874 resultados para Convergence of media


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Implantada no Brasil na década de 50, a TV a mídia de maior abrangência e poder ideológico entre seus públicos encara sua segunda grande transformação: ela deixa de ser analógica e passa a ser digital. Com isso, traz à tona novas possibilidades de recepção e a possível convergência de meios. Nesse contexto, o objetivo deste estudo foi analisar o processo de instalação do Sistema Brasileiro de Televisão Digital Terrestre (SBTVD-t) a partir do clipping on-line do Fórum Nacional pela Democratização da Comunicação (FNDC). A análise desse material teve como foco averiguar se o FNDC foi tendencioso ou não na veiculação de matérias voltadas aos aspectos técnicos da nova tecnologia, em detrimento de seu potencial social. Para tanto, optou-se por uma pesquisa de base quantitativa em que as informações e os dados coletados levaram à constatação de que o FNDC se mostra pouco eficaz como aparato crítico-apreciativo da grande mídia, além de não cumprir alguns de seus objetivos ao reproduzir discursos e ideologias de outros veículos. Da mesma forma, verificou-se ainda que o Governo Federal também fugiu aos objetivos listados nos decretos presidenciais que instituem e dispõem sobre a implantação do SBTVD.(AU)

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Implantada no Brasil na década de 50, a TV a mídia de maior abrangência e poder ideológico entre seus públicos encara sua segunda grande transformação: ela deixa de ser analógica e passa a ser digital. Com isso, traz à tona novas possibilidades de recepção e a possível convergência de meios. Nesse contexto, o objetivo deste estudo foi analisar o processo de instalação do Sistema Brasileiro de Televisão Digital Terrestre (SBTVD-t) a partir do clipping on-line do Fórum Nacional pela Democratização da Comunicação (FNDC). A análise desse material teve como foco averiguar se o FNDC foi tendencioso ou não na veiculação de matérias voltadas aos aspectos técnicos da nova tecnologia, em detrimento de seu potencial social. Para tanto, optou-se por uma pesquisa de base quantitativa em que as informações e os dados coletados levaram à constatação de que o FNDC se mostra pouco eficaz como aparato crítico-apreciativo da grande mídia, além de não cumprir alguns de seus objetivos ao reproduzir discursos e ideologias de outros veículos. Da mesma forma, verificou-se ainda que o Governo Federal também fugiu aos objetivos listados nos decretos presidenciais que instituem e dispõem sobre a implantação do SBTVD.(AU)

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O mercado publicitário vive uma grande transformação e em pouco tempo vem tendo de aprender a lidar com uma audiência que age e interage com as marcas, e, mais do que formas de comunicação, busca formas de relacionamento. Torna-se de extrema importância refletir sobre as formas mais adequadas de publicidade que sejam relevantes a esse novo cenário. Este trabalho tem como objetivo compreender como a publicidade está se apropriando da cultura participativa no contexto sociotécnico da sociedade em rede. Para isso foi utilizado como método à pesquisa bibliográfica e estudo de caso da campanha realizada pela cerveja Stella Artois, denominada The King of Cannes. Percebeu-se que a referida campanha reforça a publicidade participativa, ao contrário da publicidade tradicional baseada na interrupção. Esse caso exemplifica as eventuais mudanças nas praticas da propaganda que deve caminhar ao lado da expansão tecnológica, da convergência das mídias e do relacionamento com público consumidor, levando em consideração as praticas de acesso mediadas por tecnologias da comunicação que viabilizam as relações de consumo e de trocas com as organizações no ambiente do ciberespaço.

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Implantada no Brasil na década de 50, a TV a mídia de maior abrangência e poder ideológico entre seus públicos encara sua segunda grande transformação: ela deixa de ser analógica e passa a ser digital. Com isso, traz à tona novas possibilidades de recepção e a possível convergência de meios. Nesse contexto, o objetivo deste estudo foi analisar o processo de instalação do Sistema Brasileiro de Televisão Digital Terrestre (SBTVD-t) a partir do clipping on-line do Fórum Nacional pela Democratização da Comunicação (FNDC). A análise desse material teve como foco averiguar se o FNDC foi tendencioso ou não na veiculação de matérias voltadas aos aspectos técnicos da nova tecnologia, em detrimento de seu potencial social. Para tanto, optou-se por uma pesquisa de base quantitativa em que as informações e os dados coletados levaram à constatação de que o FNDC se mostra pouco eficaz como aparato crítico-apreciativo da grande mídia, além de não cumprir alguns de seus objetivos ao reproduzir discursos e ideologias de outros veículos. Da mesma forma, verificou-se ainda que o Governo Federal também fugiu aos objetivos listados nos decretos presidenciais que instituem e dispõem sobre a implantação do SBTVD.(AU)

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This paper analyzes the convergence of the constant modulus algorithm (CMA) in a decision feedback equalizer using only a feedback filter. Several works had already observed that the CMA presented a better performance than decision directed algorithm in the adaptation of the decision feedback equalizer, but theoretical analysis always showed to be difficult specially due to the analytical difficulties presented by the constant modulus criterion. In this paper, we surmount such obstacle by using a recent result concerning the CM analysis, first obtained in a linear finite impulse response context with the objective of comparing its solutions to the ones obtained through the Wiener criterion. The theoretical analysis presented here confirms the robustness of the CMA when applied to the adaptation of the decision feedback equalizer and also defines a class of channels for which the algorithm will suffer from ill-convergence when initialized at the origin.

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This study examined the effects of political identity and the changing intergroup context on communication perceptions during an election campaign. Perceptions of media bias and of campaign impact on self and others were assessed before and after the election. The responses of politically aligned voters reflected their membership in a dominant or subordinate group preelection and in a losing or winning group postelection. Dominant group members were initially less biased in their views of the campaign and its impact but sought to blame their party's loss on media bias and on the gullibility of political out-group members and voters in general. Subordinate group members initially showed strong in-group-serving biases but were less critical of the media and the electorate after their party had won. Results highlight the dynamic, intergroup, nature of media perceptions.

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In the early 21st Century, with the phenomenon of digital convergence, the consecration of Web 2.0, the decrease of the cost of cameras and video recorders, the proliferation of mobile phones, laptops and wireless technologies, we witness the arising of a new wave of media, of an informal, personal and at times “minority” nature, facilitating social networks, a culture of fans, of sharing and remix. As digital networks become fully and deeply intricate in our experience, the idea of “participation” arises as one of the most complex and controversial themes of the contemporary critical discourse, namely in what concerns contemporary art and new media art. However, the idea of “participation” as a practice or postulate traverses the 20th century art playing an essential role in its auto-critic, in questioning the concept of author, and in the dilution of the frontiers between art, “life” and society, emphasizing the process, the everyday and a community sense. As such, questioning the new media art in light of a “participatory art” (Frieling, 2008) invokes a double gaze simultaneously attentive to the emerging figures of a “participatory aesthetics” in digital arts and of the genealogy in which it is included. In fact, relating the new media art with the complex and paradoxical phenomenon of “participation” allows us to, on the one hand, avoid “digital formalism” (Lovink, 2008) and analyse the relations between digital art and contemporary social movements; on the other hand, this angle of analysis contributes to reinforce the dialogue and the links between digital art and contemporary art, questioning the alleged frontiers that separate them.

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The Amazon rainforest stretches across more than six million square kilometers and nine countries. Of the original forest area it is thought that 18 per cent has been cleared, mainly for farming purposes. In Brazil, the main drivers of deforestation are beef ranching and soya production that together occupy more than 75 per cent of newly deforested land. The situation in the Amazon illustrates a fundamental dilemma facing environmentalists around the world: how to reconcile economic development with biodiversity conservation. In this paper the representation of this dilemma in the British and Brazilian news media is assessed. The results indicate that there were far more articles referring to deforestation in the Brazilian press (816 Brazilian to 29 UK) but that many of these make no mention of what factors are responsible for deforestation. The patterns of representation of the proximate (direct) causes of Amazonian deforestation were very similar in the two countries, with soya and beef cattle ranching commanding the most press attention. The ultimate (indirect) causes of deforestation, however, are treated very differently, with the Brazilian media seemingly far more aware of the role of economic development needs than the UK press. Interestingly, the role of international demand for soya, beef, and forest products in driving deforestation was highlighted primarily in the UK press. These findings are critically discussed in the context of media influence on public understandings of Amazonian deforestation.

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The aim of the present paper was to evaluate cyst formation and growth parameters of Borrelia garinii in a range of media differing in formulation and cost. A qualitative assessment of morphology and motility of B. garinii was conducted. All media were prepared aseptically and used in test tubes or Petri dishes. For each medium, the initial spirochete concentration was standardized to 10³ spirochets/mL. The following culture media were suitable to grow B. garinii: Barbour-Stoenner-Kelly, brain heart infusion and PMR. Growth was minimal at six weeks post-inoculation and maximum spirochete density was observed between 9-12 weeks. Often, the cultures developed cysts of different sizes, isolated or in groups, with a spiraled portion of variable sizes, mainly in unfavorable culture media. Brazilian Lyme disease-like illness, also known as Baggio-Yoshinari syndrome (BYS), is a new and interesting emerging tick-borne disease, caused by Borrelia burgdorferi sensu lato spirochetes, only during its cystic forms. It has been assumed that the peculiar clinical and laboratory features of BYS are consequential to the absence of a human sucker Ixodes ricinus complex tick at risk areas in Brazil, supporting the concept that the borrelia phenotypic expression pattern is modified as it is transmitted through the host.

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The level of ab initio theory which is necessary to compute reliable values for the static and dynamic (hyper)polarizabilities of three medium size π-conjugated organic nonlinear optical (NLO) molecules is investigated. With the employment of field-induced coordinates in combination with a finite field procedure, the calculations were made possible. It is stated that to obtain reasonable values for the various individual contributions to the (hyper)polarizability, it is necessary to include electron correlation. Based on the results, the convergence of the usual perturbation treatment for vibrational anharmonicity was examined

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A new debate over the speed of convergence in per capita income across economies is going on. Cross sectional estimates support the idea of slow convergence of about two percent per year. Panel data estimates support the idea of fast convergence of five, ten or even twenty percent per year. This paper shows that, if you ``do it right'', even the panel data estimation method yields the result of slow convergence of about two percent per year.

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The primary purpose of this research is to develop an enhanced understanding of how consumption values influence environmentally responsible consumption of print and digital media. Theoretical elaboration considers the associations of functional, social and emotional consumption values, green consumer segmentation and media consumption. Additionally, the purpose is to identify consumer perceptions of print and digital media’s environmental responsibility. Empirical analysis was based on qualitative interviews with a sample of 20 Finnish consumers categorized in two segments: young adults and middle aged consumers. Primary data collection was conducted through individual, semi-structured interviews. To analyze the respondents’ approach on the topic, the interviews disclosed themes of media consumption, perceived environmental friendliness of media, norms of behavior and consumers’ general consumption patterns. The results implicate functional value dominated the consumption decision-making process both in a general level and in media consumption. In addition to functional value, environmental responsibility does provide consumers with both emotional and social values. Analysis on perceived environmental responsibility of media demonstrated consumers generally perceive digital media as an environmentally responsible alternative because it does not create physical paper waste. Nevertheless, the perceptions of environmental responsibility and media consumption patterns lacked a consistent connection. Though, both theory and empirical results indicated an average consumer lacks a comprehensive understanding of digital and print media’s life-cycle and hence their environmental advantages and disadvantages.

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In 2006 UPM was able to gain a level of social legitimacy that allowed it to carry out one of the largest industrial restructuring programmes in Finnish industrial history, shut down major operations in Finland and still appear to be functioning in the interests of the nation as well as itself. This study considers and examines various contexts of this shutdown with the aim of demonstrating how profoundly mediated such organizational events are though they appear to be produced primarily through strategic company decisions. The study aims to examine the processes of mediation at two levels. At one level, through close analysis of press releases and newspaper reports in local and national newspapers, the study presents a discursive analysis of the Voikkaa case. The discursive analysis focuses on providing historical contexts for understanding why this organizational event was also an occasion for reimagining the past and future of the Finnish nation; spatial contexts for understanding the differing struggles over the meaning of the event nationally and regionally; and the temporal dynamics of the media reports. At another level, the study considers and refines methods for reading and analyzing mediation in organization studies. Bringing together recent research of media text–based legitimation studies, emerging research on organizational memory and organizational death and a Foucaultian analytics of power, this work suggests that organizational research needs to be less concerned with particular typologies and narratives of shutdowns, and more curious about the processes of mediation through which organizational events are imagined and remembered.

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Cette recherche explore le journalisme indépendant dans le contexte contemporain de convergences socio-techno-médiatiques. Je questionne ici l’existence d’un lien entre les pratiques de pige et de convergence en journalisme et son apport dans le développement de l’univers journalistique. Il s’agit d’une étude exploratoire et empirique, consacrée aux expériences des journalistes indépendants et développée autour des concepts de tactique, résistance, liberté et gouvernance. J’ai constitué ainsi un cadre théorique à partir de l’articulation théorique de Michel Foucault relative au pouvoir. Je défends l’idée selon laquelle la pige et la convergence en journalisme sont chacun des mouvements libres qui coexistent et qui, ensemble, constituent une force motrice pour le dispositif de pouvoir que le journalisme représente dans un système démocratique avancé. La liberté de mouvement des journalistes indépendants leur permet de mener plus loin le journalisme dans le contexte actuel de convergences et d’augmenter l’horizon d’applicabilité de ce domaine de la communication de masse.