Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega
| Data(s) |
2014
|
|---|---|
| Resumo |
Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias. |
| Formato |
application/pdf |
| Identificador |
http://boris.unibe.ch/67267/1/ehum28.nataliafdez.pdf Fernández Rodríguez, Natalia (2014). Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega. eHumanista, 28, pp. 628-642. University of California doi:10.7892/boris.67267 urn:issn:1540-5877 |
| Idioma(s) |
spa |
| Publicador |
University of California |
| Relação |
http://boris.unibe.ch/67267/ http://www.ehumanista.ucsb.edu/volumes/volume_28/articles/part%203/ehum28.nataliafdez.pdf |
| Direitos |
info:eu-repo/semantics/openAccess |
| Fonte |
Fernández Rodríguez, Natalia (2014). Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega. eHumanista, 28, pp. 628-642. University of California |
| Palavras-Chave | #860 Spanish & Portuguese literatures #460 Spanish & Portuguese languages |
| Tipo |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion PeerReviewed |
