On the mission in Missouri, 1857-1868 /

Mode of access: Internet.

Aus dem leben eines taugenichts. Nouvelle von Joseph von Eichendorff.

Mode of access: Internet.

Joseph von Eichendorff, sein leben und sein werk,

Bibliography: p. [508]-531.

University of Michigan Football Team, 1924

Back Row (standing): Joseph Pickarski, Raymond Heym, Walter Kunow, Foster Hall, Harry Hawkins, Richard Dewey, Richard Babcock, William Heath, Philip Marion, Paul Samson, John Ryrholm, Todd Rockwell, Edgar Madsen, William Ullman, Robert Brown, ? Kurston, Harold Steele, Barney Koplin, Edliff Slaughter, Ernest Ratliff, Frederick Parker, Charles Grube, Howell White, William Herrnstein, Charles Munz, James K. Miller, Herbert Steger

Midle Row: H.S. Maentz, Harold MacGregor, Hupert Goebel, Floyd McCaffree, William McMillan, Lowell Palmer, Harlan Froemke, William Flora, Lyman Savage, Wilfred Kilpatrick, Victor Domhoff, Carl Stamman, Ben Friedman

Front Row: Thomas Edwards, Leo Hoffman, William Coventry, Kent McIntyre, Charles Sommers, Russell Davis, Henry Ferenz, Elmer Langguth, John Lovette, Dwight Kellar

1924 Ice Hockey Team

University of Michigan Men's Basketball Team, 1924

Back Row: Coach Edwin Mather, ?, ?, ?, Richard Doyle, ?

Middle row: Kenneth Mogaridge, Roy Deng?, ?, Howard Birks, Arthur McWood, Harry Kipke

Front row: Edward Line(?), George Haggerty, William Henderson, Royal Cherry, Joseph Landre(?)

Report of the Committee of the Senate of Georgia to His Excellency Joseph E. Brown.

Letter of transmittal to Gov. Brown dated and signed: Macon, Ga., July 26, 1858. Thos. P. Stubbs, Chairman, Sen. Committee.

Conrad Wimpina, ein katholischer Theologe aus der Reformationszeit : 1460-1531 : I. Teil, cap. 1 u. 2.

Thesis (doctoral)--Universitat Breslau.

Joseph von Eichendorffs Dichtungen,

Mode of access: Internet.

Global compilation of benthic data sets I

Approaches to quantify the organic carbon accumulation on a global scale generally do not consider the small-scale variability of sedimentary and oceanographic boundary conditions along continental margins. In this study, we present a new approach to regionalize the total organic carbon (TOC) content in surface sediments (<5 cm sediment depth). It is based on a compilation of more than 5500 single measurements from various sources. Global TOC distribution was determined by the application of a combined qualitative and quantitative-geostatistical method. Overall, 33 benthic TOC-based provinces were defined and used to process the global distribution pattern of the TOC content in surface sediments in a 1°x1° grid resolution. Regional dependencies of data points within each single province are expressed by modeled semi-variograms. Measured and estimated TOC values show good correlation, emphasizing the reasonable applicability of the method. The accumulation of organic carbon in marine surface sediments is a key parameter in the control of mineralization processes and the material exchange between the sediment and the ocean water. Our approach will help to improve global budgets of nutrient and carbon cycles.

Ecce homo - Chinua Achebe's image of Conrad

In his famous essay, "An image of Africa: racism in Conrad's Heart of Darkness", the late Nigerian writer, scholar and critic Chinua Achebe points out how the permanent place held by Joseph Conrad and his novel in the literary pantheon has contributed towards perpetuating "comforting myths" where Africa and its people serve as a coarse foil against which to show Western civilisation's refinement and achievements (ACHEBE In ARMSTRONG, 2006, p. 339). A ferocious "Ecce homo", this seems to be the bottom line of Achebe's unapologetically emotional criticism. Tainted by irredeemable eurocentrism and racism, Joseph Conrad should then be finally overthrown by critics and ostracised by the public. But, relevant and (always) timely as it is, should cultural criticism, especially when championed by an eminent, authoritative African scholar as Achebe, refuse Conrad the benefit of the doubt? Literature, genuine literature, we believe, won't pass the test of time unless it proves to be more than ideological prestidigitation and strikes a chord that is more than decorous compassion. It is by looking at Heart of Darkness as first and foremost a work of art that we attempt to outline an alternative image to the racist Conrad presented by Achebe.

Joseph A. Schumpeter, capitalism, socialism, and democracy

This is a review of "Capitalism, socialism, and democracy", by Joseph A. Schumpeter, New York, Harper Perennial, 1942 (first Harper Colophon edition published 1975). "The public mind has by now so thoroughly grown out of humor with it as to make condemnation of capitalism and all its works a foregone conclusion – almost a requirement of the etiquette of discussion. Whatever his political preference, every writer or speaker hastens to conform to this code and to emphasize his critical attitude, his freedom from ‘complacency’, his belief in the inadequacies of capitalist achievement, his aversion to capitalist and his sympathy with anti-capitalist interests. Any other attitude is voted not only foolish but anti-social and is looked upon as an indication of immoral servitude." We might easily mistake this for a voice weary of contemplating the implications for neo-liberal nostrums of our current global financial crisis were it not for the rather formal, slightly arch, style and the gender exclusive language. It was in fact penned in the depths of World War II by Harvard economist Joseph Schumpeter, who fell off the map only to re-emerge from the 1970s as oil shocks and stagflation in the west presaged the decline of the Keynesian settlement, as east Asian newly industrialising economies were modelling on his insistence that entrepreneurialism, access to credit and trade were the pillars of economic growth, and as innovation became more of a watchword for post-industrial economies in general. The second coming was perhaps affirmed when his work was dubbed by Forbes in 1983 – on the occasion of the 100th anniversary of the birth of both men – as of greater explanatory import than Keynes’. (And what of our present resurgent Keynesian moment?)...

Joseph Maiden and the national and transnational circulation of Wattle Acacia spp

During the nineteenth century and in the early years of the twentieth century wattle was circulated by botanists, botanical institutions, interested individuals, commercial seedsmen and government authorities. Wattle bark was used in the production of leather and was the subject of debate regarding its commercial development and conservation in Australia. It was also trialled in many other locations including America, New Zealand, Hawaii and Russia. In the process, South Africa became a major producer of wattle bark for a global market. At the same time wattle was also promoted as a symbol of Australian nationalism. This paper considers this movement of wattles, wattle material and wattle information by examining the career of one active agent in these botanical transfers: Joseph Maiden. In doing so it demonstrates that these seemingly different uses of the wattle overlap transnational and national spheres.

Empire, Tourism, Nostalgia: Joseph Brodsky and Travel Writing

Joseph Brodsky, one of the most influential Russian intellectuals of the late Soviet period, was born in Leningrad in 1940, emigrated to the United States in 1972, received the Nobel Prize for Literature in 1987, and died in New York City in 1996. Brodsky was one of the leading public figures of Soviet emigration in the Cold War period, and his role as a model for the constructing of Russian cultural identities in the last years of the Soviet Union was, and still is, extremely important. One of Joseph Brodsky’s great contributions to Russian culture of the latter half of the twentieth century is the wide geographical scope of his poetic and prose works. Brodsky was not a travel writer, but he was a traveling writer who wrote a considerable number of poems and essays which relate to his trips and travels in the Soviet empire and outside it. Travel writing offered for Brodsky a discursive space for negotiating his own transculturation, while it also offered him a discursive space for making powerful statements about displacement, culture, history and geography, time and space—all major themes of his poetry. In this study of Joseph Brodsky’s travel writing I focus on his travel texts in poetry and prose, which relate to his post-1972 trips to Mexico, Brazil, Turkey, and Venice. Questions of empire, tourism, and nostalgia are foregrounded in one way or another in Brodsky’s travel writing performed in emigration. I explore these concepts through the study of tropes, strategies of identity construction, and the politics of representation. The theoretical premises of my work draw on the literary and cultural criticism which has evolved around the study of travel and travel writing in recent years. These approaches have gained much from the scholarly experience provided by postcolonial critique. Shifting the focus away from the concept of exile, the traditional framework for scholarly discussions of Brodsky’s works, I propose to review Brodsky’s travel poetry and prose as a response not only to his exilic condition but to the postmodern and postcolonial landscape, which initially shaped the writing of these texts. Discussing Brodsky’s travel writing in this context offers previously unexplored perspectives for analyzing the geopolitical, philosophical, and linguistic premises of his poetic imagination. By situating Brodsky’s travel writing in the geopolitical landscape of postcolonial postmodernity, I attempt to show how Brodsky’s engagement with his contemporary cultural practices in the West was incorporated into his Russian-language travel poetry and prose and how this engagement thus contributed to these texts’ status as exceptional and unique literary events within late Soviet Russian cultural practices.