How to apologise in Latin: a case study

Recent years have seen an increase in sociolinguistic studies of the Latin language devoted to aspects and forms of politeness as part of general linguistic behaviour, and considerable progress has been made overall. One area, albeit central to the notion of politeness, has been conspicuously neglected so far, and this area is best summarised by the term ‘apologies’. This paper aims to remedy this situation and to provide a first extensive case study, based on the textual corpus of Terence.

‘Open sesame!’ How panto can pave the way for inclusion in theatre

This paper examines how ‘relaxed performances’ are being offered by an increasing number of mainstream theatres so children with complex individual needs and their families can enjoy the social and cultural experience of live theatre. The paper explains the origins of the relaxed performance initiative, what such performances entail and how they can contribute to both children’s learning and the cause of social justice. A case study is made of how one medium sized provincial theatre offered a relaxed performance of its annual pantomime in the 2013-14 season and the impact its subsequent 2014-15 production has had on families living with autistic spectrum disorder.

Borchert und Beckmann : Biographische Berührungspunkte Wolfgang Borcherts in seinem Drama Draußen vor der Tür

Nachkriegsliteratur, oder Kahlschlags- bzw. Trümmerliteratur wurde zwischen 1945 und 1950 geschrieben. Es war die junge Schriftstellergeneration in der Westzone, die von ihren Erfahrungen mit dem Nationalsozialismus, dem Krieg, dem Leben in Trümmern schrieb. Die Themen dieser Literatur sind demnach Krieg, Tod, Untergang, Gefangenschaft, Trümmer, Heimkehr und Überlebungskampf. Wolfgang Borcherts Drama Draußen vor der Tür ist das wichtigste Beispiel für die Trümmerliteratur und eins der wenigen Dramen, das in der Nachkriegszeit großes Publikum fand. In seinem Drama Draußen vor der Tür, das Borchert einige Monate vor seinem Tod im Jahre 1947 schrieb, geht es um einen Soldaten, Beckmann, der nach 3 Jahren Gefangenschaft in Sibirien in seine zertrümmerte Heimat zurückkehrt. Das Drama wird als ein Protestschrei gegen den Krieg gesehen. Mit Wolfgang Borcherts Lebensgeschichte als Hintergrund entstand die Frage, welche biographischen Berührungspunkte sich in Borcherts Drama Draußen vor der Tür finden lassen, also welche persönlichen Erlebnisse, Erfahrungen, Eigenschaften und Werte werden in seinem Drama widergespiegelt oder zum Ausdruck gebracht.

Estrutura e significado em Uma rosa para Emily, de William Faulkner

Trata-se de uma análise do consagrado conto Uma Rosa para Emily, de William Faulkner, voltada para alguns dos principais aspectos de sua estrutura. Após considerarmos o enredo, discutimos a construção das personagens, com destaque para a protagonista, fazendo um levantamento e comentários sobre possíveis fontes de inspiração, destacando, entre outras, aspectos da biografia da poeta Emily Dickinson, a ficção e a poesia de E. A. Poe, romances de Charles Dickens e Henry James, o conto de Sherwood Anderson e a poesia de William Blake, Emily Dickinson, Robert Browning e John Crowe Ransom, acrescentando paralelos com o conto Bartleby, o escrivão, de Herman Melville. Analisamos, então, o foco narrativo, os símbolos e o significado, ressaltando aqui o desenvolvimento temático da narrativa.

Dialética da pratica e ação sem prática

O conceito de prática recobriria o de sistema de ação, não fosse a existência de sistemas de ação sem prática. Resta que uma prática é um sistema de ação. Como conseqüência, suposta a reciprocação de sistema com teoria e uma atenta inspeção nos termos da proposição, há equivalência semântica entre prática teóricae sistema de ação prático. Num e noutro caso, a contradição interna aos pares de conceitos se resolve dialeticamente. Graças à dialética, são fundidos numa unidade de sentido, síntese de tensões opostas. Daí a proposta de uma dialética da prática global, conjuntamente abstrata e histórica. Destotalizada ou à margem dessa dialética, pode ser destacada a ação sem prática, exemplificada no drama. Dramática é precisamente uma ação que não é prática. O tempo e o lugar da prática são a história e o mundo do homem; o tempo e o lugar do drama são a ficção cultural e a substância simbólica. Mimese da prática, o drama, reproduz, não os traços do modelo, mas a sua produção, tornando-se por sua vez modelo do modelo. Mimese não é cópia, é forma autônoma de eficiência, paradoxalmente sem prática mas especular.

O marinheiro na poesia de Fernando Pessoa: porto ou travessia?

Pós-graduação em Estudos Literários - FCLAR

Poesia em tempos de mal-estar: Charles Simic e Affonso Romano de Sant'Anna

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Branquinho da Fonseca e a vanguarda teatral: uma proposta de renovação do teatro em Portugal

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Likely transmission of hepatitis C virus through sharing of cutting and perforating instruments in blood donors in the State of Pará, Northern Brazil

Nós determinamos os fatores de risco à infecção pelo HCV em doadores de sangue no Estado do Pará, Brasil. Foram analisados 256 doadores de sangue atendidos na Fundação HEMOPA de 2004 a 2006, sendo divididos em dois grupos: infectados e não-infectados. O diagnóstico foi realizado por PCR em tempo real. Todos os participantes responderam a questionário sobre possíveis fatores de risco, sendo a modelagem estatística feita por regressão logística simples e múltipla. Os fatores de risco à infecção foram: uso de agulhas e seringas de vidros esterilizadas em casa (OR = 4,55), realização de tratamento dentário invasivo (OR = 3,08), compartilhamento de lâminas em domicílio (OR = 1,99), compartilhamento de lâminas descartáveis em barbearias, salões de beleza (OR = 2,34), e compartilhamento de material de manicure e pedicure (OR = 3,45). As autoridades de saúde devem conscientizar a população sobre o compartilhamento de materiais perfuro-cortantes em domicílio, salões de beleza e consultórios dentários como fatores de risco à infecção.

Astronomical site testing in the era of the extremely large telescopes

The quality of astronomical sites is the first step to be considered to have the best performances from the telescopes. In particular, the efficiency of large telescopes in UV, IR, radio etc. is critically dependent on atmospheric transparency. It is well known that the random optical effects induced on the light propagation by turbulent atmosphere also limit telescope’s performances. Nowadays, clear appears the importance to correlate the main atmospheric physical parameters with the optical quality reachable by large aperture telescopes. The sky quality evaluation improved with the introduction of new techniques, new instrumentations and with the understanding of the link between the meteorological (or synoptical parameters and the observational conditions thanks to the application of the theories of electromagnetic waves propagation in turbulent medias: what we actually call astroclimatology. At the present the site campaigns are evolved and are performed using the classical scheme of optical seeing properties, meteorological parameters, sky transparency, sky darkness and cloudiness. New concept are added and are related to the geophysical properties such as seismicity, microseismicity, local variability of the climate, atmospheric conditions related to the ground optical turbulence and ground wind regimes, aerosol presence, use of satellite data. The purpose of this project is to provide reliable methods to analyze the atmospheric properties that affect ground-based optical astronomical observations and to correlate them with the main atmospheric parameters generating turbulence and affecting the photometric accuracy. The first part of the research concerns the analysis and interpretation of longand short-time scale meteorological data at two of the most important astronomical sites located in very different environments: the Paranal Observatory in the Atacama Desert (Chile), and the Observatorio del Roque de Los Muchachos(ORM) located in La Palma (Canary Islands, Spain). The optical properties of airborne dust at ORM have been investigated collecting outdoor data using a ground-based dust monitor. Because of its dryness, Paranal is a suitable observatory for near-IR observations, thus the extinction properties in the spectral range 1.00-2.30 um have been investigated using an empirical method. Furthermore, this PhD research has been developed using several turbulence profilers in the selection of the site for the European Extremely Large Telescope(E-ELT). During the campaigns the properties of the turbulence at different heights at Paranal and in the sites located in northern Chile and Argentina have been studied. This given the possibility to characterize the surface layer turbulence at Paranal and its connection with local meteorological conditions.

"Weil eine Fremd’ ich bin, aus fernem Land ...“ – Fremdheit und Fremde im dramatischen Werk Franz Grillparzers und Friedrich Hebbels

Große Dramendichtung kann nur in historischen Umbruchszeiten wie der Antike, der Reformationszeit und im 19. Jahrhundert, also zu Lebzeiten Friedrich Hebbels, entstehen. Das schreibt Hebbel im Vorwort zu seinem bürgerlichen Trauerspiel „Maria Magdalena“. Die großen Zeiten der Tragödien sind Zeiten umwälzender Veränderungen. Im langen 19. Jahrhundert, zwischen Revolution und Restauration, zwischen Reformen und Reaktion, zwischen Hoffnungen auf Demokratie, Nationalstaatlichkeit, zwischen Josephinismus und Ära Metternich, waren die Voraussetzungen für ein Jahrhundert der Tragödie gegeben. Zwei der bedeutendsten Dramatiker des 19. Jahrhunderts, Franz Grillparzer und Friedrich Hebbel, sind Thema der Dissertation. Dabei hat die Arbeit mit der Diskursivierung von Fremdheit und Fremde eine Neuperspektivierung ausgewählter Dramen geleistet, die so in der Forschung noch nicht existiert, wobei diese Perspektive in der Forschung bereits angelegt war. Die hier vorliegende Arbeit hat das „Phänomen der Fremde“, wie Günther Häntzschel es in einem Aufsatz nennt, in den Dramen „Judith“, „Gyges und sein Ring“ und „Die Nibelungen“ von Hebbel und in den Dramen „Das goldene Vließ“, „Die Jüdin von Toledo“ und „Libussa“ von Grillparzer untersucht. Die zentralen Begriffe „Fremde“ und „Fremdheit“ wurden dabei als literarische Topoi, um methodisch besser mit ihnen operieren zu können, in verschiedene Dimensionen der Fremdheit unterteilt: Dabei wurde neben der „Fremdheit der Kulturen“ und der „Fremdheit zwischen den Geschlechtern“ auch die Fremdheit zwischen dem „mythischen Rand der Welt“ und dem „Horizont der Vernunft“ untersucht. Ferner widmete sich ein Kapitel dem Thema Entfremdung und Selbstentfremdung, eine Dimension der Fremdheit, die ebenfalls für die Dramenanalyse relevant ist.

Cultural and migration aspects in functional abdominal pain

Compared to Europe's mean immigrant contingent of 7.3 to 8.6 % Switzerland holds the highest contingent of foreign population with 23.5 %. Therefore it is of utmost importance that physicians have a knowledge of the specific characteristics of immigrant patients. The influence of personality factors (experience, behavior) is not independent from the influence of culturally-related environmental factors (regional differences in diet, pollutants, meanings, etc.). In addition, different cultural groups rate their quality of life differently. Psychological reasons for recurrent abdominal pain are stress (life events), effects of self-medication (laxatives, cocaine) and sexual abuse but also rare infectious diseases are more common among immigrants (e.g. tuberculosis, histoplasmosis, etc.). Migration-specific characteristics are mainly to find in the semiotics of the symptoms: not every abdominal pain is real pain in the abdomen. Finally, it is crucial to make the distinction between organic, functional and psychological-related pain. This can, however, usually only be accomplished in the context of the entire situation of a patient and, depending on the situation, with the support of a colleague from the appropriate cultural group or an experienced interpreter. In this review we limit ourselves to the presentation of the working population of the migrants, because these represent the largest group of all migrants. The specific situation of asylum seekers will also be refrained to where appropriate.

Sharpness Matching in Stereo Images

When stereo images are captured under less than ideal conditions, there may be inconsistencies between the two images in brightness, contrast, blurring, etc. When stereo matching is performed between the images, these variations can greatly reduce the quality of the resulting depth map. In this paper we propose a method for correcting sharpness variations in stereo image pairs which is performed as a pre-processing step to stereo matching. Our method is based on scaling the 2D discrete cosine transform (DCT) coefficients of both images so that the two images have the same amount of energy in each of a set of frequency bands. Experiments show that applying the proposed correction method can greatly improve the disparity map quality when one image in a stereo pair is more blurred than the other.

Dutch boundaries

In many schools of architecture the 1970s have been an important watershed for the way in which architecture was taught. For example, recent studies have stressed the importance of Aldo Rossi for the changes in the teaching of architec-ture at the ETH in Zürich that before was based on orthodox modern principles. A similar struggle between an orthodox conception of modernity and its criticism took place at the architectural faculty of Delft, in the Netherlands. Although Delft is an important European school of architecture, the theoretical work produced during this period is not largely known outside the Netherlands. This is perhaps due to the fact that most studies were published in Dutch. With this article, I intend to make the architectural theory developed during this period known to a larger public. The article describes the intellectual journey made by Dutch stu-dents of architecture in the 1970s and 1980s. This was the quest to receive recognition for the intellectual substance of architecture: the insight architecture could be a discourse and a form of knowledge and not only a method of building. Specifically, the work of the architectural theoretician Wim Nijenhuis is highlight-ed. However, as I point out in this article, the results of this journey also had its problematic sides. This becomes clear from the following sentence taken from the dissertation of Wim Nijenhuis: "The search for metaphysical fiction and the tendency towards a technological informed absolute through fully transparent and simultaneous information, should be contested by a fantasy dimension, that does not wish to 'overcome' a given situation and that does not rely on 'creativi-ty' (that would still be historical and humanistic)." Texts like this have a hermet-ic quality that is not easy to comprehend for an architectural public. Even more, there is an important debate looming behind these sentences. As an important outcome of their quest the architectural students in Delft asked themselves: how do we give form to architectural theory once its claim to truth is exposed as an illusion? For Nijenhuis, the discourse about architecture is a mere 'artful game with words': a fiction, besides other forms of fiction like poetry or literature. The question is then if we have not entered the realm of total subjectivity and relativ-ism with this position. From what can the discourse of architecture derive its authority after the death of God?