The Ecologic Foundations of Stylistics in Music and in Language

This contribution suggests that it is possible to describe the transformations of musical style in an analogous way to the transformations of style in language, and also that it can be explained how the ‘musics in contact’ behave in an analogous way to the ‘languages in contact’. According to this idea, the ‘evolution’ of styles in music and in language can be identified and studied as dynamic exchanges in ecological niches. It is suggested, also, that the idiolectic-ecolectic, and acrolectic-basilectic relationships in music and language are functions of cycles in several ‘layers’ and ‘rhythms’. The presence of stylistic varieties and influences in music and in language may imply that they are part of major sign systems within a more complex ecological relationship.

Sign, meaning and violence in Laurell K. Hamilton’s novels : a postmodernist approach

La nature iconoclaste de l'ère postmoderne se manifeste dans une révolution contre les normes littéraires préétablies. Cet iconoclasme est plus flagrant dans la fantaisie urbaine. Dans un environnement désordonné, fragmenté et très stéréotypé, la fantaisie urbaine est considérée comme un événement qui défie tout jugement, et toute stratification sociale. Bien qu'elle ait été bien accueillie par les lecteurs et qu'elle a obtenue de fortes ventes, c'est seulement depuis deux décennies que ces genres ont commencé à attirer l'attention académique. Ce travail peut être considéré comme une tentative pour comprendre la fantaisie urbaine à travers la série d'une de ses écrivains les plus éminents, Laurell K. Hamilton. En conséquence, j’ai choisi trois romans de sa série Anita Blake: Guilty Pleasures (1993), Circus of the Damned (1995) et Blue Moon (1998). Les paramètres stylistiques et thématiques dans ses romans créent une philosophie postmoderne de subversion, qui valide et invalide les discussions sur la structure du signe, la violence, et la réaction du lecteur. Le premier chapitre étudie la construction du sens à travers la structure de la langue de la fantaisie urbaine. Il traite la signification que le résultat de l'interaction entre les différents signes linguistiques. Il suit également l'évolution de ce que Derrida appelle «inflated signs», qui sont au coeur de la régénération du sens à travers les romans. La saturation dans ces signes implique une «absence» qui s'affiche à travers la désintégration du système de la langue et les ruptures récurrentes de sa structure globale. Le deuxième chapitre se concentre sur les tendances de la violence dans les romans de la fantaisie urbaine qui rendent les jeux de pouvoir des personnages truculents et leurs réactions apparaissent inadmissibles. Il examine la violence par rapport à ses causes et sa ii logique. Grâce aux concepts de Derrida de l’‘arché-violence’, de ‘décision’ et de ‘sacrifice,’ je démontre que la violence est inévitable dans le monde créé de Hamilton et dans le monde qu'elle simule. Le troisième chapitre examine la réaction du lecteur sur les événements exotiques et la caractérisation paranormale des romans de Hamilton. Il révèle comment la fantaisie urbaine conteste la conception de Wolfgang Iser de réaction du lecteur et le concept d'‘apparence’ de Jean Baudrillard. J’insiste sur le fait que les lecteurs de la fantaisie urbaine ne sont plus des interprètes ou des réceptifs passifs d'images paranormaux. En effet, l'interaction entre l’auteur et le lecteur, que ces romans entrainent, défie ces conceptions réductrices de la réaction du lecteur.

'Your secret language': classics in the British colonies of West Africa

What were the cultural politics of classics in British colonies? Did classical education operate as a sign of oppression, or as a tool for forging an anti-colonial politics? Why did Europeans bring the classics to West Africa, and how did they manage the developing dynamic when West Africans laid independent claim to the classical heritage? This ground-breaking study examines the ways in which European colonisers and West African nationalists clashed, or collaborated, over the uses of Latin, Greek and the classics.

Incremental processing in head-final child language: online comprehension of relative clauses in Turkish-speaking children and adults

The present study investigates the parsing of pre-nominal relative clauses (RCs) in children for the first time with a realtime methodology that reveals moment-to-moment processing patterns as the sentence unfolds. A self-paced listening experiment with Turkish-speaking children (aged 5–8) and adults showed that both groups display a sign of processing cost both in subject and object RCs at different points through the flow of the utterance when integrating the cues that are uninformative (i.e., ambiguous in function) and that are structurally and probabilistically unexpected. Both groups show a processing facilitation as soon as the morphosyntactic dependencies are completed and parse the unbounded dependencies rapidly using the morphosyntactic cues rather than waiting for the clause-final filler. These findings show that five-year-old children show similar patterns to adults in processing the morphosyntactic cues incrementally and in forming expectations about the rest of the utterance on the basis of the probabilistic model of their language.

Mandible metastasis as the first sign from primary adenocarcinoma of the lung

Adenocarcinoma of the lung that metastasizes to the mandible is very uncommon; only a few cases have been described in the English-language literature. This article presents a metastasis from adenocarcinoma of the lung affecting the mandible of a 64-year-old woman, in which the first discovered metastatic lesion was detected before the primary tumor. The immunoreactivity for human thyroid transcription factor-1 (TTF-1) in the oral lesion was essential for determining the site and type of the primary tumor, as the patient showed no clinical or radiographic evidence of a tumor in the thyroid gland. After the primary tumor in the lung was diagnosed, radiotherapy and chemotherapy were initiated; unfortunately, the patient died two months after the start of treatment. This article emphasizes the importance of a well-conducted examination for diagnosing metastatic oral lesions.

A new aspect of sign and its implications for the Theory of Communication

Este artigo propõe que a semiótica peirceana pode oferecer bases tanto lógicas quanto epistemológicas para a busca de uma teoria geral da comunicação. No entanto, o desenvolvimento de uma teoria semiótica da comunicação depende, em primeiro lugar, de uma melhor compreensão dos aspectos formais do signo, tarefa atribuída por Peirce à gramática, o primeiro ramo de sua semiótica. Nós apresentamos uma análise das relações do signo, revelando um aspecto não trabalhado por Peirce, ampliando seu número para onze. Este novo aspecto é a relação triádica entre signo, objeto dinâmico e interpretante dinâmico (S-OD-ID). Nós defendemos que esta relação é essencial para a compreensão da comunicação como semiose, por dar conta da repetição ou redundância do signo comunicativo, quando se cria ou transmite informação. O artigo pretende dar um passo a mais na direção de uma teoria da comunicação verdadeiramente universal, através do vínculo entre a semiótica peirceana e a moderna filosofia da linguagem.

The skylark : being an elegant collection of the best and newest songs in the English language.

Mode of access: Internet.

A new spanish grammar or The elements of the spanish language ... /

Mode of access: Internet.

Jewish antiquities or a course of lectures on the three first books of Godwin's Moses and Aaron : to which is annexed, a dissertation on the hebrew language /

Mode of access: Internet.

A new Italian grammar : wich contains a true and easy method for acquiring this language : With many useful remarks, wich are not to be found in any other grammar of this kind /

Mode of access: Internet.

The companion: being a selection of the beauties of the most celebrated authors, in the English language. in prose and verse.

Mode of access: Internet.

The orthographical spelling-book: an exposition of various signs of each sound, and their substitutes; and the different ways words are spelled when the principal sign has substitutes. Being a key to the author's orthographical chart.

Mode of access: Internet.

The Creative Unconscious and the Pictorial Sign

Within The Creative Unconscious and Pictorial Sign I explore the dialogue that exists between social language and personal expression to understand how creativity is mediated. I consider how the involuntary inventiveness of artistic creativity and the structuring function of language come to negotiate what artists can experience and represent. My Doctoral practice attempts to question the influence of orthodox postmodernist views and allow sensual and direct experiences to be located within improvisation and spontaneous approaches to image making. I ask if it is possible for a humanistic and psychological interpretation of creativity to move beyond the copy and quotation that some postmodern theories of simulation and the hyperreal advance; but to retain the communicative function of visual expression and the model of a social form of signification instead of naïvely promoting unintelligible and personal languages.

Experiences with an Object-Oriented, Multi-Stage Language

Metaphor is a multi-stage programming language extension to an imperative, object-oriented language in the style of C# or Java. This paper discusses some issues we faced when applying multi-stage language design concepts to an imperative base language and run-time environment. The issues range from dealing with pervasive references and open code to garbage collection and implementing cross-stage persistence.