946 resultados para 840 Littérature des langues romanes. Littérature française
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Mode of access: Internet.
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Title in Arabic at head of t.-p.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Thesis (doctoral)--Universite de Berne.
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Le début des années 2000 a constitué un tournant dans l’évolution de la situation sociolinguistique de l’Algérie, marqué notamment par une ouverture sur le plurilinguisme qui se manifeste aujourd’hui sur le terrain comme un fait établi. Cette dynamique appelle un regard renouvelé sur les représentations qu’ont les locuteurs algériens des différentes langues en contact. C’est l’objectif de cet article qui présente les résultats d’une enquête sur les représentations sociales des quatre langues en présence (arabe standard, arabe dialectal, berbère et français) chez une population d’étudiants universitaires. Cette recherche, qui se base sur la méthode d’analyse combinée (Maurer, 2013) a permis de mettre au jour la structure de la représentation sociale de chaque langue et de voir la prégnance des images qui circulent chez les locuteurs.
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Cet article expose la méthodologie de recherche suivie par les différents auteurs des articles. Il s’agit de la méthode d’analyse combinée des représentations sociales. Un exposé définit les différents types de représentation sociale ; il est suivi d’un regard critique sur les méthodes habituellement utilisées puis d’une présentation de l’ensemble des étapes à suivre pour réaliser des enquêtes.
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Coordination and juxtaposed sentences The object of this study is the examination of the relations between juxtaposed clauses in contemporary French. The matter in question is sentences which are composed of several clauses adjoined without a conjunction or other connector, as in: Je détournai les yeux, mon c ur se mit à battre. The aim of the study is to determine, which quality is the relation in these sentences and, on the other hand, what is the part of the coordination there. Furthermore, what is this relation of coordination, which, according to some grammars, manifests through a conjunction of coordination, but which, according to some others is marked in juxtaposed sentences through different features. The study is based on a corpus of written French from literary and journalistic text sources. Syntactic, semantic and textual properties in the clauses are discussed. The analysis points to differences so, it has been noted, in each case, if one of the clauses is affirmative and the other negative and if in the second clause, the subject has not been repeated. Also, an analysis has been made on the ground of the tense, mode, phrase structure type, and thematic structure, taking into account, in each case, if the clauses are identical or different. Punctuation has been one of the properties considered. The final aim has been to eliminate gradually, based on the partition of properties, subordinate sentences, so that only the hard core of coordinate sentences remains. In this way, the coordination could be defined similarly as the phoneme is defined as a group of distinctive features. The quantitative analyses have led to the conclusion that the sentences which, from a semantic point of view, are interpreted as coordinating, contain the least of these differences, while the sentences which can be considered as subordinating present the most of these differences. The conditions of coordination are, in that sense, hierarchical, so that the syntactic constraints have to make room for semantic, textual and cognitive factors. It is interesting to notice that everyone has the ability to produce correct coordinating structures and recognize incorrect coordinating structures. This can be explained by the human ability to categorize which has been widely researched in the semantic of prototype. The study suggests that coordination and subordination could be considered as prototypical cognitive categories based on different linguistic and pragmatic features.
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Contient : Dialogue du corps et de l'âme. — Début : « L'autrier ausiy una tenson... » ; Chant de la Sibylle. Début : « Al yorn del yusisi... » (Cf. Romania, IX, 356) ; Vie de S. Georges. Début : « El non de Dyeu omnipotent... » (Cf. Revue des langues romanes, 3e série, t. XV, p. 246 et 4e série, t. I, p. 139)
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The 'lady as idol' is a cliche of troubadour poetry, and of courtly love in general. Moving beyond the psychoanalytical theories of desire that have informed troubadour studies in the past few decades, this article examines a selection of poems by the troubadour Jausbert de Poicibot, as well as their well-known illustrations in one 14th-c. manuscript, in order to explore how the complex medieval understanding of idolatry interacted with that of "fin'amor".
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Last part edited after Boucherie's death by Camille Chabaneua. cf. p. [vii]