Cultural Trauma and Life Stories

The purpose of this work is to use the concepts of human time and cultural trauma in a biographical study of the turning points in the recent history of Estonia. This research is primarily based on 148 in-depth biographical interviews conducted in Estonia and Sweden in 1995-2005, supplemented by excerpts from 5 collections and 10 individually published autobiographies. The main body of the thesis consists of six published and of two forthcoming separate refereed articles, summarised in the theoretical introduction, and Appendix of the full texts of three particular life stories. The topic of the first article is the generational composition and the collective action frames of anti-Soviet social mobilisation in Estonia in 1940-1990. The second article details the differentiation of the rites of passage and the calendar traditions as a strategy to adapt to the rapidly changed political realities, comparatively in Soviet Estonia and among the boat-refugees in Sweden. The third article investigates the life stories of the double-minded strategic generation of the Estonian-inclined Communists, who attempted to work within the Soviet system while professing to uphold the ideals of pre-war Estonia. The fourth article is concentrated on the problems of double mental standards as a coping strategy in a contradictory social reality. The fifth article implements the theory of cultural trauma for the social practice of singing nationalism in Estonia. The sixth article bridges the ideas of Russian theoreticians concerning cultural dialogue and the Western paradigm of cultural trauma, with examples from Estonian Russian life stories. The seventh article takes a biographical look at the logic of the unraveling of cultural trauma through four Soviet decades. The eighth article explores the re-shaping of citizen activities as a strategy of coping with the loss of the independent nation state, comparatively in Soviet Estonia and among Swedish Estonians. Cultural trauma is interpreted as the re-ordering of the society s value-normative constellation due to sharp, violent, usually political events. The first one under consideration was caused by the occupations of the Republic of Estonia by the Soviet army in 1940-45. After half a century of suppression the memories of these events resurfaced as different stories describing the long-term, often inter-generational strategies of coping with the value collapse. The second cultural trauma is revealed together with the collapse of the Soviet power and ideology in Estonia in 1991. According to empirical data, the following three trauma discourses have been reconstructed: - the forced adaptation to Soviet order of the homeland Estonians; - the difficulty of preserving Estonian identity in exile (Sweden); - the identity crisis of the Russian population of Estonia. Comparative analyses of these discourses have shown that opposing experiences and worldviews cause conflicting interpretations of the past. Different social and ethnic groups consider coping with cultural trauma as a matter of self-defence and create appropriate usable pasts to identify with. Keywords: human time, cultural trauma, frame analysis, discourse, life stories

Mig eller mej, själ eller sjel? Problem och lösningar vid transkription av svenska sångtexter

Abstract (Mig or mej, själ or sjel? Problems and solutions in the transcription of Swedish song texts): In this article I am pointing out and discussing problems and solutions concerning phonetic transcription of Swedish song texts. My material consists of 66 Swedish songs phonetically transcribed. The transcriptions were published by The Academy of Finnish Art Song in 2009. The first issue was which level of accuracy should be chosen. The transcriptions were created to be clear at a glance and suitable for the needs of interpretation of non Swedish speaking singers. The principle was to use as few signs and symbols as possible without sacrificing accuracy. Certain songs were provided with additional information whenever there was a chance of misinterpretation. The second issue was which geographic variety of the language should be visible in the transcription, Standard Swedish or Finland-Swedish? The songs in the volume are a selection of well-known works that are also of international interest. Most were composed by Jean Sibelius (1865–1957), a substantial number of whose songs were based on poems written by Finland’s national poet, Johan Ludvig Runeberg (1804–1877). Thus I chose to use the variety of Swedish language spoken in Finland, in order to reflect the cultural origin of the songs. This variety differs slightly from the variety spoken in Sweden both on prosodic and phonetic level. In singing, the note-text gives the interpretor enough information about prosody. The differences concern mostly the phonemes. A fully consequent transcript was, however, difficult to make, due to vocal requirement. So, for example, in an unstressed final syllable the vowel was often indicated as a central vowel, which in singing is given a more direct emphasis than in a literal pronunciation, even if this central vowel does not occur in spoken Finland-Swedish.

Words as Events : Cretan Mantinádes in Performance and Composition

Words as Events introduces the tradition of short, communicative rhyming couplets, the mantinádes, which are still sung and recited in a variety of performance situations on the island of Crete. The local focus on communicative economy and artistry is further examined in an in-depth analysis of the processes and ideals of composition. Short genres of oral poetry have been widely neglected in folklore research; however, their demand for structural and semantic coherence as well as their dialogic nature appeals to very different human needs from those of the longer poems. In contemporary Crete, poems also appear in written contexts, they are submitted to modern mass media, and people widely exchange them as text messages. By striving to understand the tradition during a period of change, this study analyzes the larger principles that ground the communication, self-expression and creativity in the genre. The aim of this research is thus twofold: to present this specific register of dialogic oral poetry as well as to create a theoretical approach sensitive to the creativity of such short registers. The study is based on long-term ethnographic fieldwork conducted in Crete between the years 1997 2009. An important aspect of the methodology was to create long-term ties with a number of key-informants who composed mantinádes. The interdisciplinary theoretical and methodological basis for this analysis is in the contemporary Finnish and international research on oral poetry and on anthropological research on communicative speech genres. These theoretical insights are extended by addressing questions of spontaneity and individual agency. Since mantinádes are at the same time a model for composition and a reserve of poems in fixed form, the aesthetics and objectives of performance and composition are also plural. In a traditional singing event, the basic motivation for the singers is to provide a meaningful contribution to a selected theme, which is the shared topic of the poetic dialogue. Consequently, similar topics giving rise to poetic associations can be encountered during various moments of everyday life: the dialogic nature is embodied in the tradition to such degree that it also arises in the performances and composition of single poems and outside of any institutionalized performance arenas. Therefore, as this study discusses in detail, even the apparently non-contextualized poems recited between locals or occurring in the contemporary mass media arenas, are understood and evaluated as utterances that provide an individual perspective within a certain dialogue.

Ühis- ning erijooni Soome ja Eesti Kaitseliitude puhkpillimuusikas aastatel 1925-1934.

This study focuses on the similarities and differences between the Estonian Defence League and the Finnish Civil Guard brass bands during the period 1925-1934. By 1934 this paramilitary volunteer state defence organisation had reached stability in its development, such that social, cultural and patriotic education of the people - with the help of brass band music among other means- had acquired a significant role, in addition to prioritised military and sports activities. The study begins with introductory paragraphs I and II, which describes the founding of the organisations, their participation in the Wars of Independence and their subsequent peace time activities as well as their representation in the media at the time. The thesis also briefly introduces military music in Finland and Estonia, as well as describes the influence of military music on the Defence League brass bands. The period under review includes the global economic crisis, which undoubtedly concerned the Defence League/Civil Guard and the Lapua and War of Independence movements, which greatly affected the apolitical principles of the organisations. The main emphasis of the thesis is the Defence League/Civil Guard brass band`s musical activities in two counties - Etelä-Pohjanmaa and Pärnumaa, while also including a general overview of the Estonian Defence League brass bands´ activities. One of the most important benefits of the thesis is its introduction of the brass band repertoire in use at the time, which was played by both professional and as well as amateur orchestras the latter of which also included the brass bands of the Defence League/Civil Guard and the Fire Services. Brass band music held a secondary, yet significant position in the Defence League/Civil Guard, where the orchestra as a musical grouping was obliged to perform not only at inner-organisational and national celebrations but also at any event requiring brass band music, such as song festivals, singing days, and other local cultural events. The professional preparation of the band conductors at the beginning of the period under review was not well specialised, but the training of the Defence League/Civil Defence brass band conductors was carried out regularly in both republic according to the opportunities and dedicated training programmes available. The musicians of the Defence League/Civil Defence brass bands were at the same time members of the military organisations as well as amateur musicians, which placed upon them extra demands - they were under close public supervision in all situations. Based on the principle of chronology it appeared that both Finnish and Estonian respective organisations´ brass bands used the gradually improving economic situation for purchasing musical instruments, obtaining repertoire and training musicians/conductors. Despite the fact that brass band music in the Defence League/Civil Guard was considered an amateur activity and a hobby, the more far-reaching objective of the organisation was to resemble the Defence Forces´ orchestras as closely as possible in all aspects. The Defence League/Civil Guard brass band music definitely had a significant influence on forming, developing and enriching music life in both republics. The reviewed nine-year period introduced the musical activities of the Defence League/Civil Guard against the background of the everyday life of the organisation and the need for brass band music and its continuity in the voluntary state defence institutions of both republics.

Changing resonator geometry to boost sound power decouples size and song frequency in a small insect

Despite their small size, some insects, such as crickets, can produce high amplitude mating songs by rubbing their wings together. By exploiting structural resonance for sound radiation, crickets broadcast species-specific songs at a sharply tuned frequency. Such songs enhance the range of signal transmission, contain information about the signaler's quality, and allow mate choice. The production of pure tones requires elaborate structural mechanisms that control and sustain resonance at the species-specific frequency. Tree crickets differ sharply from this scheme. Although they use a resonant system to produce sound, tree crickets can produce high amplitude songs at different frequencies, varying by as much as an octave. Based on an investigation of the driving mechanism and the resonant system, using laser Doppler vibrometry and finite element modeling, we show that it is the distinctive geometry of the crickets' forewings (the resonant system) that is responsible for their capacity to vary frequency. The long, enlarged wings enable the production of high amplitude songs; however, as a mechanical consequence of the high aspect ratio, the resonant structures have multiple resonant modes that are similar in frequency. The drive produced by the singing apparatus cannot, therefore, be locked to a single frequency, and different resonant modes can easily be engaged, allowing individual males to vary the carrier frequency of their songs. Such flexibility in sound production, decoupling body size and song frequency, has important implications for conventional views of mate choice, and offers inspiration for the design of miniature, multifrequency, resonant acoustic radiators.

Epoch extraction based on integrated linear prediction residual using plosion index

Epoch is defined as the instant of significant excitation within a pitch period of voiced speech. Epoch extraction continues to attract the interest of researchers because of its significance in speech analysis. Existing high performance epoch extraction algorithms require either dynamic programming techniques or a priori information of the average pitch period. An algorithm without such requirements is proposed based on integrated linear prediction residual (ILPR) which resembles the voice source signal. Half wave rectified and negated ILPR (or Hilbert transform of ILPR) is used as the pre-processed signal. A new non-linear temporal measure named the plosion index (PI) has been proposed for detecting `transients' in speech signal. An extension of PI, called the dynamic plosion index (DPI) is applied on pre-processed signal to estimate the epochs. The proposed DPI algorithm is validated using six large databases which provide simultaneous EGG recordings. Creaky and singing voice samples are also analyzed. The algorithm has been tested for its robustness in the presence of additive white and babble noise and on simulated telephone quality speech. The performance of the DPI algorithm is found to be comparable or better than five state-of-the-art techniques for the experiments considered.

Giuseppe Ungaretti : un itinerario lírico

Resumen: El ensayo recorre momentos significativos de la poesía del poeta italiano, desde el carácter despojado y el silabeo de los versos de L’Allegria , al estilo barroco cristiano de Sentimento del Tempo, en el que se restituye la tradición del canto, silenciado en la época anterior, hasta llegar a Il dolore y La terra promessa, de la que se analiza desde un enfoque comparado el “Recitativo di Palinuro”. La obra lírica de Ungaretti refleja al “hombre de pena” que después de las tragedias bélicas, como un náufrago vive con la esperanza de que la vida renazca y la fe se renueve.

Cantando a insatisfação: os recursos linguístico-expressivos na obra de Gonzaguinha

A fim de motivar alunos dos Ensinos Fundamental e Médio a atentarem para o cunho expressivo dos fatos da língua e buscarem conhecer os grandes nomes da música nacional, este trabalho objetivou um estudo estilístico dos recursos linguístico-expressivos de textos musicais de Luiz Gonzaga do Nascimento Jr. o Gonzaguinha. Destacou-se, primeiramente, o viés social da música. Em seguida, pretendeu-se uma aproximação entre textos musicais e o conceito de poesia para, então, tratar mais cuidadosamente do papel didático da canção. Considerando a concepção de contracultura, defendida por Marilena Chauí (1990) como o contexto histórico do momento das produções musicais, partiu-se para explanações acerca da Estilística: sua história, seus âmbitos, seu alcance e possibilidades. Por fim, adentrou-se nas relações lingüísticas a partir de canções de tom ora de protesto inconformado, ora nacionalista-apaixonado do artista mencionado. Desenvolveu-se, portanto, uma abordagem estilística individual do autor a partir de apontamentos teóricos sobre aspectos sonoros, léxico-semânticos, morfossintáticos e enunciativos do processo discursivo expressivo. Com esse intento, elegeram-se composições que ilustraram as marcas lingüísticas e seu entrelaçamento com o plano do conteúdo

Territorialidade e ecologia reprodutiva de Formicivora littoralis (Thamnophilidae) na Restinga da Massambaba, RJ

A distribuição espacial dos indivíduos é decorrente da presença e ausência de microhábitats adequados, sendo aqueles que se estabelecem nas melhores manchas favorecidos pela seleção natural. A aquisição de um território permite a manutenção do indivíduo e o sucesso reprodutivo. A reprodução é considerada de alto custo energético, pois há deslocamento dos recursos para a manutenção de uma prole em vez de serem incorporados no crescimento individual. Investir em uma prole não significa alcançar o sucesso reprodutivo. O sucesso reprodutivo pode ser afetado, por exemplo, por eventos de predação, disponibilidade de alimento e cuidado parental. Este último pode ser realizado por ambos os membros do par reprodutor ou por apenas um deles. A deserção do cuidado parental por um dos sexos pode ser uma resposta à cópulas extra-par. Formicivora littoralis tem distribuição muito restrita. É a única espécie de ave considerada endêmica de restinga e se encontra ameaçada de extinção, embora seja localmente abundante. O presente estudo teve como objetivos: 1) estimar os tamanhos de territórios e compara-los entre estação reprodutiva e não reprodutiva; 2) testar a influência do tamanho dos indivíduos e quantidade de vizinhos no tamanho do território; 3) descrever ninhos, ovos, filhotes e determinar o sucesso reprodutivo; 4) quantificar o cuidado parental; 5) desenvolver marcadores moleculares de microssatélites para determinar paternidade. Para os indivíduos capturados e marcados individualmente, foram obtidas amostras de sangue e medidas morfométricas (tarso, asa, cauda, comprimento total), além do peso. Os tamanhos dos territórios foram estimados pelo método do mínimo polígono convexo (unindo pontos onde machos foram registrados vocalizando). A densidade foi estimada com base no tamanho dos territórios. Aspectos da reprodução foram acessados por meio de busca mensal por ninhos e acompanhamento destes por dois dias consecutivos. Foram obtidas as taxas de predação e a quantificação do cuidado parental. Para a paternidade foram utilizados sete marcadores de microssatélites, desenvolvidos para este fim. Formicivora littoralis possui território pequeno (0,008 a 0,32ha), que varia de acordo com a estação (menor na estação reprodutiva). O tamanho do território não foi relacionado com o tamanho do indivíduo, mas apresentou resultado significativo quando comparado com a quantidade de territórios vizinhos, mostrando ser menor quanto maior o número de vizinhos. A espécie apresentou elevada densidade (0,53 a 1,15 indivíduos/km2). Com relação à reprodução, ninhos tem o formato de cesto aberto onde foram postos no máximo dois ovos. Os filhotes nasceram sem penas. A razão sexual no ninho foi igual em ambos os sexos. A taxa de predação foi elevada na fase de incubação quando comparada à fase no ninho após a eclosão. O cuidado parental (durante a incubação e com os filhotes) foi realizado pelos dois sexos, sem diferenças na proporção do investimento realizado. Dos nove ninhos analisados, todos contiveram pelo menos um ninhego proveniente de fertilização extra-par. Um total de 81,2% dos ninhegos (13 em 16) não foram prole biológica do macho do par reprodutor que realizava o cuidado parental e que se encontrava pareado socialmente com a fêmea. Essa taxa foi a mais elevada entre os estudos já realizados nos neotrópicos

Polifonias Políticas e Pedagógicas: Villa-Lobos no Instituto de Educação do Rio de Janeiro na Era Vargas

O objetivo do presente trabalho é analisar as propostas políticas, identitárias e pedagógicas orfeônicas de Villa-Lobos no Instituto de Educação do Rio de Janeiro, no período da Era Vargas. O corpus documental mobilizado neste estudo é constituído por correspondências, relatórios, hinários, cancioneiros, manuais pedagógicos e artigos de periódicos da época em questão. Esses documentos são articulados com três entrevistas, realizadas com professoras de música, ex-alunas da instituição. Nessa perspectiva, buscou-se entender como se deu a aproximação do projeto musical-pedagógico villalobiano com as ideias do Manifesto dos Pioneiros da Educação Nova, de 1932, que trabalharam no Instituto, a saber: Anísio Teixeira, Afranio Peixoto e Fernando de Azevedo. Coloca-se em baila o repertório pedagógico villalobiano e suas conexões com as ideologias fomentadas pelo governo do Getúlio Vargas, por meio das canções escolares, patrióticas, militares, de ofício e folclóricas. Dedica-se também à compreensão das relações do Maestro com os outros docentes da disciplina Música e Canto Orfeônico do Instituto de Educação: o compositor nacionalista Oscar Lorenzo Fernandez, o pianista José Vieira Brandão e catedrática Ceição de Barros Barreto. Por meio desta investigação foi possível entender que a consolidação do Canto Orfeônico na escola da então capital da República deu-se por sua consonância com o ideário dos pioneiros escolanovistas, que defendiam o acesso à educação para todos, e com os educadores musicais nacionalistas, professores que trabalhavam motivados pelo desejo de construir uma identidade musical verdadeiramente brasileira

30 anos do Ilé Omiojuaró: arte, educação e ativismo nas redes de Mãe Beata de Iyémonjá

Os terreiros de candomblé têm papel fundamental na manutenção e difusão de tradições ancestrais: idiomas, arte, a preparação dos alimentos, as vestimentas, cânticos, danças, batuques e toda sorte de símbolos materiais e imateriais, mantidos, repassados e transpassados pela tradição e memória de várias gerações. Para a observação e análise de parte deste complexo cultural, a presente dissertação analisará algumas ações culturais e educativas desenvolvidas no Ilé Omiojuaró, terreiro de Candomblé da Baixada Fluminense, região metropolitana do Rio de Janeiro, liderado por Mãe Beata de Iyémonjá, yalorixá, ativista e referência na luta pela liberdade religiosa e pelos direitos humanos na América Latina. Por ser uma temática extensa, pois se trata de um complexo cultural com um imenso e diverso volume de informações, saberes e fazeres, onde o terreiro terá sua própria dinâmica e especificidade, escolhi observar os processos educativos através de duas ações culturais desenvolvidas nos cotidianos do terreiro pesquisado: o projeto cultural OriRe e a participação do terreiro no projeto A Cor da Cultura, por intermédio de sua associação cultural sem fins lucrativos, o INDEC (Instituto de Desenvolvimento Cultural do Ilé Omiojuaró). Para tanto, utilizaremos entrevistas, relatórios de trabalhos, conversas, imagens fotográficas e imagens da web. A conclusão da pesquisa ocorre justamente no ano em que o terreiro pesquisado comemora seus 30 anos de existência

Conspirando música: uma etnografia macrossociologicamente informada do conceito goffmaniano de equipe

Este trabalho é um estudo sociológico sobre o dia a dia de um grupo de indivíduos envolvidos na e pela realização conjunta e simultânea de um processo coletivo de produção, isto é, pela coordenação de ações a um só tempo com vistas a um objetivo coletivo comum. Quando se entende o coral da Escola JXa como uma equipe goffmaniana, este objetivo coletivo comum passa a ser a manutenção de uma impressão diante de um público através da produção musical. Assim, busca-se descrever aqui como os integrantes daquele coral conjugavam seus esforços para parecerem músicos apresentando músicas para uma audiência. Necessariamente, isso implica na mobilização proficiente de parâmetros culturais já estabelecidos como musicais em determinada sociedade. Deste modo, para que aquela equipe pudesse almejar a manutenção de uma impressão, seus integrantes precisariam ter aprendido a entender e a reproduzir convenções musicais. Daí a importância para a análise de se considerar a longa duração de um campo bourdieusiano. No caso do coral da Escola JXa, as convenções de produção musical eram sintetizadas pela formação SATBar, através da qual se dividia funcionalmente o coral em quatro tipos de cantores − soprano, contralto, tenor e barítono. Além desta categorização, de origem europeia e renascentista, a presença de uma regente e de um conjunto de instrumentistas também se apresentava como condicionamento histórico da produção musical daquela equipe. Assim, tenta-se entender como se construíam identidades individuais − de músicos - e coletiva − de um coral − através da atualização situacional de um cânone secular. Além disso, busca-se caracterizar as dinâmicas entre o dia a dia daquele coral e instituições macrossociais mais amplas - como a classificação heteronormativa dos gêneros −, mediadas pelas convenções musicais. Finalmente, descreve-se como se manifestava o imperativo categórico situacional dos integrantes do coral − manter-se leal à manutenção da identidade da equipe − imediatamente antes, durante e imediatamente depois das apresentações em público.

Can a group elicit duets from its neighbours? A field study on the black-crested gibbon (Nomascus concolor jingdongensis) in Central Yunnan, China

We tested the intergroup spacing hypothesis with a 13-month field study of the interaction of singing behaviour between 3 neighbouring groups of black-crested gibbons (Nomascus concolor jingdongensis) at Mt. Wuliang, Central Yunnan, China. Neighbouring gr

Seasonal variations in the activity budget of Nomascus concolor jingdongensis at Mt. Wuliang, Central Yunnan, China: Effects of diet and temperature

We studied seasonal variation in the activity budget of a habituated group of Nomascus concolor jingdongensis at Mt. Wuliang, Central Yunnan, China from March 2005 to April 2006 via scan sampling at 5-min intervals. The study site is near the northern extreme of the distribution of hylobatids, at high altitude with extreme seasonality of temperature and rainfall. During the day, feeding manifested a bimodal pattern of high activity levels in mid-morning and mid-afternoon, whereas resting reached a peak at midday, with proportionally less time used for traveling. Annually, the group spent an average of 40.0% of the time resting, 35.1% feeding, 19.9% traveling, 2.6% singing, 1.2% playing, and 1.3% in other activities. The proportion of time allocated to activities showed significant monthly variations and was influenced by the diet and temperature. Gibbons increased traveling and playing time and decreased feeding time when they ate more fruit, and they decreased traveling, singing, and playing time and increased feeding time when they ate more leaves. Moreover, when the temperature was low, the gibbons decreased time traveling and increased time resting. In summary, black-crested gibbons employed high-effort activities when they ate more fruit and energy-conservation patterns when they ate more leaves and in low temperature. Behavioral data from the site are particularly useful in understanding gibbon behavioral adaptations to different sets of ecological conditions.

Altitudinal Ranging of Black-Crested Gibbons at Mt. Wuliang, Yunnan: Effects of Food Distribution, Temperature and Human Disturbance

We studied the altitudinal ranging of one habituated group of black-crested gibbons (Nomascus concolor) at Dazhaizi, Mt. Wuliang, Yunnan, China, between March 2005 and April 2006. The group ranged from 1,900 to 2,680 m above sea level. Food distribution was the driving force behind the altitudinal ranging patterns of the study group. They spent 83.2% of their time ranging between 2,100 and 2,400 m, where 75.8% of important food patches occurred. They avoided using the area above 2,500 m despite a lack of human disturbance there, apparently because there were few food resources. Temperature had a limited effect on seasonal altitudinal ranging but probably explained the diel altitudinal ranging of the group, which tended to use the lower zone in the cold morning and the higher zone in the warm afternoon. Grazing goats, the main disturbance, were limited to below 2,100 m, which was defined as the high-disturbance area (HDA). Gibbons spent less time in the HDA and, when ranging there, spent more time feeding and travelling and less time resting and singing. Human activities directly influenced gibbon behaviour, might cause forest degradation and create dispersal barriers between populations. Copyright (C) 2010 S. Karger AG, Basel