UM TEATRO EM NOME DA LIBERDADE Um estudo sobre a dramaturgia de Chico Buarque e suas relações midiáticas

RESUMO O objeto deste trabalho é o teatro de Chico Buarque, especialmente suas peças criadas como frutos de um processo de adaptação. São elas: Calabar, o elogio da traição, Gota D`Água, e Ópera do Malandro. Como objetivos da análise buscamos respostas às questões relacionadas aos processos midiáticos envolvidos na criação, produção, divulgação e crítica desses produtos culturais e a compreensão da poética do artista no momento político em que as obras se realizaram, o período da ditadura militar brasileira. É condição primordial de análise o contexto histórico, político e cultural em que as peças foram escritas e tiveram suas primeiras encenações. O entendimento das mesmas envolve a análise do discurso dramatúrgico e os processos midiáticos decorrentes da criação, produção e divulgação das obras: autoria, adaptação, montagem de peça teatral, reportagens, críticas jornalísticas e materiais de divulgação.

Alfabetização de jovens e adultos no período militar: o MOBRAL segundo alguns críticos e egressos

O presente trabalho focaliza o período da ditadura militar e, de modo especial, discute a proposta criada para a educação de jovens e adultos - (Movimento Brasileiro de Alfabetização) -Mobral. Surgiu de uma indagação sobre a qualidade (ou não) do modelo de educação oferecido aos jovens e adultos durante este período da ditadura militar, ou "a grande noite de 21 anos", no sentido da construção da cidadania de grande parte do povo brasileiro. A partir de uma análise inicial do processo educacional conhecido como Mobral, verifiquei que minhas leituras até então negativas sobre sua metodologia começaram a tomar um outro rumo na medida em que ao realizar as entrevistas, passei a perceber o quão importante, de alguma forma, foi para as suas vidas nesse processo de construção da cidadania. Levando em consideração a dificuldade de implantação, na prática, de toda a teoria do Mobral, ainda assim, é inegável observar o grande investimento econômico para transpô-la; mas, de fato, representou um salto qualitativo na prática pedagógica, quando comparado ao passado histórico sobre a oferta de um processo educacional para jovens e adultos. O presente trabalho não tem a intenção de limitar qualquer análise ou pesquisa posterior sobre a alfabetização de jovens e adultos do referido período de exceção política brasileira.(AU)

UM ESTUDO DO PROCESSO DE CONSTRUÇÃO DA GESTÃO DEMOCRÁTICA EM UMA ESCOLA DO SISTEMA S

Este trabalho teve como propósito a análise da gestão democrática de uma escola do Sistema S, especificamente o Centro Educacional SESI Nº 406, localizado na cidade de Mauá, uma das 211 escolas que compõem a Rede Escolar SESI do Estado de São Paulo, no período de 2001 a 2007, tendo como referência a análise do contexto histórico das lutas travadas pela democratização da sociedade no período que sucede a ditadura militar. O ensino como direito de todos, os mecanismos de participação, a inserção da comunidade escolar nos processos decisórios e a construção da gestão democrática da escola, foram movimentos que acompanharam o processo de redemocratização da sociedade no início da década de 1980. O estudo discute os caminhos trilhados para a conquista da gestão democrática, identificando mudanças e as transformações ocorridas no período em questão. Utilizamos como recurso para a coleta de dados a análise de documentos da instituição, a observação participante, a coleta de depoimentos escritos e gravados de alunos, professores e demais integrantes da comunidade escolar. Os dados desta pesquisa revelam que a mudança de postura do gestor, no sentido de possibilitar a diluição do poder, é imprescindível para a ruptura dos modelos de administração verticalizada e centralizadora, tendo este o gestor o papel fundamental de articulador das ações que priorizem o coletivo. Os resultados evidenciam o reconhecimento positivo do conjunto de atores sociais entrevistados quanto aos avanços da gestão democrática, considerada é um processo em construção. Concluímos com Coutinho (2004), que a democracia deve ser entendida não como um estado, mas sempre como um processo.

TRAJETÓRIA DE ALUNOS DO PROUNI NO CONTEXTO DA EXPANSÃO E DEMOCRATIZAÇÃO DO ENSINO SUPERIOR NO BRASIL

Este trabalho buscou estudar o contexto da expansão e democratização do acesso ao ensino superior no Brasil, no período que coincide com a posse do primeiro Presidente eleito pelo voto direto, depois da Ditadura Militar, até 2007. Para isso analisamos, aos olhos de importantes autores brasileiros, a LBD, Lei de Diretrizes e Bases, o Plano Nacional de Educação, o Exame Nacional do Ensino Médio, o Financiamento Estudantil e o Programa Universidade para Todos. Especificamente, o estudo objetivou buscar respostas a duas questões: a distribuição de bolsas de estudo integral ou parcial tem garantido o acesso e permanência dos que adentram ao ensino superior por meio delas? Que estratégias os bolsistas desenvolvem para concluírem o curso? Para tanto, analisamos três narrativas autobiográficas de estudantes de um curso de pedagogia de uma universidade privada da Grande São Paulo. Os resultados indicaram que a distribuição de bolsas tem garantido o acesso e a permanência de estudantes, porém não dá conta de equacionar os problemas relacionados, especialmente, aos conteúdos curriculares não trabalhados anteriormente com as bolsistas, ao preconceito, à relação professor aluno e, sobretudo, ao desenvolvimento pleno dos princípios de cidadania legalmente adquiridos.

Fundamentos dos cuidados com crianças e adolescentes: um olhar sobre o Rio Grande do Norte entre 1964 e 1988

Childhood and adolescence care has frequently caused theoretical and methodological discussions. At national level, the way of dealing with this public has always been on the agenda, either by maintaining a paternalistic treatment, or by coercive and repressive expression with which this public is treated. Given the above, this research presents a thorough study of social policies focused on children and adolescents in Brazil, with the overall purpose of investigating how this process of implementation of public policies for poor children and adolescents in the state of Rio Grande do Norte was. In previous studies, it was identified that there are no official records regarding the policy implementation process for this population in the state of Rio Grande do Norte. A retrospective study about the care towards children and adolescents in Brazil was held. It ranged from the XXVIII century, through the period of assistance, until the historical period in which the child started to be considered from the perspective of a policy. Thus, a certain period was framed, so that, through the historical research method, this study could focus on gathering data about the attention focused on childhood and adolescence in the state of Rio Grande do Norte, between the years 1964 and 1988. Data was listed from newspaper files that circulated in the state during period mentioned above. This time framing corresponds to the regency of the National Policy of Child Welfare. In the state of Rio Grande do Norte, the implementation of institutions such as FUNBERN and then FEBEM did not differ from the national standard, since many projects and care programs for poor children and teenagers were executed in this period. The implementation of these institutions revealed the concern of the state in solving the problem of “minors” regarding to situations of abandonment or "delinquency" which they were involved with. However, the kind of protection provided by the state toward this population was based on the current ideology that supported the political system at the time: the military dictatorship. Thus, the main way to provide care to this population was through its institutionalization, through taking children to daycare centres and adolescents to “reeducational” institutes for “minors”.

Matizes de cultura de massa na obra de Caio Fernando Abreu

The Brazilian writer, Caio Fernando Abreu, was strongly influenced by a period of changes in social values and perspectives. When he enters the Brazilian literary scene using a writing style free from form and content, he applies in his works all the affliction of the contemporary values. His work embodies all the spirit of a generation that, despite its anxiety for freedom, was still suffocated by the military dictatorship period. Abreu’s narrative also reveals an author with an extreme ability to shift between the erudite and the popular. In his short stories, he develops a performative language mingled by references that turns his text into a sort of Pop Art iconography. Just like Pop Art paintings, full of Coke images, cigarettes, tooth paste and food cans, Abreu’s literary discourse is painted by many symbolical references to modern consumerism, as well as to movies, music and to pop stars. This trace in the writer’s works exerts a great deal of attractiveness on the contemporary reader. In this work, we attempt to analyze this resource in Abreu’s literature under the concepts of cultural studies; thus, we aim at analyzing the various forms of the mass culture expression inside Abreu’s literature, recognizing his allusions as a stylish resource in his writings and highlighting its relevance in the study of the author work. In order to do so, we are based essentially on the reflections of theoreticians: Lipovetsky (1996) and Adorno (2011) who debate the culture and social formation in contemporaneity.

Francisco Campos and the Brazilian Authoritarianism. A Hidden Dialogue with Carl Schmitt

This article propose to analyse the theoretical sources which constitutes the political culture of the Brazilian authoritarianism in the 20th century, principally in the work of Francisco Campos and his connection with the “integralismo” and its catholic conservatism ways. The hypothesis is that the mentioned connection which had inspired the ideological political culture which make possible all the sources and historical conditions to the implementation of the Brazilian dictatorship in the year 1964. This article has analysed the facist inspiration of the Campos´s theory and how it has happened, his hidden dialogue with Carl Schmitt, settling issuing lines of understanding on contemporary authoritarianism whose spreading still proceed, but now standing under new figures, discourses, rhetorics, symbologies and enemies.

Os programas de incentivo à cultura e o processo de fomento às organizações culturais no Rio Grande do Norte: o caso da Casa da Ribeira em Natal

Since the emergence of the first demands for actions that were intended to give greater attention to culture in Brazil, came the first discussions which concerned the way the Brazilian government could have a positive influence in encouraging the culture, as is its interaction with the actors interested and involved with the cause. During the military dictatorship, there were programs which relied on the direct participation of the State to ensure that right, from the viewpoint of its support and implementation of public resources in developing the "cultural product" to be brought to society in its various forms of expression - all this, funded by the government. It is an example of "EMBRAFILMES" and "Projeto Seis e Meia", continued until the present day in some regions of the country, though maintained by entities not directly connected with the administration or the government. However, it was from the period of democratization and the end of the dictatorship that the Brazilian government began to look at the different culture, under its guarantee to the society. Came the first incentive laws, led by "Lei Sarney" Nº 7.505/86, which was culture as a segment which could receive foreign assistance in order to assist the government in fulfilling its public duty. After Collor era and the end of the embargo through the encouragement of culture incentive laws, consolidated the incentive model proposed in advance of Culture "Lei Sarney" and the federal laws, state and local regimentares as close to this action. This applies to the Rouanet Law (Lei Rouanet), Câmara Cascudo Law (Lei Câmara Cascudo) and Djalma Maranhão Cultural Incentive Law (Lei de Incentivo à Cultura Djalma Maranhão), existing in Natal and Rio Grande do Norte. Since then, business entities could help groups and cultural organizations to keep their work from the political sponsorship under control and regiment through the Brazilian state in the form of their Cultural Incentive Law. This framework has contributed to the strengthening of NGOs and with the consolidation of these institutions as the linchpin of Republican guaranteeing the right to access to culture, but corporate social responsibility was the one who took off in the segment treated here, through the actions of Responsibility Cultural enterprises arising from the Cultural Organizations. Therefore, in the face of this discourse, this study ascertains the process of encouraging the Culture in Rio Grande do Norte from the Deviant Case Analysis at the Casa da Ribeira, the main Cultural Organization that operates, focused action in Natal in order to assess the relationships established between the same entity and the institutions which are entitled to maintain the process of encouraging treated in this study - Enterprise, from the viewpoint of corporate sponsorship and Cultural Responsibility and State in the form of the Laws Incentive Funds and Public Culture Incentive

Arquitetura residencial em João Pessoa-PB a experiência moderna nos anos 1970

In the mid-1980s, the magazine Projeto published the Actual Brazilian Architecture catalogue presenting texts by Hugo Segawa and Ruth Verde Zein with a corpus of works and engaged architects of the 1960s and 1970s. To comprehend the Brazilian architectural production post-1964, in those years of the 1980s, became a significant mission to reactivate the Brazilian architectural debate weakened by the military dictatorship. In his doctoral thesis Spadoni (2003) deals with the different ways which characterizes the Brazilian architectural production of the 1970s. Marked by inventiveness, this production was in tune with the modern thinking and in the transition period between the 1970s and the 1980s it synchronized with the international debate about post-modern architecture. Considering Spadoni s doctoral thesis, this work deals with the modern experience observed in the one-family-houses built in the seventies in João Pessoa. Some modern experiences were not clear outside, to observe it, it was necessary to search for the type of experience into the spatial disposition and of the know-how constructive, because into the appearance some houses not make explicit the use of the modern language. Other observed experiences allude to the repertoire of the Brazilian period in the years 1940s-1960s, to the experience of the modern architecture in São Paulo of the 1960s, to the experiences in which the climate of the Northeastern region strongly influenced the architectural conception. We can also find in a reduced number of houses a particular experience: it refers to experiences that expose the constructive doing, which leave the material apparent and apply to the residential type the experience of the industrial pre-fabricated buildings

Os programas de incentivo à cultura e o processo de fomento às organizações culturais no Rio Grande do Norte: o caso da Casa da Ribeira em Natal

Since the emergence of the first demands for actions that were intended to give greater attention to culture in Brazil, came the first discussions which concerned the way the Brazilian government could have a positive influence in encouraging the culture, as is its interaction with the actors interested and involved with the cause. During the military dictatorship, there were programs which relied on the direct participation of the State to ensure that right, from the viewpoint of its support and implementation of public resources in developing the "cultural product" to be brought to society in its various forms of expression - all this, funded by the government. It is an example of "EMBRAFILMES" and "Projeto Seis e Meia", continued until the present day in some regions of the country, though maintained by entities not directly connected with the administration or the government. However, it was from the period of democratization and the end of the dictatorship that the Brazilian government began to look at the different culture, under its guarantee to the society. Came the first incentive laws, led by "Lei Sarney" Nº 7.505/86, which was culture as a segment which could receive foreign assistance in order to assist the government in fulfilling its public duty. After Collor era and the end of the embargo through the encouragement of culture incentive laws, consolidated the incentive model proposed in advance of Culture "Lei Sarney" and the federal laws, state and local regimentares as close to this action. This applies to the Rouanet Law (Lei Rouanet), Câmara Cascudo Law (Lei Câmara Cascudo) and Djalma Maranhão Cultural Incentive Law (Lei de Incentivo à Cultura Djalma Maranhão), existing in Natal and Rio Grande do Norte. Since then, business entities could help groups and cultural organizations to keep their work from the political sponsorship under control and regiment through the Brazilian state in the form of their Cultural Incentive Law. This framework has contributed to the strengthening of NGOs and with the consolidation of these institutions as the linchpin of Republican guaranteeing the right to access to culture, but corporate social responsibility was the one who took off in the segment treated here, through the actions of Responsibility Cultural enterprises arising from the Cultural Organizations. Therefore, in the face of this discourse, this study ascertains the process of encouraging the Culture in Rio Grande do Norte from the Deviant Case Analysis at the Casa da Ribeira, the main Cultural Organization that operates, focused action in Natal in order to assess the relationships established between the same entity and the institutions which are entitled to maintain the process of encouraging treated in this study - Enterprise, from the viewpoint of corporate sponsorship and Cultural Responsibility and State in the form of the Laws Incentive Funds and Public Culture Incentive

Arquitetura residencial em João Pessoa-PB a experiência moderna nos anos 1970

In the mid-1980s, the magazine Projeto published the Actual Brazilian Architecture catalogue presenting texts by Hugo Segawa and Ruth Verde Zein with a corpus of works and engaged architects of the 1960s and 1970s. To comprehend the Brazilian architectural production post-1964, in those years of the 1980s, became a significant mission to reactivate the Brazilian architectural debate weakened by the military dictatorship. In his doctoral thesis Spadoni (2003) deals with the different ways which characterizes the Brazilian architectural production of the 1970s. Marked by inventiveness, this production was in tune with the modern thinking and in the transition period between the 1970s and the 1980s it synchronized with the international debate about post-modern architecture. Considering Spadoni s doctoral thesis, this work deals with the modern experience observed in the one-family-houses built in the seventies in João Pessoa. Some modern experiences were not clear outside, to observe it, it was necessary to search for the type of experience into the spatial disposition and of the know-how constructive, because into the appearance some houses not make explicit the use of the modern language. Other observed experiences allude to the repertoire of the Brazilian period in the years 1940s-1960s, to the experience of the modern architecture in São Paulo of the 1960s, to the experiences in which the climate of the Northeastern region strongly influenced the architectural conception. We can also find in a reduced number of houses a particular experience: it refers to experiences that expose the constructive doing, which leave the material apparent and apply to the residential type the experience of the industrial pre-fabricated buildings

Acesso à informação e intimidade : um dilema do Estado Democrático de Direito

Dissertação (mestrado)—Universidade de Brasília, Faculdade de Direito, Programa de Pós-Graduação em Direito, 2016.

DO SÉCULO XX AO III MILÊNIO: MISÉRIA E DEMOCRACIA NA GEOGRAFIA E NAS CIÊNCIAS HUMANAS BRASILEIRAS

Esta pesquisa apoiada numa heterogênea base metodológica tem como objetivo dissertar sobre a problemática brasileira “Fome x Democracia”. Inicialmente é citado as décadas de miséria desde o início do Século XX até o contexto da metade do século XX. Depois, aborda um pouco do debate multidisciplinar Brasileiro sobre o contexto da Ditadura Militar (1960 a 1985). Por sua vez, colocando um pouco mais das Pesquisas Multidisciplinares Brasileiras no início dos anos 1990, o presente texto, investiga também o “Impeachment” o Presidente Fernando Collor como uma verdadeira necessidade no sentido da construção de uma nação com menos miséria. Por fim, tenta compreender os conhecimentos brasileiros produzidos à luz do contexto sócio-econômico dos trabalhos desenvolvidos pela “Ação da Cidadania contra a Fome, a Miséria e pela vida”, bem como por aqueles elaborados a partir da implantação do “Bolsa-Família do Governo Lula, lembrando com clareza ética que “quem tem fome não pode esperar” e que esta “luta humanitária” deve ser continuada pela nova presidente Brasileira.

Reforma psiquiátrica

Apresenta da Reforma Psiquiátrica (RP) como parte do processo da Reforma Sanitária, norteadora dos princípios do SUS, integrada ao movimento social por Direitos Humanos. Contextualiza a RP historicamente, ao final da ditadura militar, mostrando o modelo hospitalcêntrico, com longas internações, maus tratos, mercantilização da loucura como única realidade da época, sem alternativas de tratamento, nem políticas públicas de saúde mental, destacando como desafios iniciais da reforma a entrada no sistema para sua transformação, a ampliação da oferta de atendimento e a necessidade de mudança de paradigma; destaca a importância de eventos como os CNSM, da criação de CAPS e NAPS, do Projeto de lei da RP, da substituição do modelo hospitalar pelas redes abertas de atenção, dos avanços da legislação, da consolidação das premissas da cidadania, da política do MS para usuário de drogas; ressalta os desafios atuais de: sustentabilidade financeira, técnica, política e científica; contestação ao paradigma da atenção psicossocial e autonomia do usuário versus internação compulsória. Unidade 1 do módulo 2 que compõe o Curso de Atualiza ção em Álcool e Outras Drogas, da Coerção à Coesão.