The bakehouse : a gossips' comedy in one act /

Mode of access: Internet.

El palacio triste.

"Obras de G. Martinez Sierra": p. [227]-228.

Violence against metropolitan bus drivers and fare collectors in Brazil

OBJECTIVE To analyze the correlation between sociodemographic factors and working conditions of bus workers in a metropolitan area and violence against them.METHODS This cross-sectional study used a nonprobabilistic sample estimated according to the number of workers employed in bus companies located in three cities in the Belo Horizonte metropolitan region in 2012 (N = 17,470). Face-to-face interviews were conducted using a digital questionnaire. The factors associated with violence were analyzed in two stages using Poisson regression, according to each level. The magnitude of the association was evaluated using prevalence ratios with robust variance and a statistical significance of 5%, and 95% confidence intervals were obtained.RESULTS The study sample comprised 782 drivers and 691 fare collectors; 45.0% participants reported at least one act of violence in the workplace in the last 12 months, with passengers being predominantly responsible. The age of the bus workers was inversely associated with violence. Chronic diseases, sickness absenteeism, and working conditions were also associated with violence.CONCLUSIONS The findings on the correlation between violence and working conditions are essential for implementing prevention strategies by transportation service managers.

Avaluació dels algorismes d'encaminament per a una NoC amb topologia Mesh 2D

Aquest projecte presenta una avaluació de les diferents alternatives d'encaminament per a una NoC amb una topologia mesh 2D. Per tal d'exposar aquestes alternatives s'ha estudiat la composició d'un router implementat amb l'algorisme determinista XY i s'ha adaptat per tal que aquest suportés els algorismes parcialment adaptatius West First, North Last i Negative First. Un cop tenim els routers implementats es disposa un estudi dels diferents algorismes i com cadascun d'aquests actuen en front uns mateixos estímuls per tal de crear una comparativa entre ells que ens faciliti una elecció a priori.

Les débuts de la communication à trois. Interactions visuelles triadiques entre père, mère et bébé

Plusieurs auteurs ont montré que les échanges visuels entre des mères dépressives ou psychotiques et leur bébé présentent de multiples perturbations : dans cet article, les auteurs proposent une étude exploratoire portant sur les échanges visuels père-mère- bébé (9-18 semaines) dans deux groupes de familles, un groupe suivi pour des difficultés du post-partum et un groupe témoin. Les observations sont réalisées dans le cadre d'un jeu à trois structuré selon diverses modalités d'interaction (un parent joue avec l'enfant en présence de l'autre parent / les deux parents jouent conjointement avec le bébé). Les variables retenues concernent d'une part le niveau d'attention visuelle conjointe des partenaires, d'autre part l'évolution de cette attention visuelle au cours du jeu. Les résultats révèlent que les échanges visuels sont plus intenses dans les familles fonctionnelles, ce qui semble indiquer que l'engagement visuel triadique établi par les partenaires peut être représentatif du fonctionnement de la triade à un moment donné de son développement. D'autre part, l'analyse de l'évolution de l'engagement visuel au travers des différents contextes de jeu amène les auteurs à proposer l'hypothèse d'une « alliance triadique » établie conjointement par les trois partenaires et formant la matrice de leurs échanges dyadiques et triadiques. De façon plus générale, les auteurs supposent que l'établissement de cette alliance joue un rôle déterminant pour le développement et l'autonomisa- tion du bébé au sein de sa famille. Disorders in the visual interaction between depressive or psychotic mothers and their baby have been widely described : in this paper, the authors propose an exploratory study of father-mother-infant visual interaction (infants are 9-18 weeks old) in two groups of families, voluntary families and families in therapy for post-par turn disorders. The observations are gathered during a three-partner play, involving different kinds of triadic interaction (one parent plays with the infant, the other parent being « only present » / both parents play together with the child). The analyses have focused on the amount of visual attention shared by the partners and on the evolution of visual interaction during the game. Results show that triadic interaction is more intense in functional triads, which means that shared visual attention may be representative of the more general functioning of the family at a definite stage of its development. Furthermore, considering the sequential organization of visual interaction throughout the game led the authors to the construct of a « triadic alliance », jointly established by the three partners and providing a matrix for their dyadic and triadic interaction. On a more general level, such an alliance could play an important role for the development and the autonomy of the baby within his j her family.

Lini Richarda Grol Fonds, 1946-2007

Lini Richarda Grol was originally born in Nijmegen, Netherlands in 1913 and immigrated to Canada in 1954 after working as a nurse in South America for three years from 1951 to 1954. She was granted her first Canadian passport in 1961 and worked full-time as nurse at the Welland County Hospital. While nursing she would enroll in writing courses at McMaster University and Ryerson Polytechnical Institute, now Ryerson University. Eventually she decided to dedicate herself to her writing and artwork and began to only work as a nurse part-time and then later opened the Fonthill Studio to devote herself to her writing and artwork full-time. Her status as an immigrant and career as a nurse provided inspiration for much of her writing and she frequently tackles the experience of the female immigrant in her works. Her first publication was in 1938 in a small literary and women’s magazines in Holland and Belgium and her first work of poetry was entitled Stive Gedachten. None of these publications exist in this archive. Her most well-known publication, Liberation, centers around her experiences leading up to and after the liberation of Holland during World War II. Grol was, and continues to be a prolific writer in the Niagara Region and has been published in the Welland Tribune, Pelham Herald, Thorold News, Parent Magazine, Dunville Chronicle, and various Christian publications and literary newsletters and journals. Grol also started her own poetry magazine entitled Canadian Poets Pen Club to help aspiring writers get published. Perhaps her most recognized achievement was the inclusion of one of her poems and the recognition of her novel Liberation into the Thank You Canada Day celebration in May 1970. Grol participated in many local writers’ groups such as the Welland Writer’s Club, and the Canadian Author’s Association. Grol was membership secretary for the Canadian Author’s Association in 1984. She also founded a writer’s club in 1995 in her retirement home, Holland Christian Homes where members meet to talk about their poems and short stories either in English or Dutch. Participating in and creating a writers’ community is integral to Grol’s identity as an author and can be related to the feelings of isolation she felt as an immigrant to Canada. Grol also hosted her own television shows entitled Discovery with Lini Grol which featured guests, usually local artists and writers, and Holland en Hollanders a cultural program for Dutch immigrants. Grol’s most recent activities include the publication of a one act play entitled Peppermint Problems [1996] and a short story entitled “When our War started in Rotterdam” [2004]. In 1994, she moved to Brampton, Ontario into a Christian retirement center called Holland Christian Homes. For further biographical information about Grol see two books contained within this collection Women of Action [1976] and Something About the Author [1976].

Letter - E.C. Schmon to Arthur A. Schmon, 3 January 1920

The letter describes pictures Eleanore Celeste had received from Arthur. The second part of the letter discusses a trip to the Metropolitan to see three one act Italian operas. The singers mentioned are Farrar and Amato. She also discusses a fur coat that Arthur is planning to buy for her as a gift. The letter is labelled number 90.

Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle

La version intégrale de ce mémoire est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l ’Université de Montréal (www.bib.umontreal.ca/MU).

L'apprendistato e il debutto operistico di Sergej Rachmaninov

All’ascolto dell’incompiuto Matrimonio di Musorgskij, Borodin aveva sentenziato lapidariamente: «une chose manquée». Uguale commento viene riservato tuttora alla produzione operistica di Sergej Rachmaninov. In questo caso però non ci troviamo di fronte a un teatro rivoluzionario che si trova costretto a fare un passo indietro rispetto ai principi programmatici di cui si vuol far portatore, bensì a un potenziale inespresso, a un profilo drammaturgico mai giunto a piena maturazione. L’evidente eterogeneità della produzione operistica lasciataci in eredità dal compositore non permette infatti di determinarne con chiarezza le ‘linee guida’ e ne rende problematica la collocazione nel contesto musicale a lui coevo. Scopo della presente dissertazione è indagare l’apprendistato e il debutto operistico del compositore russo attraverso l’analisi di materiale documentario, testi letterari, partiture nonché delle fonti critiche in lingua russa, difficilmente accessibili per lo studioso italiano. Il cuore dell’elaborato è un’analisi dettagliata di Aleko, un atto unico presentato nel 1892 dal compositore come prova finale al corso di ‘Libera composizione’ del Conservatorio di Mosca. L’opera viene considerata nel suo complesso come organismo drammatico-musicale autonomo (rapporto fonte/libretto, articolazione interna, sistema delle forme, costellazione dei personaggi, distribuzione delle voci, ecc.), ma inquadrata al contempo nel più ampio contesto del teatro musicale coevo (recezione critica sia da parte della pubblicistica coeva sia da parte della storiografia musicale). Viene fornita in appendice un’edizione del libretto con traduzione a fronte. Incorniciano l’analisi dell’opera un capitolo in cui si offre una rilettura estetica del ‘caso Rachmaninov’ e un aperçu sulla produzione operistica matura del compositore, alla luce delle riflessioni proposte nel corso della dissertazione.

Alfonso and Claudina; The faithful spouse, or, The hated race.

On cover: In one act.

An history of Jamaica : with observations on the climate, scenery, trade, productions, negroes, slave trade, diseases of Europeans, customs, manners, snd dispositions of the inhabitants : to which is added, an illustration of the advantages which are likely to result from the abolition of the slave trade /

"An act ... for consolidating, and bringing into one act, the several laws relating to slaves, and for giving them further protection and security": p. 245-278.

Minna and myself

Reprinted in part from various periodicals.

Daughter of Eve, "Femme Fatale", and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde's and Richard Strauss's "Salome"

Historically, Salome was an unexceptional figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the dancing seductress as fallen daughter of Eve.  Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head.  Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represent her tragic fate musically.

Antígona: nome de código: a peça em um ato de Mário Sacramento

Sob a influência da Antígona sofocliana, Mário de Sacramento escreveu uma peça homónima publicada, isoladamente, em 1959, no vol. XIX, nº 186 da “Revista Vértice”, e incluída, no ano seguinte, na tetralogia intitulada Teatro Anatómico. Nesta peça em um ato, a tragédia homónima de Sófocles configura-se um recurso metateatral de carácter crítico-reflexivo, em que o diálogo intertextual com o ancestral texto trágico promove uma leitura dramática do destino infortunado dos sobreviventes de uma família francesa, vítima da ocupação alemão, na Segunda Guerra Mundial, que, como os últimos Labdácidas, confrontam o sofrimento de situações-limite, ditadas por conflitos insolúveis da condição humana. Neste «ensaio dramático de Mário de Sacramento, a protagonista é uma mulher francesa, Ivonne, que no tempo do Maquis, escolhe, como nome de código, “Antígona”. Pretende-se, neste estudo, apresentar uma análise da influência exercida pela Antígona sofocliana neste «ensaio dramático», ao nível da caracterização das dramatis personae e do desenvolvimento da ação, que se sustenta numa reflexão crítica sobre as motivações da filha de Édipo e o sentido trágico das suas ações.