Fiction and reality in "The Kindly Ones" of Jonathan Littell

This paper studies the novel The Kindly Ones, whose main plot charts the anguished memories of a Nazi officer. The reader of this novel is plunged into the harshest atrocities of the Holocaust and WWII, as these are recounted by a perverse conscience who is unmoved by the most terrible actions. Fiction and reality are contrasted in the novel against the framework of history writing and the subsequent debates sparked by historical elaboration. This novel perceptively captures historical truth, thus calling for critical attention upon the collective responsibility which will prevent the repetition of events.

The prose works of Jonathan Swift /

First published in 1897.

Negotiating a masculine bloc: Jonathan Franzen's The corrections

Contemporary research on masculinities has focused on demonstrating how these are multiple, hierarchical, collective as well as individual, complex and contingent. In this article, I read Jonathan Franzen’s The Corrections in the light of such recent theorizations. I propose to focus on the negotiation of what Demetriou has termed a masculine bloc, which is a space in which hegemonic and non-hegemonic masculinities coexist and, therefore, a strict duality between both categories is transcended. Next, I suggest focusing on the construction of masculinities as subject positions that are interwoven with different geographical levels. It is my contention that St. Jude, the fictional city for the Lamberts’ home in the Midwest, conforms the symbolic arena in which hegemonic masculinity is staged.

UW Symphony David Alexander Rahbee Music Director and Conductor with Jonathan Biss, piano December 9, 2016

Concert Program