Correspondence of Robert Dudley, earl of Leycester, during his government of the Low countries, in the years 1585 and 1586.

Mode of access: Internet.

A contemporary narrative of the proceedings against Dame Alice Kyteler, prosecuted for sorcery in 1324 /

Printed from Harleian ms., no. 641. cf. Introd.

Kemps nine daies wonder : performed in a daunce from London to Norwich /

With reproduction of original t.p., dated 1600.

Catalog of cell lines.

Vols. for 1982-1985 consist of data from NIGMS human genetic mutant cell repository sponsored by the National Institute of General Medical Sciences, and from NIA aging cell repository sponsored by the National Institute on Aging. Repositories located at the Institute for Medical Research, Camden, N.J.; for 1986/1987- consist of data from NIGMS human genetic mutant cell repository located at Coriell Institute for Medical Research.

Letters of Humphrey Prideaux, sometime dean of Norwich, to John Ellis, sometime under-secretary of state, 1674-1722.

Includes index.

Political poems and songs relating to English history, composed during the period from the accession of Edw. III. to that of Ric. III.

"The political songs of England, from the reign of John to that of Edward II' by the same editor, appeared in 1839 as Camden Society Publication no. VI.

Proceedings of the late Rail-road Commission /

NUC pre-1956

Remaines, concerning Britaine: but especially England, and the inhabitants thereof. Their languages. Names. Surnames. Allusions. Anagrammes. Armories. Monies. Empreses. Apparell. Artillary. Wise speeches. Prouerbs. Poesies. Epitaphs.

"Vpon the death of Qveene Anne ... Fvnerall verses ... by William Swandon": fold. leaf at p. 344.

Annual statements of the railroad and canal companies of the state of New Jersey.

Vols. for 1867-1915 include report of the state director of the United New Jersey Railroad and Canal Company issued through 1878 under its earlier names: 1867-71, Delaware and Raritan Canal and Camden and Amboy Railroad and Transportation Companies (which continues the reports of the State Directors); 1873-78, United Rail Road and Canal Company of New Jersey.

Gossip in a library,

Introductory.--Camden's "Britannia."--A mirror for magistrates.--A poet in prison.--Death's duel.--Gerard's Herbal.--Pharamond.--A volume of old plays.--A censor of poets.--Lady Winchilsea's poems.--Amasia.--Love and business.--What Ann Lang read.--Cats.--Smart's poems.--Pompey the Little.--The life of John Buncle.--Beau Nash.--The diary of a lover of literature.--Peter Bell and his tormentors.--The fancy.--Ultra-crepidarius.--The Duke of Rutland's poems.--Ionica.--The shaving of Shagpat.--Index.

Andrienne Pauline Macaire (1796-1855): una artista en los márgenes

Durante el siglo XIX diversos artistas europeos emprendieron el viaje hacia diferentes puntos del continente americano. Entre ellos, mucho se dedicaron a la litografía, logrando en ciertos casos un amplio éxito comercial. Este artículo examina la trayectoria de la artista ginebrina Andrienne Pauline Macaire (1796-1855), dueña junto a su esposo de un temprano emprendimiento litográfico en la ciudad de Buenos Aires. Macaire puede ser considerada la primera artista profesional de renombre activa en esa ciudad. En efecto, es posible diferenciar su trayectoria de las de otras artistas contemporáneas, de las cuales se dispone de menos información y de las que han sobrevivido menos obras. En una primera parte del texto se analiza su inscripción en la literatura artística nacional. A continuación, se describe su formación en Ginebra y se estudia su importante actividad en Buenos Aires, estableciendo conexiones con el panorama artístico local. A lo largo del artículo se presentan obras y fuentes inéditas, o insuficientemente exploradas, a fin de justipreciar su carrera artística y de brindar elementos para futuras investigaciones.

Cercanía y distancia como elementos dramáticos en "Odysseus. Verbrecher" de Ransmayr y "Odisej" de Stefanovski

La función dramática de los conceptos mentales y geográficos ‚cercanía‘ y ‚distancia‘ se pone a prueba de forma exitosa en el término ‚Heimat‘. Se analizan Odysseus. Verbrecher de Christoph Ransmayr y Odisej de Goran Stefanovskis. Se ve que un retorno puede ser decepcionante porque la idea mental de ‚Heimat‘ no coincide con la geográfica. El repatriado permanece en esta distancia mental, lo cual daña a su entorno y la formación de su identidad. El concepto alemán de ‚Heimat‘, tal y como lo explica Peter Blickle, se puede aplicar a ambos textos. En el texto de Ransmayr se puede observar, no obstante, que crea su posición y crítica a raíz de este concepto, mientras que la comparación con el texto de Stefanovski solo muestra semejanzas, pero ninguna congruencia con el concepto cultural de ‚Heimat‘.

The Collusion of Feminist and Postmodernist Impulses in E.L. Doctorow’s "Ragtime"

Many critics of Doctorow have classified him as a postmodernist writer, acknowledging that a wide number of thematic and stylistic features of his early fiction emanate from the postmodern context in which he took his first steps as a writer. Yet, these novels have an eminently social and ethical scope that may be best perceived in their intellectual engagement and support of feminist concerns. This is certainly the case of Doctorow’s fourth and most successful novel, Ragtime. The purpose of this paper will be two-fold. I will explore Ragtime’s indebtedness to postmodern aesthetics and themes, but also its feminist elements. Thus, on the one hand, I will focus on issues of uncertainty, indeterminacy of meaning, plurality and decentering of subjectivity; on the other hand, I will examine the novel’s attitude towards gender oppression, violence and objectification, its denunciation of hegemonic gender configurations and its voicing of certain feminist demands. This analysis will lead to an examination of the problematic collusion of the mostly white, male, patriarchal aesthetics of postmodernism and feminist politics in the novel. I will attempt to establish how these two traditionally conflicting modes coexist and interact in Ragtime.

Virtual knowledge brokering : describing the roles and strategies used by knowledge brokers in a pediatric physiotherapy virtual community of practice

Introduction: Knowledge transfer in pediatric rehabilitation is challenging and requires active, multifaceted strategies. The use of knowledge brokers (KBs) is one such strategy noted to promote clinician behavior change. The success of using KBs to transfer knowledge relies on their ability to adapt to ever-changing clinical contexts. In addition, with the rapid growth of online platforms as knowledge transfer forums, KBs must become effective in virtual environments. Although the role of KBs has been studied in various clinical contexts, their emerging role in specific online environments designed to support evidence-based behavior change has not yet been described. Our objective is to describe the roles of, and strategies used by, four KBs involved in a virtual community of practice to guide and inform future online KB interventions. Methods: A descriptive design guided this study and a thematic content analysis process was used to analyze online KB postings. The Promoting Action on Research in Health Sciences knowledge transfer framework and online andragogical learning theories assisted in the coding. A thematic map was created illustrating the links between KBs' strategies and emerging roles in the virtual environment. Results: We analyzed 95 posts and identified three roles: 1) context architect: promoting a respectful learning environment, 2) knowledge sharing promoter: building capacity, and 3) linkage creator: connecting research-to-practice. Strategies used by KBs reflected invitational, constructivism, and connectivism approaches, with roles and strategies changing over time. Discussion: This study increases our understanding of the actions of KBs in virtual contexts to foster uptake of research evidence in pediatric physiotherapy. Our results provide valuable information about the knowledge and skills required by individuals to fulfill this role in virtual environments.