Early economic thought; selections from economic literature prior to Adam Smith.

Mode of access: Internet.

Literature in Ireland; studies Irish and Anglo-Irish,

"Printed...1916...reprinted...1919."

Early English poetry, ballads, and popular literature of the middle ages.

Mode of access: Internet.

The early history of veterinary literature and its British development /

Vol. 1 reprinted from The Journal of comparative pathology and therapeutics, 1912-18; v. 2 from The Veterinary journal, 1923-24; v. 3 from The Veterinary journal, 1929-30.

Fox's book of martyrs; or, The acts and monuments of the Christian church : being a complete history of the lives, sufferings, and deaths of the Christian martyrs; from the commencement of Christianity to the present period. To which is added an account of the Inquisition, the Bartholomew massacre in France, the general persecution under Louis XIV, the massacres in the Irish rebellions in the years 1641, and 1798, rise, progress, and persecutions of the people commonly called Quakers, together with an account of the Western martyrology, or bloody assizes; with the lives of some of the early eminent reformers ... /

This edition first published 1829 by William Borradaile, New York (Cf. title page verso)

Ancient Egypt : a series of chapters on early Egyptian history, archaeology, and other subjects connected with hieroglyphical literature /

In Scientific pamphlets. [v.p., 1798-1866] v. 5.

The discovery of America by the Northmen, in the tenth century : with notices of the early settlements of the Irish in the Western Hemisphere /

"This is little more than an English translation of ... parts of the 'Antiquitates Americanae.'"--Watson.

The Sacred books and early literature of the East, with historical surveys of the chief writings of each nation...

Each volume has also special t.p.

The history of Arabia, ancient and modern : containing a description of the country--an account of its inhabitants, antiquities, political condition, and early commerce--the life and religion of Mohammed--the conquests, arts, and literature of the Saracens--the caliphs of Damascus, Bagdad, Africa, and Spain--the civil government and religious ceremonies of the modern Arabs--origin and suppression of the Wahabes--the institutions, character, manners, and customs of the bedouins; and a comprehensive view of its natural history /

Mode of access: Internet.

Treasured thoughts, gleaned from the fields of literature. Designed for the use of schools, homes, reading cirlces, young people's societies, and for private study of choice literature, with a list of the best books for children and young people. By Frank V. Irish.

Mode of access: Internet.

English literature of the 19th and 20th centuries; being a selection of first and early editions of the works of esteemed authors and book illustrators /

Pt. 1. A-K. pt. 2. First editions L.-Z., with a supplement "Sports and pastimes."

English literature of the 19th & 20th centuries, being a selection of first and early editions of the works of esteemed authors and book illustrators together with some important original manuscripts /

3500 items, priced.

Statute rolls of the Parliament of Ireland : first to the twelfth years of the reign of King Edward the Fourth, being vol. III. of the Irish Record Office series of early statutes /

Mode of access: Internet.

Preformations of the Amazonian: Strong Women in German Literature of the Early Enlightenment

Thesis (Ph.D.)--University of Washington, 2016-06

The (Wo)Man in the Masque: Cross-Dressing as Disguise in Early Modern English Literature

Characters’ identities are integral to how audiences relate to them. But what happens when the character suddenly alters his or her outward appearance? Are they still the same person? This thesis seeks to argue that disguise does not alter a character’s true nature, as evidenced by Pyrocles in Sir Philip Sidney’s The Countess of Pembroke’s Arcadia and the Prince in Margaret Cavendish’s The Convent of Pleasure. Both Pyrocles’ suit of Philoclea and the Prince’s suit of Lady Happy are successful because, however subversive they appear at first, they ultimately adhere to societal norms of the time. The relationship between the cross-dressed prince and his love interest in both works only appears to subvert heteronormative expectations for the time, but ultimately adheres to these societal norms once the disguised character’s true identity is revealed to his chosen partner.