964 resultados para Lope Díaz de Haro
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Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.
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[Isaak aus Tyrnau]
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fun L. H. Lowenšṭein
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[Isaak aus Tyrnau]
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durkhoys alles feränderṭ, ferbesserṭ und zehr fermehrṭ ʿal yede Shelomoh ben Efrayim Blokh ...
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Signatur des Originals: S 36/F08921
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Signatur des Originals: S 36/F09716
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Fil: Guevara de Álvarez, María Estela.
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Fil: Pró, Diego F.. Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto de Filosofía Argentina y Americana
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Fil: Pró, Diego F..