should be understood as "an act of being", as a realisation of permanently renewed processes of life. All of these categories can be found in every artistic reality but the accents put on one or another and their interrelations create different ontological perspectives. Mr. Vilk plots the movement of thought, expressed in both philosophical and scientific discourses, away from Aristotle's essential forms, and towards a prioritising of existence, and shows how new forms of literature and drama structured the world according to these evolving requirements. At the same time the world created in classical tragedy fully preserves another ontological paradigm - being - as a fundamental permanence. As far as the tragic hero's motivations are concerned this paradigm is revealed in the dedication of his whole self to some cause, and his oath of fidelity, attitudes which shape his behaviour. It may be the idea of the State, or personal honour, or something borrowed from the emotional sphere, passionate love. Mr. Vilk views the conflicting ambivalence of existence and being, duty as responsibility and duty as fidelity, as underlying the main conflict of classical tragedy of the 17th century. Having plotted the movement of the being/existence duality through its manifestations in 17th century tragedy, Mr. Vilk moves to the 18th century, when tragedy took a philosophical turn. A dualistic view of the world became supplanted by the Enlightenment idea of a natural law, rooted in nature. The main point of tragedy now was to reveal that such conflicts as might take place had an anti-rational nature, that they arose as the result of a kind of superstition caused by social reasons. These themes Mr. Vilk now pursues through Russian dramatists of the 18th and early 19th centuries. He begins with Sumarakov, whose philosophical thought has a religious bias. According to Sumarakov, the dualism of the divineness and naturalness of man is on the one hand an eternal paradox, and on the other, a moral challenge for humans to try to unite the two opposites. His early tragedies are not concerned with social evils or the triumph of natural feelings and human reason, but rather the tragic disharmony in the nature of man and the world. Mr Vilk turns next to the work of Kniazhnin. He is particularly keen to rescue his reputation from the judgements of critics who accuse him of being imitative, and in order to do so, analyses in detail the tragedy "Dido", in which Kniazhnin makes an attempt to revive the image of great heroes and city-founders. Aeneas represents the idea of the "being" of Troy, his destiny is the re-establishment of the city (the future Rome). The moral aspect behind this idea is faithfulness, he devotes himself to Gods. Dido is also the creator of a city, endowed with "natural powers" and abilities, but her creation is lacking internal stability grounded in "being". The unity of the two motives is only achieved through Dido's sacrifice of herself and her city to Aeneus. Mr Vilk's next subject is Kheraskov, whose peculiarity lies in the influence of free-mason mysticism on his work. This section deals with one of the most important philosophical assumptions contained in contemporary free-mason literature of the time - the idea of the trinitarian hierarchy inherent in man and the world: body - soul - spirit, and nature - law - grace. Finally, Mr. Vilk assess the work of Ozerov, the last major Russian tragedian. The tragedies which earned him fame, "Oedipus in Athens", "Fingal" and "Dmitri Donskoi", present a compromise between the Enlightenment's emphasis on harmony and ontological tragic conflict. But it is in "Polixene" that a real meeting of the Russian tradition with the age-old history of the genre takes place. The male and female characters of "Polixene" distinctly express the elements of "being" and "existence". Each of the participants of the conflict possesses some dominant characteristic personifying a certain indispensable part of the moral world, a certain "virtue". But their independent efforts are unable to overcome the ontological gap separating them. The end of the tragedy - Polixene's sacrificial self-immolation - paradoxically combines the glorification of each party involved in the conflict, and their condemnation. The final part of Mr. Vilk's research deals with the influence of "Polixene" upon subsequent dramatic art. In this respect Katenin's "Andromacha", inspired by "Polixene", is important to mention. In "Andromacha" a decisive divergence from the principles of the philosophical tragedy of Russian classicism and the ontology of classicism occurs: a new character appears as an independent personality, directed by his private interest. It was Katenin who was to become the intermediary between Pushkin and classical tragedy.

Legislative Legacy: Big Changes in Legislative Article of 1972 Constitution -- Jerry Loendorf, Arlyne Reichert & Rich Bechtel “In the Crucible of Change”

The fulcrum upon which were leveraged many of the dramatic progressive changes in Montana that are documented "In the Crucible of Change" series was the lead up to, preparation, writing and adoption of the 1972 Montana Constitution. As Montana citizens exhibited their concern over the dysfunctional state government in MT under its 1889 Constitution, one of the areas that stood out as needing serious change was the Montana Legislature. Meeting for only sixty calendar days every two years, the Legislature regularly tried to carry off the subterfuge of stopping the wall clock at 11:59 PM on the sixtieth day and placing a shroud over it so they could continue to conduct business as if it were still the 60th day. Lawyers hired by the Anaconda Company drafted most bills that legislators wanted to have introduced. Malapportionment, especially in the State Senate where each county had one Senator regardless of their population, created a situation where Petroleum County with 800 residents had one senator while neighboring Yellowstone County with 80,000 people also had one senator -- a 100-1 differential in representation. Reapportionment imposed by rulings of the US Supreme Court in the mid-1960s created great furor in rural Montana to go along with the previous dissatisfaction of the urban centers. Stories of Anaconda Company “thumbs up – thumbs down” control of the votes were prevalent. Committee meeting and votes were done behind closed doors and recorded votes were non-existent except for the nearly meaningless final tally. People were in the dark about the creation of laws that affected their daily lives. It was clear that change in the Legislature had to take the form of change in the Constitution and, because it was not likely that the Legislature would advance Constitutional amendments on the subject, a convention seemed the only remedy. Once that Convention was called and went to work, it became apparent that the Legislative Article provided both opportunity for change and danger that too dramatic a change might sink the whole new document. The activities of the Legislative Committee and the whole Convention when acting upon Legislative issues provides one of the more compelling stories of change. The story of the Legislative Article of the Montana Constitution is discussed in this episode by three major players who were directly involved in the effort: Jerry Loendorf, Arlyne Reichert and Rich Bechtel. Their recollections of the activities surrounding the entire Constitutional Convention and specifically the Legislative Article provide an insider’s perspective of the development of the entire Constitution and the Legislative portion which was of such a high degree of interest to the people of Montana during the important period of progressive change documented “In the Crucible of Change.” Jerry Loendorf, who served as Chair of the Legislative Committee at the 1972 Montana Constitutional Convention, received a BA from Carroll College in 1961 and a JD from the University of Montana Law School in 1964. Upon graduation he served two years as a law clerk for the Montana Supreme Court after which he was for 34 years a partner in the law firm of Harrison, Loendorf & Posten, Duncan. In addition to being a delegate to the Constitutional Convention, Jerry served on the Board of Labor Appeals from 2000 to 2004. He was designated a Montana Special Assistant Attorney General to represent the state in federal court on the challenge to the results of the ratification election of Montana's Constitution in 1972. Jerry served on the Carroll College Board of Directors in the late 1960s and then again as a member of the Board of Trustees of Carroll College from 2001 to 2009. He has served on the Board of Directors of the Rocky Mountain Development Council since 1970 and was on the board of the Helena YMCA from 1981 to 1987. He also served on the board of the Good Samaritan Ministries from 2009 to 2014. On the business side, Jerry was on the Board of Directors of Valley Bank to Helena from 1980 to 2005. He is a member of the American Bar Association, State Bar of Montana, the First Judicial District Bar Association, and the Montana Trial Lawyers Association. Carroll College awarded Jerry the Warren Nelson Award 1994 and the Insignias Award in 2007. At Carroll College, Jerry has funded the following three scholarship endowments: George C and Helen T Loendorf, Gary Turcott, and Fr. William Greytek. Arlyne Reichert, Great Falls Delegate to the Constitutional Convention and former State Legislator, was born in Buffalo, NY in 1926 and attended University of Buffalo in conjunction with Cadet Nurses Training during WWII. She married a Montanan in Great Falls in 1945 and was widowed in 1968. She is mother of five, grandmother of seven, great-grandmother of four. Arlyne was employed by McLaughlin Research Institute in Great Falls for 23 years, serving as Technical Editor of Transplantation Journal in 1967, retiring as Assistant Director in 1989. In addition to being a state legislator (1979 Session) and a delegate to the 1972 Montana Constitutional Convention, she has filled many public roles, including Cascade County Study Commissioner (1974), MT Comprehensive Health Council, US Civil Rights Commission MT Advisory Committee, MT Capitol Restoration Committee, and Great Falls Public Library Trustee. Arlyne has engaged in many non-profit activities including League of Women Voters (State & Local Board Officer – from where her interest in the MT Constitutional change developed), Great Falls Public Radio Association (President & Founder), American Cancer Society (President Great Falls Chapter), Chair of MT Rhodes Scholarship Committee, and Council Member of the National Civic League. She also served a while as a Television Legislative Reporter. Arlyne has been recipient of numerous awards, the National Distinguished Citizens Award from the National Municipal League, two Women of Achievement Awards from Business & Professional Women, the Salute to Women Award by YWCA, Heritage Preservation Award from Cascade County Historical Society and the State of Montana, and the Heroes Award from Humanities Montana. She remains active, serving as Secretary-Treasurer of Preservation Cascade, Inc., and as Board Member of the McLaughlin Research Institute. Her current passion is applied to the preservation/saving of the historic 10th Street Bridge that crosses the Missouri River in Great Falls. Rich Bechtel of Helena was born in Napa, California in 1945 and grew up as an Air Force brat living in such places as Bitberg, Germany, Tripoli, Libya, and Sevilla, Spain. He graduated from Glasgow High School and the University of Montana. Rich was a graduate assistant for noted Montana History professor Professor K. Ross Toole, but dropped out of graduate school to pursue a real life in Montana politics and government. Rich has had a long, varied and colorful career in the public arena. He currently is the Director of the Office of Taxpayer Assistance & Public Outreach for MT’s Department of Revenue. He previously held two positions with the National Wildlife Federation in Washington, DC (Sr. Legislative Representative [1989-91] and Sr. Legislative Representative for Wildlife Policy [2004-2006]). While in Washington DC, he also was Assistant for Senator Lee Metcalf (D-MT), 1974-1976; Federal-State Coordinator for State of Montana, 1976-1989; Director of the Western Governors’ Association Washington Office, 1991-2000; and Director of Federal Affairs for Governor Kitzhaber of Oregon, 2001- 2003. Earlier in Montana Government, between 1971 and 1974, Rich was Research Analyst for MT Blue Ribbon Commission on Postsecondary Education, Legislative Consultant and Bill Drafter for MT Legislative Council, Research Analyst for the MT Constitutional Convention Commission where he provided original research on legislatures, as well as Researcher/Staff for the MT Constitutional Convention Legislative Committee, from where he drafted the various provisions of the Legislative Article and the majority and minority reports on behalf of the Committee members. Rich has represented Montana’s Governor on a trade and cultural mission to Republic of China and participated in US-German Acid Rain Committee sessions in Germany and with European Economic Community environmental officials in Belgium. He is married to Yvonne Seng (Ph.D.) - T’ai Chi apprentice; author and birder.

Why Death Matters: Understanding Gameworld Experience

This article presents a study of the staging and implementation of death and the death penalty in a number of popular MMOGs and relates it to players general experience of gameworlds. Game mechanics, writings and stories by designers and players, and the results of an online survey are analysed and discussed. The study shows that the death penalty is implemented much in the same way across worlds; that death can be both trivial and non-trivial, part of the grind of everyday life, or essential in the creation of heroes, depending on context. In whatever function death may serves, it is argued that death plays an important part in the shaping and emergence of the social culture of a world, and in the individual players experience of life within it.

Iowa State Daily (January 18, 2012)

ContentsSurvey collects views on areaFaculty Senate elects new president-electISU Police to train public in safety programGSB senate undergoesWhere have all the heroes gone?Piebirds present new generation of

Bajtín, Borges y la resurrección de la rosa

Pensar la propuesta bajtiniana, formulada en las primeras décadas del siglo XX, acerca de las relaciones dialógicas, las entabladas entre el yo y el otro, entre la conciencia propia y la de los demás, entre la palabra propia y la ajena, entre la cultura nacional y las extranjeras, equivale a sumergirnos en uno de los temas o categorías actuales que han despertado las más variadas elaboraciones y discusiones teóricas, desde el espacio de la crítica. Una de las contribuciones más importantes del pensamiento contemporáneo de Mijail Bajtín está relacionada con la teoría del sujeto, cuando, en sus reflexiones acerca del hombre, expresa que lo que define precisamente al ser humano en cuanto tal, es la relación que establece con el otro en el acto creador. Ese otro que, precisamente, es alguien que no soy yo. Así, la alteridad se encuentra en el centro de su pensamiento dialógico. Su filosofía del acto ético parte de las relaciones que el yo entabla con el otro, argumentando que este otro es simplemente alguien que no soy yo, otro inmediato y cotidiano. El otro se convierte así en la primera realidad dada con la que nos encontramos en el mundo, ese mundo cuyo centro es el yo y en el que todos los demás se transforman en otros para mí. Al respecto, propone todo un sistema de relaciones, yo-para-mí, yo-para-otro, otro-para-mí, que se ponen en juego en la interacción cotidiana del sujeto con los otros hombres. Ese juego dialéctico entre “yo soy" y “yo también soy", entre otros, nos lleva a una de las reflexiones significativas del filósofo ruso: es el otro quien me proporciona la primera definición de mí mismo, de mi cuerpo, de mi valor, dada en este caso por la persona que nos recibe por primera vez en el mundo –la madre y su deseo- y desde la posición del otro que posee una visión sobre mi persona y el mundo, al percibir todo aquello que yo no puedo ver desde mi posición única. En suma, partiendo de la premisa expresada por Bajtín acerca de la estructura del diálogo, “siempre está presente la intersección, consonancia o interrupción de las réplicas del diálogo interno de los héroes", este estudio intenta articular, desde un espacio de análisis teórico, cómo el escritor argentino Jorge Luis Borges construye discursivamente al otro/otros en las variaciones del tema en muchas y diversas voces. Los cuentos Veinticinco Agosto 1983, Borges y yo, y La rosa de Paracelso, son los seleccionados para reflexionar y articular el pensamiento dialógico de Mijail Bajtín.

Historia de un hecho regional canónico : el paso de los Andes

Desde el concepto de canon como el modelo impuesto por un grupo de poder, el presente trabajo analiza la canonización de la figura sanmartiniana en el cruce de los Andes, según relatos de autores de la clase dirigente. En los cuales se compara este personaje con Napoleón, Aníbal, Alejandro Magno y otras significativas figuras de la tradición occidental. Tres narraciones edifican la imagen de un héroe romántico, luchador a favor de la libertad y protector de los pueblos que libera. San Martín como paladín democrático frente a la tiranía despótica de los españoles, aparece en el relato de Gerónimo Espejo “El paso de los Andes". Este rico trabajo de prolijo historiador pondera la hazaña por sobre las de Napoleón y Aníbal. Bartolomé Mitre en su “Historia de San Martín", enfoca al héroe como paladín de unidad americana en la causa de la independencia, con una maestría superior a los cruces clásicos de Napoleón y Aníbal, parangonándolo con el de Bolívar en los Andes ecuatorianos. Ricardo Rojas en El santo de la espada fabrica una imagen religiosa de San Martín y lo iguala a héroes cristianos como Parsifal, Lohengrin y el Cid Campeador. El parangón con Napoleón. Aníbal y Alejandro Magno, se ve apoyado por la iconografía argentina de la época. La estatua más popular de San Martín repite la pose del retrato de Napoleón por David. Este, a su vez, está inspirado en mayólicas de Alejandro que lo representan en similar postura. Así, la imagen del héroe argentino en su cruce de los Andes se inserta con éxito en la tradición occidental.

O saber de Teseu n´As Suplicantes de Eurípides

Teseo aparece en tres tragedias como el importante rey de Atenas, que viene a socorrer, figura bien consolidada miticamente desde el siglo VI A.C. En Heracles de Euripídes y en Edipo en Colono de Sófocles, él aparece en la escena para socorrer dos grandes héroes, Heracles y Edipo, y en las condiciones penosas en las cuales estos encuentros ocurren, sobresale una profunda identificación entre los dos héroes - Teseo y Heracles, en una tragedia, y Teseo y Edipo en la otra - identificación en la grandeza humana y en el sufrimiento. Sin embargo este trabajo trata de la tercera tragedia, Las Suplicantes de Eurípides, en la cual Teseo es llamado a socorrer a Adrasto. Pero aquí nada aproxima a los dos, no hay ninguna afinidad. Adrasto es representado como una persona común, desprovisto de su honra del pasado y que sucumbe a la desgracia, puesto que ésta es atribuida a su insensatez.