Réplicas cerámicas de piezas precolombinas con aditamentos lobulares y antropomorfos y moldes para vaciado elaborados en Pitalito - Huila.

19 hojas : ilustraciones, fotografías a color

Unraveling EU Policies: the ““Common Basic Principles”” and the ““European Integration Fund”” as a technology of government

this paper is about EU “soft policies” on immigrant integration. It analyzes the “Common Basic Principles” (CBPs) and the “European Integration Fund” (EIF), two devices that have been recently established within this framework. It adopts the theoretical perspective of the “anthropology of policy” and “governmentality studies”. It shows the context of birth of the aforementioned devices, as well as their functioning and the assessment done by the actors implied in the elaboration/implementation/evaluation of the related policies. It is based both on documentary research as well as direct observation and interviews done to the actors implied. It concludes that the PBC and the EIF should be considered as a “technology of government”, that strives to align the conduct of the actors with the governmental aims, as well as it produces specific practices and knowledge. It also underlines an intrinsic feature of many policies: their “congenital failure”, since they are (often) disputed and resignified by situated actors, who are embedded in asymmetrical power relations.

Programas iconográficos en "La piel que habito" (Almodóvar, 2011)

Como viene siendo habitual en las últimas películas de Pedro Almodóvar, las imágenes de La piel que habito (2011) se organizan en programas iconográficos que en este caso emanan de operaciones “trans” realizadas tanto en el cuerpo (transexualidad, transgénesis y trasplante), como en el texto (transtextualidad). El presente trabajo se ocupa de la genealogía y formalización de dichos programas así como de cuestiones teóricas surgidas a lo largo del desarrollo de este estudio –la relación entre cuerpo e identidad o el llamado muro de pantallas, entre otras–, de indudable calado en el filme.

Museums and youth: between misunderstanding and disappointment. Youth perceptions and arguments about the cultural consumption of museums in Chile

Young people are less explored in museum audience research; this is a paradoxical situation when considering its strategic location in the cultural reproduction and if considering the high performing cultural consumption compared with other sectors. The phenomenon of museums consumption by young Chileans who are self recognized as public and non-public museums is explored from a qualitative approach. It was conducted with focus groups in the three largest cities in Chile (Santiago, Valparaíso and Concepción). They identify the museum as a cultural institution in full force. However, in questioning museums activity youth reveal the specificity of their cultural matrix. This is referred to a social temporality based on the fragment, the discourse of familiarity, proximity and instead of breaking and critical. They claim a museum aesthetic / historical experience based on pleasure and enjoyment. An overview is proposed to further clarify the youth cultural consumption to characterize more precisely the place of the museum in the set, to design more effective policies museums.

The redemption of the gaze: the crisis of observation in the "fin de siècle" and the advent of cinema

The intention of this article is not to affirm, but rather to question wether it is possible to speak of a loss of the ability to gaze in the context of the nineteenth century and especially in the context of the fin de siècle, in the bosom of the epistemological crisis that beset the Turn of the Century. And very especially, this article tries to question about the impact this crisis had, perhaps, in the birth of cinema. Is in this context that arises the work of Marey and the advent of the cinematograph of the Lumière brothers in the fin de siècle Europe, both of them showing a deep faith in a mechanical apparatus that would allow the redemption of a battered gaze. And it seems to be a dream that continues over time through the tradition of shooting the everyday life.

Huellas de uso en las alabardas argáricas: Una primera aproximación: Una primera aproximación

Use-wear patterns detected on a number of El Argar halberds clearly indicate their use as weapons in hand-to-hand combat. At the same time, the generally low incidence of use-wear traces in these pieces is suggestive of their role as symbols of power. A more specific interpretation is hampered by unsolved taphonomic problems.

Algunas reflexiones sobre el Bronce Inicial en el Noroeste peninsular: La cuestión del llamado horizonte “Montelavar”

Although considerable effort has gone into the study of the subject, the Early Bronze Age of northwestern Iberia remains one of the more poorly understood phenomena of the Iberian Bronze Age. Most past attempts to systemise the relevant archaeological evidence did suffer from certain conceptual problems, particulary Harrison’s notion of a ‘Montelavar horizon’ or ‘Montelavar group’, formulated thirty years ago. As a consequence, neither this nor any of the other concepts which have been put forward in the past, has ever been embraced by a majority of scholars. In the present article, we are trying to solve at least some of the problems that plagued earlier concepts, by taking a fresh look at the Early Bronze Age funerary record from northwestern Iberia. At the same time, we are looking at the role played by Galicia and northern Portugal in the network of interregional contacts which characterize the Early Bronze Age in Western Europe.

Los indios Cayapas del Ecuador: Colección Biblioteca Abya-Yala

Toda la información que aparece en este volumen fue obtenida durante el perÍodo comprendido entre julio de 1908 y abril de 1909, en el cual convivimos con los Cayapas que habitan en el noroeste del Ecuador. El hallazgo de extensos depósitos arqueológicos en La Tolita, cerca de la desembocadura del río Santiago, fue lo que animó al profesor Marshall H. Saville a sugerir una investigación al Sr. George G. Heye, cuyo objetivo principal era el de recopilar información, que pudiera aclarar las dudas surgidas al encontrar muestras de arte prehistórico muy desarrollado, alrededor de las tolas de la lolita, especialmente en alfarerÍa y metalurgia.

Coloquio Michel Foucault, reflexiones sobre el saber, el poder, la verdad y las prácticas de sí

En este libro se encuentran distintas posturas acerca de los dos grandes temas de Foucault: el saber y el poder. Temas que, por otra parte, marcan derroteros de búsqueda, de formulación, interrogantes que se vertieron en investigaciones que comprometen la escritura misma de las cosas. Todos los aquí presentes son estudiantes de posgrado de la carrera de filosofía, alumnos de dos seminarios que extendieron, como prácticas de formación y discusión sus trabajos en el “Coloquio Reflexiones sobre el saber, el poder, la verdad y las prácticas de sí”. Hoy, parte de estos trabajos, en los que los estudiantes arriesgaron sus propias tesis, sus pesquisas, la entrañable cualidad de quedar comprometidos con el discurso y haciendo “uso” de lo que el propio Foucault deseaba, cada uno hace de sí una parte de esa obra que es la estética de sí. En este libro queda el testimonio

Guía para visitar los salones de historia de México del Museo Nacional

UANL

Etudes d'histoire et d'archeologie

UANL